W. Joseph Campbell

Archive for the ‘Watergate myth’ Category

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‘A debunker’s work is never done’

In Bay of Pigs, Bra-burning, Cronkite Moment, Debunking, Furnish the war, Media myths, Murrow-McCarthy myth, New York Times, Reviews, War of the Worlds, Washington Post, Watergate myth, Yellow Journalism on May 21, 2010 at 6:14 pm

So notes the inestimable media critic Jack Shafer in his review of my forthcoming book, Getting It Wrong, posted today at slate.com.

And what a generous, engaging, and insightful review it is.

Under the headline “The Master of Debunk,” Shafer notes that “the only way to debunk an enshrined falsehood is with maximum reportorial firepower.

“Toting big guns and an itchy trigger-finger is American University professor W. Joseph Campbell, whose new book Getting It Wrong: Ten of the Greatest Misreported Stories in American Journalism flattens established myths that you were brought up to believe were true.”

Shafer’s review specifically discusses a variety of media-driven myths, including William Randolph Hearst’s purported vow to “furnish the war” with Spain; the so-called “Cronkite moment” that supposedly altered President Lyndon Johnson’s Vietnam policy; the Bay of Pigs suppression myth that erroneously says President John F. Kennedy persuaded the New York Times to spike a story about the pending U.S.-backed invasion of Cuba, and the heroic-journalist myth of Watergate.

Shafer rightly points out that “a debunker’s work is never done” and to that end notes my recent post at Media Myth Alert about Evan Thomas’ new book, The War Lovers. The book embraces myths of the yellow press period in American journalism, including the Hearst vow.

Shafer thoughtfully considers the tenacity of media-driven myths, writing:

“Some myths endure because the stories are so compelling, like the Hearst tale and the alleged mayhem caused by Orson Welles’ [War of the Worlds] broadcast. Others survive because our prejudices nourish them (“crack babies,” bra burners) or because pure repetition has drummed them into our heads, smothering the truth in the process.

“The best tonic for the brain fever caused by media myths is an open mind and a free inquiry,” he writes.

Shafer wraps up the review by invoking this observation, by Jonathan Rauch:

“It is the error we punish, not the errant.”

Shafers adds:

“Of course when you do such a good job punishing the error, as Campbell does, you don’t need to bother with the errant.”

WJC

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Woodward’s reporting ‘changed course of American history’?

In Debunking, Media myths, Washington Post, Watergate myth on May 16, 2010 at 12:10 pm

Bob Woodward’s “investigative reporting of Watergate changed the course of American history.”

So asserted a column in yesterday’s St. Petersburg Times.

Woodward (Library of Congress)

The author didn’t elaborate, or offer supporting evidence for such an exuberant claim. Presumably, he meant that reporting by Woodward and his Washington Post colleague, Carl Bernstein, brought down Richard Nixon’s corrupt presidency in the Watergate scandal of the early 1970s.

That, of course, is among the most appealing and enduring of the many media-driven myths–stories about and or by the news media that are widely believed and often retold but which, under scrutiny, prove apocryphal or wildly exaggerated.

I address, and debunk, 10 prominent media-driven myths in my forthcoming book, Getting It Wrong. Among them is what I call the heroic-journalist myth of Watergate–a trope that knows few bounds.

As I note in Getting It Wrong, even Washington Post officials over the years have scoffed at such claims.

Notable among them was Katherine Graham, the publisher during the Watergate period.

“Sometimes people accuse us of bringing down a president, which of course we didn’t do,” Graham said in 1997, at a program marking the scandal’s twenty-fifth anniversary. “The processes that caused [Nixon’s] resignation were constitutional,” she insisted.

Indeed, I write in Getting It Wrong, “Nixon’s fall was the consequence of his criminal conduct, which was exposed in the convergence of many forces, newspaper reporting being among the least decisive.”

Still, the heroic-journalist myth endures.

An important reason why Woodward and Bernstein are given so much credit is the need for heroes in a business that is much derided and little trusted. As I note in Getting It Wrong, which will be out next month, “media myths can be self-flattering, offering heroes like Woodward and Bernstein to a profession more accustomed to criticism than applause.”

I further write:

“Similarly, media myths invite indulgence in the ‘golden age fallacy,’ the flawed but enticing belief that there really was a time when journalism and its practitioners were respected and inspiring—the time, say, of Murrow or Cronkite, or Woodward and Bernstein.”

Such misplaced nostalgia has helped embed these myths firmly and decisively in media history.

WJC

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Another movie list, another myth invoked

In Cinematic treatments, Debunking, Media myths, Washington Post, Watergate myth on April 26, 2010 at 11:52 am

The cinema can be a powerful propellant of media-driven myths.

As I note in my forthcoming book, Getting It Wrong, cinematic treatments can and do “influence how historical events are collectively remembered and can harden media-driven myths against debunking.”

I invoke as an example the Watergate scandal, which culminated in 1974 with the resignation of President Richard Nixon. It is often said that the Watergate reporting of Washington Post reporters Bob Woodward and Carl Bernstein “brought down” Nixon’s corrupt presidency.

Woodward and Bernstein’s best-selling book about their Watergate reporting, All the President’s Men, was turned into a highly successful motion picture by the same title.

And as I write in Getting It Wrong, the cinematic version of All the President’s Men, which cast Robert Redford and Dustin Hoffman in the roles of Woodward and Bernstein, “helped ensure that the journalists and their newspaper would be regarded as central to cracking the Watergate scandal.”

Testimony to that observation was offered yesterday in an item at the Huffington Post blog referring to All the President’s Men as “one of the top films about the presidency.”

The item said the film “documents how the power of the press and the determination of two young journalists brought down this occupant [Nixon], who only two years prior had won re-election by the widest margin in history.”

As I’ve noted several times at MediaMythAlert, the notion that Woodward, Bernstein, and the Washington Post “brought down” Nixon is a media-driven myth, a trope that knows few bounds.

It is, I write in Getting It Wrong, a misleading interpretation that “minimizes the far more decisive forces that unraveled the scandal and forced Nixon from office.”

The “heroic-journalist myth of Watergate” took hold for a number of reasons, among them the sheer complexity of the scandal. Not only was Nixon turned from office but  19 men associated with his presidency or his 1972 reelection campaign went to jail.

The “heoric-journalist” memo has become, I write, “a proxy for grasping the scandal’s essence while avoiding its forbidding complexity.”

The cinematic version of All the President’s Men accomplished that, too, by offering what I call “an unmistakable assertion of the power and centrality of the press in Nixon’s fall.”

The contribution of other agencies and entities in unraveling Watergate and prosecuting Nixon’s men is downplayed or ignored.

The Huffington Post item that invoked the heroic-journalist myth discussed 11 films that examine the American presidency, including two fine motion pictures, Primary Colors and the Manchurian Candidate.

Also on the movie list was Dick, an improbable spoof about Watergate and the Nixon White House that depicts Woodward and Bernstein as antagonistic incompetents who bungle their way to a Pulitzer Prize.

WJC

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‘Revealing the scandal of Watergate’

In Debunking, Media myths, Washington Post, Watergate myth on April 22, 2010 at 3:58 pm

I blogged the other day about the polyglot nature of enduring media-driven myths, notably the heroic-journalist myth of Watergate, which holds that two Washington Post reporters exposed the Watergate scandal and brought down the corrupt presidency of Richard Nixon.

“It’s a sure sign of tenacity and hardiness when media-driven myths cross linguistic barriers to become embedded in other languages,” I wrote.

Confirmation of that observation is offered today in a post at the French-language Swiss online site, Les Quotidiennes, which declared:

“In the ’70s, Carl Bernstein and Bob Woodward, two journalists for the Washington Post, inspired entire generations by revealing the Watergate scandal which led to the resignation of President Nixon.”

Bernstein and Woodward’s Watergate reporting won the Public Service Pulitzer Prize for the Post in 1973. They did fine work.

But it can’t really be said that they “revealed” or disclosed the Watergate scandal. Credit for that accomplishment goes largely to federal investigative agencies, bipartisan congressional panels, federal prosecutors and judges, and the U.S. Supreme Court.

Edward Jay Epstein persuasively argued this point in his  fine essay in 1976 about Watergate and the news media. He wrote that “the FBI, the federal prosecutors, the [federal] grand jury, and the Congressional committees … unearthed and developed all the actual evidence and disclosures of Watergate.”

Epstein noted that Bernstein and Woodward, in All the President’s Men, their book about their Watergate reporting, “systematically ignored or minimized” the work of those agencies and institutions.

“Instead,” Epstein wrote, “they simply focus[ed] on those parts of the prosecutors’ case, the grand-jury investigation, and the FBI reports that were leaked to them.”

I address the heroic-journalist myth of Watergate in my forthcoming book, Getting It Wrong, noting that it is “the most familiar storyline of Watergate: ready short-hand for understanding Watergate and its denouement, a proxy for grasping the scandal’s essence while avoiding its forbidding complexity.

“How the Post and its reporters uncovered Watergate is deeply ingrained in American journalism as one of the field’s most important and self-reverential stories.”

I add:

“But to explain Watergate through the lens of the heroic-journalist is to abridge and misunderstand the scandal and to indulge in a particularly beguiling media-driven myth. The heroic-journalist interpretation minimizes the far more decisive forces that unraveled the scandal and forced Nixon from office,” such as the subpoena-wielding federal authorities.

I further note in Getting It Wrong that the media scholar Jay Rosen has referred to the heroic-journalist construct as “the redemptive tale believers learn to tell about the press and what it can do for the American people. It is a story of national salvation: truth their only weapons, journalists save the day.”

It’s an endlessly appealing meme: easy to grasp, and not difficult to translate.

WJC

Jay Rosen, a media scholar, has called the heroic-journalist construct “the redemptive tale believers learn to tell about the press and what it can do for the American people. It is a story of national salvation: truth their only weapons, journalists save the day.”[i]

[i] Jay Rosen, “Deep Throat, J-School and Newsroom Religion,” PressThink Web log (5 June 2005), posted at: http://journalism.nyu.edu/pubzone/weblogs/pressthink/2005/06/05/wtrg_js.html. Rosen also wrote: “When the press took over the legend of Watergate, the main characters were no longer the bad guys like Richard Nixon [and his corrupt aides] John Mitchell, Bob Haldeman, John Erlichman, or Chuck Colson, all of whom broke the law and abused state power. The narrative got turned around. Watergate became a story about heroism at the Washington Post. The protagonists were Woodward and Bernstein ….”

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One paragraph, three myths

In Cronkite Moment, Debunking, Media myths, Murrow-McCarthy myth, New York Times, Washington Post, Watergate myth on April 21, 2010 at 11:45 am

A column posted today at a Canadian online news site achieved the feat of working three media-driven myths into a single paragraph.

Here’s what the columnist wrote, in a paean to the power and influence that traditional news media once wielded, supposedly:

“A Walter Cronkite could, however belatedly, expose the pointlessness of Vietnam. Famously, Edward R. Murrow deflated McCarthy. A pair of scruffy reporters could bring down a Nixon.”

Three sentences, three myths–a trifecta that is very rare.

All three media-driven myths are addressed, and debunked, in my book, Getting It Wrong, to be published in summer by the University of California Press.

The reference to Cronkite is to the CBS anchorman’s report of February 27, 1968, in which he said the U.S. military was “mired in stalemate” in Vietnam. As I write in Getting It Wrong, such a characterization was scarcely original or exceptional at the time. It was no exposé.

Indeed, nearly seven months before Cronkite’s pronouncement, the New York Times had suggested in a front-page report that the war was stalemated.

Victory in Vietnam, the Times report said, “is not close at hand. It may be beyond reach.”

That Murrow “deflated” Senator Joseph R. McCarthy is another media myth, stemming from Murrow’s See It Now television program of March 9, 1954.

Murrow in fact was quite belated in confronting McCarthy and the senator’s communists-in-government witch hunt.

The half-hour See It Now program on McCarthy came many months–even years–after other journalists had pointedly challenged the senator and his bullying tactics. Eric Sevareid, a friend and CBS colleague of Murrow, pointedly noted that Murrow’s program “came very late in the day.”

In an interview in 1978, Sevareid said: “The youngsters read back and they think only one person in broadcasting and the press stood up to McCarthy and this has made a lot of people feel very upset, including me, because that program came awfully late.”

And by the time Murrow’s report aired, McCarthy’s favorable ratings had been in decline for three months, as also I note in Getting It Wrong.

The Canadian columnist’s reference to “a pair of scruffy reporters” who supposedly brought down Richard Nixon is, of course, to Carl Bernstein and Bob Woodward, who covered the Watergate scandal for the Washington Post.

As I’ve noted in previous posts at MediaMythAlert, the notion that the reporters brought down Nixon and his corrupt presidency is a myth that even the Post has tried to dismiss.

Howard Kurtz, the newspaper’s media reporter, wrote in 2005, for example:

“Despite the mythology, The Post didn’t force Richard Nixon from office—there were also two special prosecutors, a determined judge, bipartisan House and Senate committees, the belated honesty of [former White House lawyer] John Dean and those infamous White House tapes.”

Kurtz’s observations parallel those of Stanley I. Kutler, a leading historian of the  Watergate scandal, who has written:

“The fact is, an incredible array of powerful actors all converged on Nixon at once—the FBI, prosecutors, congressional investigators, the judicial system.”

The three myths are stories well-known and even cherished in American journalism. They almost always are cited as examples of media power and influence, of journalists at their courageous best.

But as I write in Getting It Wrong:

“To identify these tales as media myths is to confront the reality that the news media are not the powerful agents they, and many others, assume them to be.”

WJC

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Movies about journalists: Another list, another myth

In Cinematic treatments, Debunking, Furnish the war, Media myths, Newspapers, Washington Post, Watergate myth on April 17, 2010 at 6:31 pm

The blog True/Slant includes a ranking today of the 10 best-ever movies about journalism, and the Bogart film, Deadline U.S.A., tops the list.

This 10-best lineup was inspired by the series of newspapering movies running at Film Forum in Manhattan.

Absence of Malice (which I thought was dreadfully stereotypical), ranked second on the True/Slant list; The Paper was third, and All the President’s Men, the best-known movie about the Watergate scandal, was fourth.

Almost predictably, the description about All the President’s Men said:  “Robert Redford and Dustin Hoffman play Washington Post reporters Carl Bernstein and Bob Woodward, who reported the Watergate scandal and brought down a President. One of the few movies that makes journalism look like something worth doing.”

So there we are again–the hoary claim resurfaces that Nixon was “brought down” by the reporting of the intrepid Post reporters.

It’s what I call the heroic-journalist myth, and it’s addressed, and debunked, in Getting It Wrong, my forthcoming book about media-driven myths.

I note in the book, which is due out this summer, that heroic-journalist myth of Watergate is one of the most appealing and self-reverential stories in American media history.

It is striking indeed how routinely and even off-handedly Bernstein and Woodward are credited with the accomplishment, especially when the record of Watergate shows that the Post’s reporting had at best a marginal effect on forcing Nixon’s resignation in 1974.

Other forces and factors were far more decisive to the denouement of Watergate. As Howard Kurtz, the Post’s media reporter, has written:

“Despite the mythology, The Post didn’t force Richard Nixon from office—there were also two special prosecutors, a determined judge, bipartisan House and Senate committees, the belated honesty of [former White House lawyer] John Dean and those infamous White House tapes.”

Nixon’s White House tapes were crucial to the outcome. He resigned the presidency shortly after the Supreme Court ordered him to turn over the tapes subpoenaed by the Watergate special prosecutor.

One of the tapes undeniably showed Nixon participating in the coverup of the burglary at Democratic national headquarters, the signal crime of the Watergate scandal.

I also note in Getting It Wrong that motion pictures have a way of solidifying media-driven myths in the public’s consciousness.

“High-quality cinematic treatments,” I write, “are powerful agents of media myth-making, and can enhance a myth’s durability.”

And so what’s my top movie about newspapering? The 1941 Orson Welles masterpiece, Citizen Kane.

And that’s probably because I get such a laugh every time I watch the scene that paraphrases William Randolph Hearst‘s purported vow “to furnish the war” with Spain.

That may be the hardiest media myth of all.

A sleeper in my lineup of best movies about journalism is John Ford’s 1962 Western, The Man Who Shot Liberty Valence.

Why Liberty Valence?

Solely because of the movie’s greatest line, which is so applicable to media myth-making:

“This is the West, sir. When the legend becomes fact, print the legend.”

WJC

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Myths going polyglot: An emblem of hardiness

In Debunking, Media myths, Washington Post, Watergate myth on April 16, 2010 at 9:29 am

It’s a sure sign of tenacity and hardiness when media-driven myths cross linguistic barriers to become embedded in other languages.

The heroic-journalist myth of Watergate–which I explore in Getting It Wrong, my forthcoming book about media-driven-myths–represents that phenomenon quite well.

In the past few days, references to the myth–which maintains that the work of two young, intrepid reporters for the Washington Post brought down Richard Nixon’s corrupt presidency–have appeared online in French and Italian.

The French version was posted at the Web site of the weekly lifestyle magazine, Paris Match.  The item was about Sheri Fink, who this week became a winner of a Pulitzer Prize in investigative reporting.

Paris Match said of Fink: “She enters the pantheon of the press that includes famous predecessors such as Bob Woodward of the Washington Post who disclosed the Watergate scandal leading to the impeachment of President Nixon.”

For starters, Nixon was never impeached; he resigned the presidency in 1974, to head off certain impeachment and conviction.

Moreover, Woodward and his reporting partner, Carl Bernstein, did not uncover or disclose the Watergate scandal.

As Edward Jay Epstein wrote years ago in a marvelous essay about the news media and Watergate, “the FBI, the federal prosecutors, the [federal] grand jury, and the Congressional committees … unearthed and developed all the actual evidence and disclosures of Watergate.”

Epstein noted that Woodward and Bernstein, in All the President’s Men, their book about their Watergate reporting, “systematically ignored or minimized” the work of those agencies and institutions.

“Instead,” Epstein wrote, “they simply focus on those parts of the prosecutors’ case, the grand-jury investigation, and the FBI reports that were leaked to them.”

The heroic-journalist meme also popped up in an item posted the other day at VignaClaraBlog, an online local news site in Rome. That item told of an upcoming interview with Bernstein, whom it credited with breaking the Watergate scandal, leading to Nixon’s resignation.

The objective here is not to score points at the expense of foreign-language sites invoking the heroic-journalist myth. Rather, it is to underscore how persistent and insidious media-driven myths can be.

Crossing linguistic barriers not only is an emblem of their appeal: It suggests that myths such as that of the heroic-journalist of Watergate are now thoroughly immune to conclusive uprooting.

WJC

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On bringing down Nixon

In Cinematic treatments, Debunking, Media myths, Newspapers, Washington Post, Watergate myth on April 12, 2010 at 4:07 pm

My guestpost the other day at the “Political Bookworm” blog–in which I reviewed three media-driven myths explored in my forthcoming book, Getting It Wrong–has attracted more than a few comments, including this particularly blinkered rhetorical question:

“Do you really know anyone who believes the Washington Post brought Nixon down?”

For starters, check Investor’s Business Daily.

On the day the guestpost and the blinkered comment appeared, Investor’s Business Daily said the New York Times, in its coverage of sexual abuses by Roman Catholic priests, was “seeking the biggest prey since Woodward and Bernstein brought down Richard Nixon.”

There you go: Brought down Nixon.

Gerald Ford became president on Nixon's resignation

The Investor’s Business Daily reference, of course, was to Bob Woodward and Carl Bernstein of the Washington Post whose investigative reporting in the Watergate scandal is often and inaccurately said to have toppled Richard Nixon’s corrupt presidency.

As I note in Getting It Wrong, the heroic-journalist meme of Watergate is one of the most hardy, persistent, and delicious myths in American media history.

Interestingly, it lives on despite periodic efforts by principals at the Washington Post to dismiss it. (“Political Bookworm” is a Washington Post blog, it should be noted.)

The newspaper’s media reporter, Howard Kurtz, wrote in 2005, for example:

“Despite the mythology, The Post didn’t force Richard Nixon from office—there were also two special prosecutors, a determined judge, bipartisan House and Senate committees, the belated honesty of [former White House lawyer] John Dean and those infamous White House tapes.”

Kurtz’s observations parallel those of Stanley I. Kutler, a leading historian of Watergate, who has written:

“The fact is, an incredible array of powerful actors all converged on Nixon at once—the FBI, prosecutors, congressional investigators, the judicial system.”

Amid this array of subpoena-wielding authorities investigating Watergate, the contributions of Woodward and Bernstein were modest–and certainly not decisive to the scandal’s outcome.

Still, the heroic-journalist myth is alive, well–and often invoked.

In large measure, that’s because the 1976 motion picture All the President’s Men–the leading movie about Watergate–depicted Woodward and Bernstein as essential to unraveling the scandal.

Indeed, this myth is a trope that knows few bounds.

WJC

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In today’s ‘Outlook’ section

In Cronkite Moment, Debunking, Furnish the war, Media myths, Murrow-McCarthy myth, Newspapers, Washington Post, Watergate myth on April 11, 2010 at 12:13 pm

An abbreviated version of my recent guestpost at the “Political Bookworm” blog appeared today in the “Outlook” section of the Washington Post.

Here’s the text of the “Outlook” piece, with links that I’ve added:

W. Joseph Campbell, a professor of communication at American University, busts some media myths in his book, “Getting It Wrong: Ten of the Greatest Misreported Stories in American Journalism,” coming in July from the University of California Press. Here are three of Campbell’s biggies:

1. William Randolph Hearst’s purported vow, telegraphed to the artist Frederic Remington in Cuba, to “furnish the war” with Spain. Hearst denied making such a statement. The telegram containing his purported pledge has never turned up. The “furnish the war” anecdote can be traced to 1901 and a memoir by another journalist, James Creelman, who did not say when or how he learned the story about Hearst’s vow.

2. Edward R. Murrow brought an end to Sen. Joseph R. McCarthy’s communists-in-government witch hunt. This myth stems from Murrow’s CBS program “See It Now” on March 9, 1954, when the newsman dissected McCarthy’s crude investigative techniques and taste for the half-truth — none of which was unknown to American audiences at the time. The myth took hold even though years before the program aired, several prominent journalists — including Washington-based syndicated columnist Drew Pearson — had become searching critics of McCarthy and his tactics.

Nixon resigns, 1974

3. The Washington Post’s investigative reporting brought down Richard Nixon’s corrupt presidency. Katharine Graham, The Post’s publisher during the Watergate period, said in 1997: “Sometimes people accuse us of bringing down a president, which of course we didn’t do. The processes that caused [Nixon’s] resignation were constitutional.” She was right, but the complexities of Watergate are not readily recalled these days. What does stand out is a media-centric interpretation that the dogged reporting of Post journalists Bob Woodward and Carl Bernstein brought Nixon down.

WJC

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Now at Political Bookworm, where ‘must-read books are discovered’

In Cronkite Moment, Debunking, Furnish the war, Media myths, Washington Post, Watergate myth on April 9, 2010 at 7:35 am

I guestpost today at the Political Bookworm, a Washington Post-sponsored site that describes itself as a blog where “tomorrow’s must-read political books are discovered today.”

In my post, I discuss three of the media-driven myths examined in my forthcoming book, Getting It Wrong, which the University of California Press will publish in the summer.

Political Bookworm is edited by Steven Levingston, the Post‘s nonfiction editor. The blog notes that it “discusses new books long before they hit the shelves.”

And here’s the text of my guest post:

The most famous anecdote in American journalism may be William Randolph Hearst’s purported vow, telegraphed to the artist Frederic Remington in Cuba, to “furnish the war” with Spain at the end of the 19th century.

Or it may be Edward R. Murrow’s television program on CBS in 1954, which supposedly brought an end to Sen. Joseph R. McCarthy’s communists-in-government witch-hunt.

Or it may be the interpretation of Watergate that says The Washington Post’s investigative reporting brought down Richard Nixon’s corrupt presidency.

All three are well-known stories about the exercise of media power, for good or bad. All three anecdotes are often retold.

All three are media-driven myths.

Media myths often confer on the news media far more power and influence than they merit or possess. Media myths also tend to minimize the complexity of historical events in favor of simplistic and misleading interpretations.

That’s an important reason why Hearst’s vow has lived on for more than 100 years: It is succinct, savory, and easily remembered. It conforms to the popular image of Hearst as war-monger.

Hearst, though, denied making such a statement. The telegram containing his purported pledge has never turned up. And it would have been absurd for Hearst to vow to “furnish the war” because war — Cuba’s rebellion against Spain’s colonial rule — was the reason he sent Remington to Cuba. (The Cuban rebellion gave rise in 1898 to the Spanish-American War.)

The “furnish the war” anecdote can be traced to 1901 and a memoir by another journalist, James Creelman, who did not say when or how he learned story about Hearst’s vow.

The Murrow-McCarthy myth stems from Murrow’s See It Now program on March 9, 1954. See It Now that night dissected McCarthy’s crude investigative techniques and taste for the half-truth — none of which was unknown to American audiences at the time

Years before the program aired, several prominent journalists — including the Washington-based syndicated columnist Drew Pearson — had become searching critics of McCarthy and his tactics.

Interestingly, the myth took hold despite Murrow’s protests. In the weeks following the See It Now program, Murrow said he recognized that at best he had reinforced what others had long said about the red-baiting senator.

Similarly, principals at The Washington Post over the years have disputed the notion their newspaper toppled Nixon, who resigned in 1974. Among them was Katharine Graham, the Post’s publisher during the Watergate period. “Sometimes people accuse us of bringing down a president, which of course we didn’t do,” she said in 1997. “The processes that caused [Nixon’s] resignation were constitutional.”

She was right, but the complexities of Watergate — the deceit and criminality that characterized the Nixon White House and the multiple lines of investigation that slowly unwound the scandal — are not readily recalled these days.

What does stand out is a media-centric interpretation, that the dogged reporting of Washington Post journalists Bob Woodward and Carl Bernstein brought Nixon down. It’s a familiar storyline, a proxy for grasping Watergate’s essence while sidestepping its complexities.

That storyline was solidified by the 1976 motion picture, “All the President’s Men,” the screen adaptation of Bernstein and Woodward’s book of the same title. The film casts the reporters as central to unraveling the scandal.

Debunking these and other media myths matters for a variety of reasons. Media myths can and do feed stereotypes. They distort our understanding of the news media and of history. And there is inherent value in setting the record straight.

In that sense, myth-busting is aligned with a central objective of newsgathering — that of getting it right.

WJC