W. Joseph Campbell

Archive for the ‘Anniversaries’ Category

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WaPo ‘played pivotal role’ in Watergate? Think again

In Anniversaries, Bay of Pigs, Cronkite Moment, Debunking, Media myths, Washington Post, Watergate myth on March 24, 2011 at 7:52 am

The Wall Street Journal blog “India Real Time” indulged yesterday in the conventional but mistaken narrative of the Watergate scandal, declaring that the Washington Post “played a pivotal role in effectively bringing down then U.S. President Richard Nixon.”

Effectively brought down Nixon, eh?

Not even the Post buys into that misreading of Watergate history.

As I note in my latest book, Getting It Wrong, the newspaper’s publisher during and after the Watergate scandal, Katharine Graham, dismissed that interpretation, declaring in 1997:

“Sometimes people accuse us of bringing down a president, which of course we didn’t do. The processes that caused [Nixon’s] resignation were constitutional.”

Similarly, the newspaper’s executive editor during Watergate, Ben Bradlee, has asserted:

“[I]t must be remembered that Nixon got Nixon. The Post didn’t get Nixon.”

Such comments aren’t the manifestation of false modesty. Far from it. Rather, they represent candid observations about the peripheral role the Post played in uncovering the scandal that brought about Nixon’s resignation in 1974.

As I write in Getting It Wrong, rolling up a scandal of the dimension and complexity of Watergate “required the collective if not always the coordinated forces of special prosecutors, federal judges, both houses of Congress, the Supreme Court, as well as the Justice Department and the FBI.

“Even then,” I add, “Nixon likely would have served out his term if not for the audiotape recordings he secretly made of most conversations in the Oval Office of the White House. Only when compelled by the Supreme Court did Nixon surrender those recordings, which captured him plotting the cover-up and authorizing payments of thousands of dollars in hush money.”

Still, the notion that the Post was vital to the outcome of Watergate, that the newspaper “effectively” brought down a president, is the stuff of legend. It’s a powerful media-driven myth that offers a simplistic and misleading interpretation of the country’s greatest political scandal.

Watergate was among the media myths I discussed last night in a book talk at Kensington Row Bookshop in Kensington, MD.

I noted in my talk: “Obstruction of justice — not the Washington Post — is what cost Nixon his presidency.”

I also spoke about the mythical “Cronkite Moment” of 1968 and the NewYork Times-Bay of Pigs suppression myth of 1961.

The “Cronkite Moment” is shorthand for the dubious notion that the on-air assessment of CBS News anchorman Walter Cronkite forced President Lyndon Johnson to alter policy on Vietnam.

In a special report that aired February 27, 1968, Cronkite declared that the U.S. military effort in Vietnam was “mired in stalemate” and suggested that negotiations would prove to be the way out of the morass.

Johnson supposedly was at the White House that night, watching Cronkite’s show. Upon hearing the “mired in stalemate” assessment, the president supposedly snapped off the television set and said to an aide or aides:

“If I’ve lost Cronkite, I’ve lost Middle America.”

Or words to that effect.

As I said in my talk at the Kensington bookshop, “Acute version variability— the shifting accounts of just what was said — can be a marker of a media-driven myth.”

And so it is with the so-called “Cronkite Moment.”

Johnson did not see the Cronkite program when it aired. The president at the time was in Austin, Texas, offering light-hearted comments at a birthday party for Gov. John Connally, who that day turned 51.

About the time Cronkite was intoning his “mired in stalemate” commentary, Johnson was at the podium at Connally’s birthday party, saying:

“Today, you are 51, John. That is the magic number that every man of politics prays for—a simple majority.”

That line drew laughter from the audience of 25 people at the Kensington bookshop.

The Times-Bay of Pigs suppression myth, I said in my talk, dates almost 50 years — to April 1961, when “a CIA-trained force of Cuban exiles threw themselves on the beaches of southwest Cuba in a futile attempt to turn Fidel Castro from power.”

Supposedly, the Times censored itself about invasion plans several days before the assault took place — at the request of the President John F. Kennedy.

The Times, I said, “did not censor itself. It did not suppress its reporting” about invasion preparations.

“In fact,” I added, “the Times’ accounts of preparations for the invasion were fairly detailed — and prominently displayed on the front page in the days before the Bay of Pigs assault was launched.”

The suppression myth seems to have has its origins in the Cuban Missile Crisis of October 1962 — when the Times, at Kennedy’s request, did hold off publishing a story about the deployment of Soviet nuclear-tipped missiles in Cuba.

On that occasion, I said in my talk, “when the prospect of a nuclear exchange seemed to be in the balance, the Times complied” with the president’s request.

“But no such request,” I added, “was made of the Times in the run-up to the Bay of Pigs invasion of 50 years ago.”

WJC

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Recalling the hero of Nasiriyah: It wasn’t Jessica Lynch

In Anniversaries, Debunking, Jessica Lynch, Media myths, Washington Post on March 22, 2011 at 8:05 am

Tomorrow marks the anniversary of the deadly ambush at Nasiriyah in southern Iraq, an engagement so poorly reported by the Washington Post that it catapulted Jessica Lynch to undeserved international fame – and obscured the heroism of an Army sergeant who was captured, then killed.

The Post published an electrifying, front-page account of Lynch’s supposed heroics in the battle of March 23, 2003. The report appeared beneath the headline, “‘She was fighting to the death,'” and said Lynch had fought fiercely before being overwhelmed and captured by Iraqi attackers.

But the Post hero-warrior tale about Lynch was erroneous.

Botched.

Because of the apparent mistranslation of battlefield radio intercepts, the deeds the Post misattributed to Lynch, then a 19-year-old Army private, most likely were those of a 33-year-old cook-sergeant named Donald Walters.

Like Lynch, Walters was assigned to the Army’s 507th Maintenance Company, elements of which came under attack at Nasiriyah in March 2003, during the first days of the Iraq War.

Walters (right), a veteran of the Gulf War in 1991, either was left behind or stayed behind as his fellow soldiers tried to escape.

Perhaps the most detailed account of the ambush at Nasiriyah appears in Richard Lowry’s masterful work, Marines in the Garden of Eden.

In the book, Lowry wrote:

“We will never really know the details of Walters’ horrible ordeal. We do know that he risked his life to save his comrades and was separated from the rest of the convoy, deep in enemy territory. We know that he fought until he could no longer resist.”

Walters is believed to have fired 201 M-16 rounds at his attackers.

He was captured and executed by Iraqi irregulars.

His killers, so far as is known, have never been caught.

But how did Walters’ heroism come to confounded with the actions of Lynch — who later said she never fired a shot during the ambush? (Lynch cowered in the back seat of a Humvee as it tried to escape the Iraqi attack.)

As I write in Getting It Wrong, my media-mythbusting book:

“The probable sources of confusion were Iraqi radio communications that the U.S. forces intercepted. These communications reportedly included references to a blond American soldier’s fierce resistance in the fighting at Nasiriyah.

“In translating the intercepted reports to English, the pronoun ‘he’ was mistaken for ‘she.’ As Lynch was the only blonde woman in the 507th, the battlefield heroics were initially attributed to her, not Walters.”

And drawing on information sources it has never revealed, the Post published its erroneous account of Lynch’s derring-do.

I further note in Getting It Wrong that a brigade commander named Colonel Heidi Brown offered the explanation about the mistranslation, in an interview broadcast in 2004 on National Public Radio’s All Things Considered program.

Brown said on the program: “What I was told was that it was just a faulty translation, but it made for everyone … to make a huge assumption that it was Jessica Lynch, when, in fact it probably — but you know, no one knows for sure. It probably was Sergeant Walters.”

I also note in Getting It Wrong that Walters’ actions, “when they became known, attracted little more than passing interest from the American news media — certainly nothing akin to the intensity of the Lynch coverage after the Post’s ‘fighting to the death’ story appeared.”

The Post article about Lynch’s supposed heroism, which appeared April 3, 2003, set off an avalanche of similar news coverage in news outlets across the United States and around the world. It was an irresistible, cinematic tale — a waiflike teenager pouring lead into attacking Iraqis, much like a female Rambo.

The Post never fully explained how it got the story so badly wrong, and offered but scant interest in the real hero at Nasiriyah.

A database search of Post articles published since April 2003 revealed just three stories in which Walters’ name was mentioned. None of those articles discussed in any detail his bravery at Nasiriyah.

The Army eventually acknowledged that Walters’ conduct “likely prevented his unit from suffering additional casualties and loss of life” and posthumously awarded him the Silver Star — the military’s third-highest decoration for valor.

WJC

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But how was it that Lynch came to be confused with Walters, who was slim, ruddy, and 33-years-old? The probable sources of confusion were Iraqi radio communications that the U.S. forces intercepted. These communications reportedly included references to a blond American soldier’s fierce resistance in the fighting at Nasiriyah. In translating the intercepted reports to English, the pronoun “he” was mistaken for “she.” As Lynch was the only blonde woman in the 507th, the battlefield heroics were initially attributed to her, not Walters.[i] A brigade commander, Colonel Heidi Brown, offered that explanation in an interview broadcast in 2004 on National Public Radio’s All Things Considered program. “What I was told,” Brown said, “was that it was just a faulty translation, but it made for everyone … to make a huge assumption that it was Jessica Lynch, when, in fact it probably—but you know, no one knows for sure. It probably was Sergeant Walters

[i] Lowry, Marines in the Garden of Eden, 134. Lowry wrote that Walters “was left in a situation that could have easily turned into the Iraqi radio report.”

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‘Follow the money,’ again and again

In Anniversaries, Cinematic treatments, Debunking, Media myths, Washington Post, Watergate myth on March 21, 2011 at 7:24 am

“Follow the money.

“That advice from Watergate informant ‘Deep Throat’ led Washington Post reporter Bob Woodward to the truth that uncovered corruption in the nation’s public office. The concept applies to situations beyond the Oval Office, though. The commitment of a significant amount of money reveals the motivation (and the identity) of the spender.”

So read the opening lines of a commentary posted yesterday at the online site of the Terre Haute Tribune-Star in Indiana — yet another news outlet to indulge in the most famous made-up line of Watergate, “follow the money.”

The guidance to “follow the money” wasn’t offered by Woodward’s stealthy “Deep Throat” source during the Watergate scandal, which broke in 1972 with the break-in at headquarters of the Democratic National Committee in Washington, D.C. (“Deep Throat” was revealed in 2005 to have been W. Mark Felt, the second-ranking FBI official in the early days of Watergate.)

What’s more, the line “follow the money” didn’t appear in any Watergate-related article or commentary published by the Post until 1981 — years after the scandal had brought about the resignation of President Richard Nixon.

As I’ve noted at Media Myth Alert, the line was written into the screenplay of All the President’s Men, the cinematic version of the book Woodward and his colleague, Carl Bernstein, wrote about their Watergate reporting.

The line was spoken by the actor Hal Holbrook, who turned in a marvelous performance as the “Deep Throat” source in All the President’s Men, the movie.

Holbrook, who recently turned 86, delivered his lines about “follow the money” with such quiet assurance and knowing insistence that it sounded for all the world as if it really were guidance vital to rolling up Watergate and identifying Nixon’s misconduct.

Except that in real life, such advice wouldn’t have taken Woodward very far — certainly not to the point of determining Nixon’s guilty role in the crimes of Watergate, certainly not “to the truth” about the scandal.

As I write in Getting It Wrong, my mythbusting book that came out last year, some 20 men associated with Nixon’s administration or his 1972 reelection campaign went to jail for crimes linked to Watergate.

Rolling up a scandal of such dimension, I write in Getting It Wrong, “required the collective if not always the coordinated forces of special prosecutors, federal judges, both houses of Congress, the Supreme Court, as well as the Justice Department and the FBI.

“Even then,” I add, “Nixon likely would have served out his [second] term if not for the audiotape recordings he secretly made of most conversations in the Oval Office of the White House. Only when compelled by the Supreme Court did Nixon surrender those recordings, which captured him plotting the cover-up and authorizing payments of thousands of dollars in hush money.”

What cost Nixon the presidency wasn’t of the improper use of campaign funds but his efforts to obstruct justice in the FBI’s investigation of the break-in and related crimes.

It’s likely we’ll encounter many other references in weeks ahead to “follow the money.” After all, the 35th anniversary of the release of All the President’s Men falls next month.

And already, the University of Texas at Austin — repository for Woodward and Bernstein’s Watergate papers — has scheduled three programs related to All the President’s Men, the movie.

WJC

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57 years on: Was it really TV’s ‘finest half hour’?

In Anniversaries, Debunking, Media myths, Murrow-McCarthy myth on March 9, 2011 at 12:07 am

Murrow

Today’s the 57th anniversary of what has been called the “finest half hour” in television history — when Edward R. Murrow took to the small screen to confront Joseph R. McCarthy and the senator’s red-baiting ways.

Murrow’s on-air analysis of McCarthy and his tactics was so powerful, so revealing, that it marked an abrupt end to the senator’s witch-hunt for communists in government.

Or so the media myth has it.

The occasion was Murrow’s 30-minute See It Now program that aired on CBS on March 9, 1954.

As I write in my mythbusting book, Getting It Wrong, the program supposedly affirmed the potential power of television and confirmed the courage of Murrow.

I also write:

“The never-ending accolades notwithstanding, the evidence is overwhelming that Murrow’s famous program on McCarthy had no such decisive effect, that Murrow in fact was very late in confronting McCarthy, that he did so only after other journalists had challenged the senator and his tactics for months, even years.”

Indeed, the legendary status accorded the Murrow program has effectively “obscured and diminished the contributions of journalists who took on McCarthy years earlier, at a time when doing so was quite risky,” I point out in Getting It Wrong.

These journalists deserve more credit than Murrow for courage in confronting the McCarthy menace when it was most virulent.

One of them was James A. Wechsler, editor of the New York Post, which in 1951 published a bare-knuckle, 17-part series about McCarthy.

The closing installment characterized McCarthy as “a drunk at a party who was funny half an hour ago but now won’t go home. McCarthy is camped in America’s front room trying to impress everybody by singing all the dirty songs and using all the four-letter words he knows. The jokes are pointless, the songs unfunny, the profanity a bore.”

The series appeared in the Post 2½ years before Murrow’s program on McCarthy.

Wechsler was called before McCarthy’s investigative subcommittee and grilled about having been a member before in the Communist Youth League.

Wechsler said his being summoned to the closed-door hearing was “a reprisal against a newspaper and its editor for their opposition to the methods of this committee’s chairman.”

He sparred effectively with McCarthy, telling the senator at one point that the New York Post “is as bitterly opposed to Joe Stalin as it is to Joe McCarthy, and we believe that a free society can combat both.”

But in the end, Wechsler complied, reluctantly, with the subcommittee’s demand for names of people he had known to be communists during his time in the Youth League.

During McCarthy’s communists-in-government campaign, which lasted from 1950 to 1954, the senator had no more relentless or scathing foe in the news media than muckraking columnist Drew Pearson.

He wrote the widely published “Washington Merry-Go-Round” column — and was quick off the dime, taking on McCarthy soon after the senator first raised his reckless claims about communists in high places in the U.S. government and military.

Pearson wrote in February 1950, in one of his first columns about McCarthy’s charges, that “the alleged communists which he claims are sheltered in the State Department just aren’t.”

Pearson noted that he had covered the State Department for years and had been “the career boys’ severest critic.

“However,” he added, “knowing something about State Department personnel, it is my opinion that Senator McCarthy is way off base.”

And he was.

Pearson’s frequent challenges angered McCarthy who in December 1950, physically assaulted the columnist after a dinner at the hush-hush Sulgrave Club on DuPont Circle in Washington, D.C.

McCarthy confronted Pearson in the Sulgrave’s coat check room and either slapped, kneed, or punched the columnist. Accounts vary.

Richard Nixon, who recently had been sworn in as a U.S. Senator, intervened to break up the encounter. In his memoir RN, Nixon wrote that Pearson “grabbed his coat and ran from the room” and “McCarthy said, ‘You shouldn’t have stopped me, Dick.’”

So by the time Murrow took on McCarthy 57 years ago tonight, Americans really weren’t “waiting for a white knight like Murrow to tell them about the toxic threat the senator posed,” I write in Getting It Wrong, adding:

“By then, McCarthy and his tactics were well-known and he had become a target of withering ridicule — a sign of diminished capacity to inspire dread. On the day the See It Now program aired, former president Harry Truman reacted to reports of an anonymous threat against McCarthy’s life by saying:

“‘We’d have no entertainment at all if they killed him.'”

The notion that Murrow and his television program brought down McCarthy is a delicious story of presumptive media power:  More accurately, it is a tenacious media-driven myth.

WJC

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Bra-burning ‘never happened’?

In Anniversaries, Bra-burning, Debunking, Media myths, Photographs on March 8, 2011 at 8:40 am

Toronto, 32 years ago today (Bettmann/Corbis)

“Bra-burning has long been associated with the feminist movement, but it never happened.”

So asserted an article published the other day in the Sacramento Bee.

It’s a not-infrequent claim, that feminist bra-burning was a media invention, a media myth.

But there were at least a couple of occasions when feminist protesters set fire to bras.

One of the occasions came 32 years ago today, when members of Women Against Violence Against Women demonstrated outside city hall in Toronto. Near the close of the demonstration, a protester named Pat Murphy dropped a white bra into the hungry flames of a burn barrel (see photo).

The demonstration in Toronto on March 8, 1979, coincided with International Women’s Day and was aimed at denouncing a report on rape prepared by the Ontario Provincial Police.

The police report said that of 337 rapes investigated, 140 were “unprovoked.” The report also said “promiscuity” was a factor in many rapes.

The Women Against Violence Against Women group scorned the report as outrageous and “dazzling in its illogic.” Protesters carried signs saying: “Take a Rapist to Lunch — Charcoal Broiled” and “Hookers Who Wink Go to the Clink! Men Who Rape Escape.”

The Globe and Mail newspaper reported that the protesters lighted “a fire in a garbage can, to the obvious annoyance of about a dozen watchful constables, [and] shouted: ‘Burn the rapists, burn the city, burn the OPP,’” acronym for Ontario Provincial Police.

The newspaper’s account did not mention the bra-burning which, one participant recently told me, “wasn’t a focal point” of the protest.

But it did happen.

Another participant recently recalled that “weighing in on the stereotype of ‘feminist bra-burners’ was actually an effective way [for protesters] to say: Women will control our own bodies, thank you!

“The bra burning,” she said, “was a way to entice the media as well as [offer] a critique of the police report.”

A little more than 10 years before the demonstration in Toronto, about 100 women gathered on the boardwalk at Atlantic City, New Jersey, to protest the 1968 Miss America pageant. The demonstration was organized by a small group called New York Radical Women and has been recognized as an early manifestation of the women’s liberation movement.

In Getting It Wrong, my mythbusting book that came out last year, I offer evidence that denials to the contrary, bras were briefly set afire at Atlantic City.

The evidence is from two witness accounts — one of which was published in the Press of Atlantic City on September 8, 1968, the day after the protest.

Boucher (1949 photo)

That account appeared beneath the byline of a veteran reporter named John L. Boucher and carried the headline:

“Bra-burners blitz boardwalk.”

Boucher’s article referred to the burn barrel that demonstrators had dubbed the “Freedom Trash Can” and stated:

“As the bras, girdles, falsies, curlers, and copies of popular women’s magazines burned in the ‘Freedom Trash Can,’ the demonstration reached the pinnacle of ridicule when the participants paraded a small lamb wearing a gold banner worded ‘Miss America.’”

That account was buttressed by recollections of the writer Jon Katz, who in 1968 was a young reporter for the Atlantic City Press. Katz was on the Atlantic City boardwalk the day of the protest, gathering material for a sidebar article about reactions to the demonstration.

Katz’s sidebar didn’t mention the fire in the “Freedom Trash Can.”

But in correspondence with me, Katz stated:

“I quite clearly remember the ‘Freedom Trash Can,’ and also remember some protestors putting their bras into it along with other articles of clothing, and some Pageant brochures, and setting the can on fire.

“I am quite certain of this.”

WJC

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A history lesson not to miss? No, but it is entertaining

In Anniversaries, Cinematic treatments, Debunking, Media myths, Reviews, Washington Post, Watergate myth on February 18, 2011 at 9:14 am

The Blu-ray edition of the most-watched movie about Watergate, All the President’s Men, is out, and its release has been received with favorable-to-glowing reviews.

One writeup, posted the other day at HamptonRoads.com went so far as to declare: “This history lesson shouldn’t be missed — especially if you’re an aspiring journalist.”

Well, that’s disputable.

All the President’s Men is entertaining and has help up impressively well in the 35 years since its release. The movie purports to recount tell the ingenuity and persistence of Washington Post reporters Bob Woodward and Carl Bernstein in investigating the scandal that ultimately brought down Richard Nixon’s corrupt presidency.

Trouble is, All the President’s Men — which is based on Woodward and Bernstein’s 1974 book of the same title — offers up an entirely misleading view of history.

It unabashedly advances what I call “the heroic-journalist interpretation of Watergate” — the endlessly appealing notion that it Woodward and Bernstein’s dogged work that exposed the crimes of Watergate and forced Nixon to resign.

And that’s a trope that knows few bounds.

The heroic-journalist interpretation of Watergate, as I write in my latest book, Getting It Wrong, serves “to abridge and misunderstand the scandal and to indulge in a particularly beguiling media-driven myth. The heroic-journalist interpretation minimizes the far more decisive forces that unraveled the scandal” and brought about  Nixon’s resignation in August 1974.

Watergate also led to the conviction and imprisonment of nearly 20 men associated with his presidency or his 1972 reelection campaign.

To roll up a scandal of such dimension, I write in Getting It Wrong, “required the collective if not always the coordinated forces of special prosecutors, federal judges, both houses of Congress, the Supreme Court, as well as the Justice Department and the FBI.

“Even then,” I add, “Nixon likely would have served out his term if not for the audiotape recordings he secretly made of most conversations in the Oval Office of the White House.”

Only when ordered by an 8-0 decision of the U.S. Supreme Court did Nixon surrender the audiotape recordings, which revealed his efforts to obstruct justice in the early days of the federal investigation into Watergate.

The cinematic version of All the President’s Men glosses over, ignores, or even denigrates the contributions of federal investigative agencies. It makes little or no mention of special Watergate prosecutors or of the bipartisan Senate select committee on Watergate or of the pivotal Supreme Court decision.

Not only that, but as I write in Getting It Wrong, All the President’s Men the movie suggests that the reporting of Woodward and Bernstein “was more hazardous than it was, that by digging into Watergate, Woodward and Bernstein exposed themselves to not insignificant risk and peril.”

As Woodward said in 1997, in an online chat at washingtonpost.com, “there is no evidence that anyone involved in the Nixon operation was going to threaten us.”

Because the cinematic version of All the President’s Men inaccurately places Woodward and Bernstein at the center of Watergate’s unraveling, because it minimizes the far more decisive efforts of subpoena-wielding investigative agencies, the movie really can’t be called a “history lesson” not to be missed.

It elevates and solidifies the heroic-journalist myth of Watergate. That makes for good entertainment — and for very deceptive history.

WJC

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Remembering the ‘Maine,’ Hearst, and Remington

In 1897, Anniversaries, Debunking, Furnish the war, Media myths, Spanish-American War on February 16, 2011 at 7:01 am

Wreckage of the 'Maine'

The battleship Maine blew up in Havana harbor 113 years ago yesterday, a development that rocked Americans and helped trigger the brief but decisive Spanish-American War.

The Brooklyn Daily Eagle recalled the battleship’s destruction in a post yesterday that invoked one of American journalism’s most tenacious myths — the purported vow of William Randolph Hearst to “furnish the war” with Spain.

The item in the Eagle — a latter-day version of the storied Brooklyn Daily Eagle that was published from 1841 until 1955 — said in its post that after the Maine blew up, Hearst “sent artist Frederic Remington to cover the war story in Cuba.

“When Remington found little happening there, he asked about coming home. Hearst wired back: ‘Please remain. You furnish the pictures and I’ll furnish the war.'”

As I discuss in the first chapter of my latest book, Getting It Wrong, the Hearstian vow, while well-known and often retold, is almost surely apocryphal.

I note in Getting It Wrong that that the vow “has achieved unique status” in American journalism “as an adaptable, hardy, all-purpose anecdote, useful in illustrating any number of media sins and shortcomings.

“It has been invoked to illustrate the media’s willingness to compromise impartiality, promote political agendas, and indulge in sensationalism. It has been used, more broadly, to suggest the media’s capacity to inject malign influence into international affairs.”

Reasons for doubting that Hearst ever sent such a message are many, and include the fact that the artifacts — the purported telegrams exchanged between Remington and Hearst — have never turned up.

Hearst

Hearst, moreover, denied ever having sent such a message, and there’s no known record of Remington ever having discussed the purported exchange.

I note in Getting It Wrong that the Remington-Hearst anecdote “lives on despite an irreconcilable internal inconsistency: It would have been absurd for Hearst to vow to ‘furnish the war’ because war — specifically, the Cuban rebellion against Spain’s colonial rule — was the very reason Hearst sent Remington to Cuba in the first place.”

Had the Remingt0n-Hearst exchange taken place, it would have been in mid-January 1897, at the end of Remington’s lone visit to Cuba in the months before the loss of the Maine.

We know that because the sole original source of the anecdote, a self-centered journalist named James Creelman, claimed in a book of reminiscences that exchange took place “some time before the destruction of the battleship Maine in the harbor of Havana” on February 15, 1898.

Creelman, who titled his book On the Great Highway, did not say how he learned about the purported exchange. In early 1897, Creelman was not in New York with Hearst, nor in Cuba with Remington. Creelman was in Spain, on assignment for Hearst’s New York Journal, the leading exemplar of what was called “yellow journalism.”

It is exceedingly unlikely that the telegrams would have flowed freely between Hearst and Remington as Creelman suggested. Spanish authorities in Havana, after all, had imposed strict censorship of international cable traffic. As I note in Getting It Wrong:

“Spanish control of the cable traffic in Havana was too vigilant and severe to have allowed such an exchange to have gone unnoticed and unremarked upon. A vow such as Hearst’s to ‘furnish the war’ surely would have been intercepted and publicized by Spanish authorities as a clear-cut example of Yankee meddling in Cuba.”

I also note in Getting It Wrong that the purported Hearstian vow is a telling example of a quote that’s so neat and tidy that it should immediately trigger suspicions.

“Like many media-driven myths,” I write, “it is succinct, savory, and easily remembered.

“It is almost too good not to be true.”

WJC

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Keller no keeper of the flame on famous NYT motto

In 1897, Anniversaries, Debunking, New York Times, Newspapers, Year studies, Yellow Journalism on February 11, 2011 at 8:56 am

Keller

Bill Keller, executive editor of the New York Times, made clear the other day he doesn’t fully understand the derivation and significance of his newspaper’s famous, 114-year-old motto, “All the News That’s Fit to Print.”

And he didn’t seem particularly comfortable with the slogan coined (most likely) by Adolph Ochs, who in 1896 acquired the then-beleaguered Times and eventually led the newspaper to preeminence in American journalism.

Ochs, commemorated

Sure, the motto’s smug and overweening, elliptical and easily parodied. But it is the most recognizable motto in American journalism, and it evokes a time now passed when slogans helped define and distinguish U.S. newspapers.

In an appearance not long ago at the National Press Club in Washington, Keller was asked about “All the News That’s Fit to Print,” which took a permanent place of prominence on the newspaper’s front page on February 10, 1897.

Keller rather sniffed at it, saying the motto “harkens back to a day when the aim of the newspaper was to be comprehensive.”

According to a transcript of his remarks, Keller said that nowadays the Times is “going to tell you maybe only a little bit, but a little bit about everything.

“And I think that slogan describes an aspiration, or a mindset. Now we tend to be more selective, and try to give you more depth, to tell you the stories that are not obvious.”

Actually, “All the News That’s Fit to Print” was framed a riposte to activist-oritented yellow journalism that flared in New York City in the closing years of the 19th century.

Ochs clearly meant the slogan to be a rebuke to the flamboyant ways of the  New York Journal of William Randolph Hearst and the New York World of Joseph Pulitzer. Their newspapers were the leading exemplars of the yellow press in fin-de-siècle urban America.

As I wrote in my 2006 book, a year study titled The Year That Defined American Journalism: 1897 and the Clash of Paradigms, the motto was, and remains, a daily rejection of flamboyant, self-promoting journalism.

And as the Times pointed out in 1935 in its obituary about Ochs, the motto “has been much criticized, but the criticisms deal usually with the phraseology rather than with its practical interpretation, and the phraseology was simply an emphatic announcement that The Times was not and would not be what the nineties called a yellow newspaper.”

I further noted in The Year That Defined American Journalism that the Times, at its 50th anniversary in 1901, “referred to ‘All the News That’s Fit to Print’ as its ‘covenant.’ One-hundred years later, a columnist for the Wall Street Journal aptly identified the motto as the ‘leitmotif not merely for the Times, but also, by a process of osmosis and emulation, for most other general-interest papers in the country, as well as for much of the broadcast media.'”

So, no, the motto wasn’t an assertion of intent to be comprehensive — although the Times surely carried a lot of news in the late 1890s. Thirty or more articles, many of them a paragraph or two in length, usually found places on its front page back then.

Ochs’ slogan was more than a daily slap at yellow journalism.

It also represents “a daily and lasting reminder of the Times’ triumph in a momentous … clash of paradigms that took shape in 1897—a clash that helped define the modern contours of American journalism,” as I noted in The Year That Defined American Journalism.

That clash pitted three rival, incompatible models for the future of American journalism.

“As suggested by its slogan,” I wrote, “the Times offered a detached, impartial, fact-based model that embraced the innovative technologies emergent in the late nineteenth century but eschewed extravagance, prurience, and flamboyance in presenting the news.

“Extravagance, prurience, and flamboyance were features typically associated with yellow journalism, a robust genre which, despite its controversial and self-indulgent ways, seemed to be irresistibly popular in 1897. The leading exemplar of yellow journalism was … Hearst’s New York Journal, which in 1897 claimed to have developed a new kind of journalism, a paradigm infused by a self-activating ethos that sidestepped the inertia of government to ‘get things done.’

“The Journal called its model the ‘journalism of action’ or the ‘journalism that acts,’ and declared it represented ‘the final state in the evolution of the modern newspaper.’

“The third rival paradigm,” I wrote, “was more modest and idiosyncratic than those of the Times and Journal. If improbable, it was nonetheless an imaginative response to the trends of commercialization in journalism. The paradigm was an anti-journalistic literary model devised and promoted by J. Lincoln Steffens, who in late 1897 became city editor of the New York Commercial Advertiser, then New York’s oldest newspaper.”

That model, Steffens said, was predicated on the notion “that anything that interested any of us would interest our readers and, therefore, would be news if reported interestingly.”

The Times ultimately prevailed in the three-sided rivalry that emerged in 1897, and “All the News That’s Fit to Print” lives on as a reminder of the outcome of that momentous clash of paradigms.

WJC

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114 years on the front page

In 1897, Anniversaries, New York Times, Newspapers, Yellow Journalism on February 9, 2011 at 7:37 am

Tomorrow makes 114 years on the front page for the best-known slogan in American journalism.

114 years on the front

The slogan, of course, is “All the News That’s Fit to Print,” which first appeared February 10, 1897, in the upper left corner (the left ear) of the front page New York Times.

I’ve called them the most famous seven words in American journalism and they have been endlessly parodied and analyzed since 1897. Even admirers of the Times have conceded that “All the News That’s Fit to Print” is “overweening” and even “elliptical.”

As I discussed in my 2006 book, The Year That Defined American Journalism: 1897 and the Clash of Paradigms, the motto has given rise to some lofty claims over the years. In 1901, at the 50th anniversary of its founding, the Times referred to “All the News That’s Fit to Print” as its “covenant.”

In 2001, a columnist for the Wall Street Journal described the motto as the “leitmotif not merely for the Times, but also, by a process of osmosis and emulation, for most other general-interest papers in the country, as well as for much of the broadcast media.”

Adolph Ochs began using the slogan soon after acquiring control of the then-beleaguered Times in August 1896. At first, Ochs made use of “All the News That’s Fit to Print” as an advertising and marketing device.

The slogan’s debut came in early October 1896, spelled out in a row of red lights on an advertising sign the Times had rented at New York’s Madison Square.

Four months later, without fanfare or explanation, the slogan appeared in the “left ear” of the front page. It has appeared in that place of prominence ever since.

In touting “All the News That’s Fit to Print,” Ochs clearly sought to distance the Times from the yellow press of William Randolph Hearst and Joseph Pulitzer. Their flamboyant newspapers dominated New York City’s media landscape in the late 1890s.

Ochs was nothing if not aggressive in promoting the Times and in seeking to position the newspaper as a sober counterweight to the activism and excesses of the yellow press.

To that end, he launched in late October 1896 a contest inviting readers to propose “a phrase more expressive of the Times’ policy” than “All the News That’s Fit to Print,” which by then had taken a modest place in a corner of the Times’ editorial page.

The Times promised to pay $100 to the person who proposed in ten words or fewer a slogan deemed better than “All the News That’s Fit to Print.”

The motto contest, cheesy though it may seem today, stirred a fair amount of attention–and reader interaction–in 1896.

Among the thousands of entries sent to the Times were such clunky suggestions as “All the News Worth Telling,” “All the News That Decent People Want,” and “The Fit News That’s Clean and True.”

Among the others:

“Full of meat, clean and neat.”

“Instructive to all, offensive to none.”

“The people’s voice, good the choice.”

“Aseptic journalism up to date.”

“Yours neatly, sweetly, and completely.”

As I wrote in The Year That Defined American Journalism: “Before the contest ended, the Times altered the stakes by making clear it would not abandon ‘All the News That’s Fit to Print.’

“The Times,” I wrote, “justified this change of heart by saying no phrase entered in the contest was more apt and expressive than ‘All the News That’s Fit to Print.’ The $100 prize would be awarded, to the person adjudged to have submitted the best entry. But the motto would not be changed.”

But the entries kept rolling in. Other suggestions included:

“Bright as a star and there you are.”

“All the news to instruct and amuse.”

“Pure in purpose, diligent in service.”

“You do not want what the New-York Times does not print.”

“All that’s new, true, and clever.”

Another entry was inspired by rival titles in fin-de-siècle New York:

“Out heralds The Herald, informs The World, extinguishes The Sun.” (That suggestion is evocative of the slogan of New York Newsday, a tabloid that ceased publication in 1995 after 10 years:  “On top of the News, ahead of the Times.”)

As the motto contest neared its close in early November 1896, the Times noted that that some people had “sent in diagrams and even pictures.

“While these exhibit both skill and thought,” the newspaper said, “they cannot be accepted, because they are not wanted.”

A committee of Times staffers winnowed the entries to 150 semi-finalists, which were submitted to Richard Watson Gilder, editor of The Century magazine. Gilder selected these as finalists:

  • Always decent; never dull.
  • The news of the day; not the rubbish.
  • A decent newspaper for decent people.
  • All the world’s news, but not a school for scandal.

As I wrote in The Year That Defined American Journalism, Gilder noted “that terms of the contest had changed from the original intent of selecting a slogan that ‘more aptly express the distinguishing characteristics of the New-York Times’ to the more theoretical task of determining which entry ‘would come nearest to it in aptness.’”

That entry, Gilder determined, had been submitted by D.M. Redfield of New Haven, Connecticut. Redfield’s suggestion:

“All the world’s news, but not a school for scandal.”

Catchy, that.

WJC

Many thanks to Jim Romenesko for linking to this post

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‘Yellow journalism’ turns 114

In 1897, Anniversaries, Debunking, Media myths, Newspapers, Spanish-American War, Yellow Journalism on January 30, 2011 at 8:21 am

It is a little-recognized, never-celebrated anniversary in American journalism, granted.

Wardman of the Press

But tomorrow marks 114 years since the term “yellow journalism” first appeared in print, in the old New York Press, edited by the austere Ervin Wardman (left).

The phrase “the Yellow Journalism” appeared in a small headline on the editorial page of the Press on January 31, 1897. The phrase also appeared that day in the newspaper’s editorial page gossip column, “On the Tip of the Tongue.”

“Yellow journalism” quickly caught on, as a sneer to denigrate what then was called the “new journalism” of the New York Journal of William Randolph Hearst and the New York World of Joseph Pulitzer. By the end of March 1897, references to “yellow journalism” had appeared in newspapers in Providence, Richmond, and San Francisco.

In the decades since then, “yellow journalism” has become a widely popular if nebulous term — derisive shorthand for vaguely denouncing sensationalism and journalistic misconduct of all kinds, real and imagined.

“It is,” as I noted in my 2001 book Yellow Journalism: Puncturing the Myths, Defining the Legacies, “an evocative term that has been diffused internationally, in contexts as diverse as Greece and Nigeria, as Israel and India.”

Precisely how Wardman and the Press landed on the phrase “yellow journalism” isn’t clear.

The newspaper’s own, brief discussion of the term’s derivation was unhelpful and unrevealing: “We called them Yellow because they are Yellow,” it said in 1898 about the Journal and the World.

In the 1890s, the color yellow sometimes was associated with decadent  literature, which may have been an inspiration to the Harvard-educated Wardman, a figure now largely lost to New York newspaper history.

Wardman was tall and stern-looking. He once was described as showing his “Calvinistic ancestry in every line of his face.” He did little to conceal his contempt for Hearst and Hearst’s journalism.

His disdain was readily apparent in the columns of the Press, of which Wardman became editor in chief in 1896 at the age of 31. (The Press is long defunct; it is not to be confused with the contemporary alternative weekly of the same title.)

Wardman’s Press took to taunting Hearst, Hearst’s mother, and Hearst’s support for Democratic candidate William Jennings Bryan in the 1896 presidential election. The New York Journal was virtually alone among New York newspapers in supporting Bryan’s “free silver” candidacy.

The Press disparaged Hearst, then 34, as a mama’s boy, as “Billy” and “little Willie.” It referred to the Journal as “our silverite, or silver-wrong, contemporary.”

The Press also experimented with pithy blasts on the editorial page to denounce “new journalism.”

“The ‘new journalism,’” the Press said in early January 1897 “continues to think up a varied assortment of new lies.”

Later in the month, the Press asked in a single-line editorial comment:

“Why not call it nude journalism?”

It clearly was a play on “new journalism” and meant to suggest the absence of “even the veneer of decency.”

Before long, Wardman and the Press seized upon the phrase “yellow-kid journalism,” which evoked the Hearst-Pulitzer rivalry over a popular cartoon character known as the “Yellow Kid.”

Both the Journal and the World at the time were publishing versions of the kid.

Yellow kid poster (Library of Congress)

At the end of January 1897, the phrase “yellow-kid journalism” was modified  to “the Yellow Journalism,” and the sneer was born.

After landing on that evocative pejorative, Wardman turned to it often, invoking the term in brief editorial comments and asides such as: “The Yellow Journalism is now so overripe that the little insects which light upon it quickly turn yellow, too.”

The diffusion of “yellow journalism” was sealed when the Journal embraced the term in mid-May 1898, during the Spanish-American War. With typical immodesty, the newspaper declared:

“… the sun in heaven is yellow—the sun which is to this earth what the Journal is to American journalism.”

WJC

From an essay originally posted at Media Myth Alert January 31, 2010

Many thanks to Jim Romenesko for linking to this post

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