W. Joseph Campbell

Archive for the ‘Cinematic treatments’ Category

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‘Follow the money’ and the power of cinema

In Cinematic treatments, Debunking, Media myths, Washington Post, Watergate myth on January 8, 2012 at 9:17 am

No film about the Watergate scandal has been viewed by more people than All the President’s Men, the cinematic paean to the Washington Post and the reporting of Bob Woodward and Carl Bernstein.

And no single line from All the President’s Men has proved more memorable and quotable than “follow the money.”

The line is so compelling that it’s often thought that “follow the money” was genuine and vital advice offered by the stealthy, high-level source whom the Post code-named “Deep Throat.”

Except that it wasn’t genuine advice.

“Follow the money” was invented for the movie.

The line was spoke by Hal Holbrook, the actor who played “Deep Throat” in All the President’s Men. (The real “Deep Throat” was self-revealed in 2005 to have been W. Mark Felt, a senior FBI official.)

Although it is fundamentally a contrivance, “follow the money” is granted no small measure of reverence, as suggested by a commentary posted the other day at a blog of London’s Guardian newspaper.

The commentary in its opening paragraph declared :

“The famous advice of Deep Throat to Woodward and Bernstein in the dark underground car park during the Watergate investigation applies to the world of politics as much as it does to investigative journalism. ‘Follow the money,’ the FBI agent Mark Felt is said to advised the two Washington Post reporters.”

“Deep Throat” the source met Woodward a half-dozen times in 1972 and 1973 in a car park — a parking garage — in the Rosslyn section of Arlington, Va. That’s true.

But “Deep Throat”/Felt was exclusively Woodward’s source. Bernstein met Felt only a few weeks before Felt’s death in 2008.

And Felt never advised Woodward to “follow the money.” That he did is cinema-induced pseudo reality.

Not only that, but Felt as “Deep Throat” wasn’t all that vital to the Post’s reporting on Watergate, which won a Pulitzer Prize in 1973.

We know that from Barry Sussman, the Post’s lead editor on Watergate, who wrote in 2005:

“Deep Throat was nice to have around, but that’s about it. His role as a key Watergate source for the Post is a myth, created by a movie and sustained by hype for almost 30 years.”

Note the passage, “created by a movie.”

All the President’s Men is more than an engaging, mid-1970s film that has aged admirably well. As Sussman noted, the movie certainly helped propel the myth of “Deep Throat” — and make famous “follow the money.”

The film — which the Post once described as journalism’s “finest 2 hours and 16 minutes” — also was central in promoting and solidifying the heroic-journalist myth of Watergate.

As I discuss in my latest book, Getting It Wrong, the heroic-journalist myth is the notion that Woodward and Bernstein’s reporting brought down the corrupt presidency of Richard Nixon.

Which is an interpretation of Watergate that not even the Post embraces.

As Woodward once said in an interview with American Journalism Review:

“To say the press brought down Nixon, that’s horse shit.”

But it’s clear, I write in Getting It Wrong, that the cinema “helped ensure the myth would live on by offering a neat, tidy, and vastly simplified account the Watergate scandal, one that allowed viewers to sidestep the scandal’s complexity while engaging in an entertaining storyline.”

Indeed, what could be more straightforward and understandable than a story featuring two young reporters guided by a shadowy source who, oracle-like, advises them to “follow the money”and helps them bring down a crooked president?

It’s Watergate simplified, Watergate made easy.

But it’s also a far-fetched and distorted version of America’s greatest political scandal.

WJC

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Made-up Watergate line, ‘follow the money,’ crosses into the news

In Cinematic treatments, Debunking, Washington Post, Watergate myth on October 6, 2011 at 4:38 am

Kenneth H. Dahlberg, a minor Watergate figure, died the other day and Minnesota Public Radio recalled his role in the scandal by turning to the famous made-up line, “follow the money” — advice supposedly given to Washington Post reporters working the story.

The public radio station’s “News Cut” feature noted yesterday that “Dahlberg was the Midwest finance chairman for the Committee to Re-elect the President during President Richard M. Nixon’s 1972 campaign.

“A mysterious check, which later would be determined to be from the CEO of Archer Daniels Midland, was given to Dahlberg, who converted it to a cashier’s check. It was money from the campaign, destined for the Watergate burglars.”

The Minnesota Public Radio report added that when the stealthy, high-level “Deep Throat” source told Post reporters Bob Woodward and Carl Bernstein “to ‘follow the money,’ that was the money. And when Woodward called Dahlberg to confirm he handled the check, Dahlberg didn’t lie. … It ended up a critical part of the movie All The President’s Men.”

That last bit is true. Woodward’s telephone interview with Dahlberg became a memorable scene in the 1976 movie.

Otherwise, though, there’s a fair amount of wayward information in the “News Cut” report.

For starters, “Deep Throat” never met with Bernstein during Watergate.

More important, “Deep Throat” (self-revealed in 2005 to have been former FBI official W. Mark Felt) never advised Woodward to “follow the money.”

Felt: Never said it

That line appears nowhere in All the President’s Men, Woodward and Bernstein’s 1974 book about their Watergate reporting — reporting that did not, as I discuss in my latest work, Getting It Wrong, take down Nixon’s corrupt presidency.

Moreover, “follow the money” appeared in no Watergate-related article or editorial in the Washington Post  before 1981 — or long after Nixon resigned the presidency in disgrace.

Rather, “follow the money” was written into the screenplay of the cinematic version of All the President’s Men; the line was memorably uttered not by Felt, the real-life “Deep Throat,” but by Hal Holbrook, the actor who played him in the movie.

As I’ve noted at Media Myth Alert, Holbrook turned in an outstanding performance as a tormented and conflicted “Deep Throat.”

And he delivered his “follow the money” line with such steely assurance that it did seem to offer a way through the labyrinth that was the Watergate scandal.

But even if Woodward had been counseled to “follow the money,” such advice certainly would neither have unraveled Watergate nor led him to Nixon.

What forced Nixon from office in 1974 was not the grubby misuse of campaign funds but, rather, his active role in seeking to obstruct justice by covering up the signal crime of the Watergate scandal, the break-in at the headquarters of the Democratic National Committee in June 1972.

Rolling up the scandal of Watergate’s complexity and dimension was scarcely as straightforward as pursuing misused campaign contributions.

As I write in Getting It Wrong, unraveling Watergate required “the collective if not always the coordinated forces of special prosecutors, federal judges, both houses of Congress, the Supreme Court, as well as the Justice Department and the FBI.

“Even then,” I note “Nixon likely would have served out his term if not for the audiotape recordings he secretly made of most conversations in the Oval Office of the White House.

“Only when compelled by the Supreme Court did Nixon surrender those recordings, which captured him plotting the cover-up” and cost him the presidency.

WJC

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‘Kane’ at 70: ‘More relevant than ever’?

In Anniversaries, Cinematic treatments on September 10, 2011 at 9:53 am

In the year of its 70th anniversary, Orson Welles’ cinematic masterpiece Citizen Kane “is more relevant than ever,” says a polished, thoughtful essay posted yesterday at TechCentral, a South African site devoted to technology news and reviews.

Orson Welles in 'Kane'

In pressing the point about Kane’s relevance, the essay argues:

“Newspaper magnate Charles Foster Kane, sitting in his already-crumbling but unfinished Xanadu, is Colonel Gaddafi railing at the Libyan rebels from his exile or a doddering Rupert Murdoch stumbling over his words in front of the commission investigating the News of the World scandal.”

Those are telling observations, particularly the reference to the 80-year-old Murdoch and his excruciating, hapless performance before a Parliamentary commission hearing in July in London.

“Today,” the TechCentral essay adds, “you’ll see Citizen Kane’s influence in the strangest places,” including parodies in The Simpsons” television show.

As superb and influential as it was, Kane took liberties and in doing so helped popularize a powerful media-driven myth.

The movie was released in 1941 and was based loosely on the life and times of American media magnate William Randolph Hearst.

A rollicking scene early in Kane offers clear evidence that Hearst was the movie’s principal inspiration; the scene paraphrased Hearst’s purported vow, which he supposedly cabled to an artist in Cuba months before the Spanish-American War:

“You furnish the pictures, and I’ll furnish the war.”

As I note in my latest book, Getting It Wrong, that scene in Kane “firmly and finally pressed Hearst’s purported vow to ‘furnish the war’ into the public’s consciousness.”

I also point out in Getting It Wrong that the anecdote about Hearst’s vow “is almost too good not to be true” and note that the “furnish the war” line “has made its way into countless textbooks of journalism.

“It [also] has figured in innumerable discussions about Hearst and about the news media and war. It has been repeated over the years by no small number of journalists, scholars, and critics of the news media such as Ben Bagdikian, Helen Thomas, Nicholas Lemann, and the late David Halberstam.”

Interestingly, “furnish the war” endures despite a near-total absence of supporting documentation. It lives on even though cable containing Hearst’s purported vow has never turned up.

It lives on even though Hearst denied ever sending such a message.

It lives on despite of what I call “an irreconcilable internal inconsistency”: It would have been absurd for Hearst to vow to “furnish the war” because war — specifically, the Cuban rebellion against Spanish rule — was the very reason Hearst sent the artist, Frederic Remington, to Cuba in the first place.

And Remington’s trip to Cuba came in January 1897 — more than 15 months before the start of the Spanish-American War.

Kane is no faithful portrait of Hearst.

As David Nasaw pointed out in The Chief, his admirably even-handed biographyof Hearst:

“Welles’ Kane is a cartoon-like caricature of a man who is hollowed out on the inside, forlorn, defeated, solitary because he cannot command the total obedience … of those around him. Hearst, to the contrary, never regarded himself as a failure, never recognized defeat, never stopped loving Marion [his mistress] or his wife.

“He did not, at the end of his life, run away from the world to entomb himself in a vast, gloomy, art-choked hermitage,” as portrayed in Citizen Kane.

WJC

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Fox News misremembers Watergate and ‘follow the money’

In Cinematic treatments, Debunking, Media myths, Washington Post, Watergate myth on August 16, 2011 at 9:20 am

I’ve referred to “follow the money” as Watergate’s best-known made-up line.

It also can be thought of as Watergate’s best-known misremembered line.

I say that because a Fox News commentary posted yesterday thoroughly misremembered the phrase as having been part of the “media circus” of Watergate in the months before the scandal reached its denouement with Richard Nixon’s resignation in August 1974.

The Fox commentary declared:

“America was transfixed for months by [Watergate-related] televised hearings presided over by the colorful Sen. Sam Ervin. … We learned about the mysterious insider, pornographically code-named ‘Deep Throat’ murmuring intriguing clues like ‘Follow the Money….’ It was a media circus.”

But as I’ve noted at Media Myth Alert, “follow the money” was not part of the vernacular of Watergate. It was never offered as advice — murmured or otherwise — by the stealthy “Deep Throat” source, who met periodically with Bob Woodward of the Washington Post as the scandal unraveled.

(The identity of “Deep Throat” remained a secret for more than 30 years until W. Mark Felt, a former top FBI official, self-identified himself as having been Woodward’s secret source during Watergate.)

What’s more, “follow the money” appeared in no Watergate-related article or editorial in the Post until June 1981.

Nor is the line to be found in All the President’s Men, the book Woodward and his Post colleague, Carl Bernstein, wrote about their Watergate reporting.

The phrase exists only in the movies — in the cinematic version of All the President’s Men, which came out in April 1976.

“Follow the money” was written into the screenplay of All the President’s Men and spoken by the actor Hal Holbrook, who turned in a memorable performance as “Deep Throat.”

Holbrook intoned “follow the money” with such steely assurance that it did indeed seemed to suggest a way — however simplistic — to unravel the scandal.

But even if “Deep Throat”/Felt had counseled Woodward to “follow the money,” the advice would have neither unraveled Watergate nor led the reporter to Nixon.

Nixon quit the presidency not because he misused campaign funds; he resigned in disgrace after it became clear he had sought to obstruct justice by covering up the signal crime of Watergate, the break-in at the headquarters of the Democratic National Committee in June 1972.

As I note in my latest book, Getting It Wrong, rolling up a scandal of the dimension and complexity of Watergate required “the collective if not always the coordinated forces of special prosecutors, federal judges, both houses of Congress, the Supreme Court, as well as the Justice Department and the FBI.

“Even then,” I write, “Nixon likely would have served out his term if not for the audiotape recordings he secretly made of most conversations in the Oval Office of the White House.

“Only when compelled by the Supreme Court did Nixon surrender those recordings, which captured him plotting the cover-up” — which cost him the presidency.

WJC

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Following the money on 37th anniversary of Nixon’s fall

In Anniversaries, Cinematic treatments, Debunking, Media myths, Washington Post on August 9, 2011 at 12:55 am

Nixon resigns, 1974

It’s somehow fitting on this, the 37th anniversary of President Richard Nixon’s resignation, to direct attention to the myth and hyperbole that embrace the best-known line of the Watergate scandal, the line that supposedly helped bring him down.

That line, of course, is “follow the money,” which purportedly was crucial advice given the Washington Post by a super-secret, high-level source code-named “Deep Throat.”

“Follow the money” was said to have been so telling and effective that it’s still cited as exemplary guidance applicable in journalism, politics, and finance.

Just yesterday, for example, Barry Nolan, a journalist and contributor to Boston Magazine’s “Boston Daily” blog, invoked the famous phrase, writing:

“Any time you really want to know why a vote happened the way it did, the single best piece of advice ever given came from ‘Deep Throat,’ the shadowy tipster in the Watergate scandal. ‘Follow the money,’ he told the Washington Post reporters.”

It may seem like stellar advice, but it’s guidance that the “Deep Throat” source offered only in the movies.

As I’ve discussed at Media Myth Alert, “follow the money” is Watergate’s most famous made-up line.

The phrase was written into the screenplay of All the President’s Men, the 1976 cinematic version of the book by Bob Woodward and Carl Bernstein of the Washington Post.

“Follow the money” appears nowhere in Woodward and Bernstein’s book about their Watergate reporting — reporting that did not, as I discuss in my latest work, Getting It Wrong, take down Nixon’s corrupt presidency.

Nor did “follow the money” appear in any Watergate-related news article or editorial in the Post until June 1981, nearly seven years after Nixon’s resignation.

Nor did “Deep Throat” — who was self-identified in 2005 as W. Mark Felt, formerly the FBI’s second-ranking official — utter the line in his periodic meetings with Woodward. (And Felt/”Deep Throat” didn’t meet Bernstein until 2008.)

“Follow the money” was memorably intoned not by Mark Felt but by Hal Holbrook, the actor who played “Deep Throat” in All the President’s Men.

As I’ve noted, Holbrook turned in a marvelous performance as a tormented, conflicted, and stealthy “Deep Throat.”

Holbrook delivered the “follow the money” line with such conviction and steely assurance, that it seemed for all the world to offer a way through the labyrinth of the Watergate scandal.

But even if Woodward had been counseled to “follow the money,” the advice certainly neither would have unraveled Watergate nor led him to Nixon.

Nixon resigned 37 years ago today not because he misused campaign funds but because he sought to obstruct justice by covering up the signal crime of Watergate, the break-in at the headquarters of the Democratic National Committee in June 1972.

The simplified follow-the-money  interpretation of Watergate effectively deflects attention from the decisive forces that ultimately forced Nixon from office.

As I note in Getting It Wrong, rolling up a scandal of Watergate’s intricacy and dimension required “the collective if not always the coordinated forces of special prosecutors, federal judges, both houses of Congress, the Supreme Court, as well as the Justice Department and the FBI.

“Even then,” I write, “Nixon likely would have served out his term if not for the audiotape recordings he secretly made of most conversations in the Oval Office of the White House.

“Only when compelled by the Supreme Court did Nixon surrender those recordings, which captured him plotting the cover-up” that cost him the presidency.

WJC

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The Fin Times and the ‘mantra’ of Watergate

In Cinematic treatments, Debunking, Media myths, Washington Post, Watergate myth on July 28, 2011 at 7:33 am

The single phrase associated most often with Watergate surely is “follow the money” — guidance supposedly given to Washington Post reporters covering the scandal in the early 1970s.

“Follow the money” also is the best-known made-up line of Watergate.

The statement is only as real as images projected on the screen: “Follow the money” was written into the screenplay of All the President’s Men, the cinematic version of the Watergate book by Post reporters Bob Woodward and Carl Bernstein.

But because it sounded so compelling, because it seemed to be such crucial guidance to unraveling the dimensions of Watergate, “follow the money” made a smooth transition from cinematic fiction to the vernacular.

So it’s commonly believed that “follow the money” was guidance uttered by the  Post’s high-level secret source, who was code-named “Deep Throat.”

The usually sober and usually well-reported Financial Times of London yesterday invoked “follow the money” as if it were genuine, stating in a column on financial matters:

“’Follow the money’ might have been the mantra for Bob Woodward and Carl Bernstein in investigating the Watergate scandal. But ‘follow the debt’ would be a better way of summing up where investors should be looking for the next bubble.”

We’ll leave “follow the debt” to bubble-seeking investors.

What intrigues Media Myth Alert is the reference to “follow the money” as the “mantra” of Watergate.

No way was it Watergate’s “mantra.”

The line appeared in no Watergate-related news article or editorial in the Post until 1981 — nearly seven years after Watergate had reached a climax with the resignation of President Richard Nixon.

Moreover, “follow the money” appears nowhere in Woodward and Bernstein’s book about their Watergate reporting. The book came out in June 1974, a couple of months before Nixon quit the presidency in disgrace.

So the phrase was no “mantra.”

What pressed “follow the money” into the vernacular was the marvelous performance of actor Hal Holbrook in the cinematic version of All the President’s Men.

Holbrook played a conflicted, shadowy, even tormented “Deep Throat” character. In a memorable, late-night scene in a darkened parking garage, Holbrook told the Woodward character (played by Robert Redford):

“I have to do this my way. You tell me what you know, and I’ll confirm. I’ll keep you in the right direction, if I can, but that’s all.

“Just follow the money.”

Holbrook delivered the “follow the money” line with such quiet conviction that it seemed to be a guide to unraveling the labyrinthine scandal that was Watergate.

Bernstein (Newseum photo)

But had it really been offered to Woodward (“Deep Throat” never met Bernstein during Watergate), “follow the money” would have taken him only so far.

Watergate, after all, was much broader than the misuse of campaign funds.

What ultimately brought down Nixon was  his plotting to cover up the signal crime of Watergate — the break-in at the headquarters of the Democratic National Committee in June 1972.

As I note in my latest book, Getting It Wrong, rolling up a scandal of Watergate’s dimension required “the collective if not always the coordinated forces of special prosecutors, federal judges, both houses of Congress, the Supreme Court, as well as the Justice Department and the FBI.

“Even then,” I write, “Nixon likely would have served out his term if not for the audiotape recordings he secretly made of most conversations in the Oval Office of the White House.”

Only when compelled by the Supreme Court did Nixon surrender the Watergate-related recordings that captured him plotting to cover up the Watergate break-in.

Heeding advice to “follow-the-money” scarcely would have enabled investigators to uncover the decisive evidence about Nixon’s misconduct.

WJC

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An outbreak of ‘follow the money,’ that phony Watergate line

In Cinematic treatments, Debunking, Media myths, Washington Post, Watergate myth on July 23, 2011 at 7:05 am

From Oregon to Canada to India, news outlets turned yesterday to Watergate’s most famous made-up phrase, treating the line as if it were genuine.

Felt: Not his line

The line is “follow the money,” which supposedly was vital guidance that a secret source code-named “Deep Throat” gave to the Washington Post during its Watergate investigation in 1972-74.

The passage was offered up credulously by these news outlets yesterday:

  • The Huffington Post, in (yet another) commentary about the phone-hacking scandal that has battered Rupert Murdoch’s News Corp. The commentary declared: “During the Washington Post‘s investigative reporting of President [Richard] Nixon’s attempts to cover up the Watergate burglary, it’s [sic] source, ‘Deep Throat’ gave the reporters the best advice. ‘Deep Throat’ said that the truth would be discovered if they ‘follow the money.’ They did and it ultimately led to the resignation of President Nixon.”
  • The Register-Guard newspaper of Eugene, Oregon, in a column about the phone-hacking scandal: “As Deep Throat advised reporters unraveling a different national scandal, ‘Follow the money.’”
  • The Business News Network in Canada, in a blog post about interest rates in that country: “I’ll take the advice of Mark Felt, the former FBI agent most famously known as Deep Throat, the key source in Bob Woodward’s Watergate investigation: follow the money.”
  • The Hindu newspaper in India, in a commentary about suspected banking improprieties: “‘Follow the money’ was the advice given by the secret informant within the government to Bob Woodward of Washington Post at the beginning of the Watergate scandal.”

As those cases suggest, “follow the money” is impressively versatile. Its popularity seems limitless.

But however appealing and catchy, “follow the money” is contrived.

The phrase was never uttered by the “Deep Throat” source, who met periodically with Woodward as Watergate unfolded. (“Deep Throat” was self-identified in 2005 as W. Mark Felt, formerly the second-ranking official at the FBI. Felt never spoke during Watergate with Woodward’s reporting partner, Carl Bernstein.)

According to a database of Washington Post content, the phrase “follow the money” appeared in no news article or editorial about Watergate before 1981.

“Follow the money” doesn’t appear, either, in All the President’s Men, Woodward and Bernstein’s book about their Watergate reporting, which came out in 1974.

The derivation of the passage lies in a scene in All the President’s Men, the cinematic version of Woodward and Bernstein’s book. The movie was released to much fanfare in April 1976, 20 months after Nixon resigned the presidency for his guilty role in obstructing justice in the Watergate scandal.

What pressed “follow the money” into the popular consciousness was an outstanding performance turned in by actor Hal Holbrook in the cinematic version of All the President’s Men.

Holbrook played a twitchy, conflicted, shadowy “Deep Throat.” In a late-night scene in a darkened parking garage, Holbrook told the Woodward character, played by Robert Redford:

“I have to do this my way. You tell me what you know, and I’ll confirm. I’ll keep you in the right direction, if I can, but that’s all.

“Just follow the money.”

Holbrook delivered the line with such quiet conviction that it did seem to be a way through the labyrinth that was the Watergate scandal.

But the guidance, had it really been offered to Woodward, would have taken him only so far. Watergate, after all, was much broader than a case of improper use of campaign monies.

In the end, Nixon was toppled by his efforts to cover up the signal crime of Watergate, the break-in at the headquarters of the Democratic National Committee in June 1972.

As a simplistic key to explaining the scandal, the follow-the-money interpretation minimizes the far more decisive forces that unraveled Watergate and forced Nixon from office.

As I point out in my latest book, Getting It Wrong, rolling up a scandal of Watergate’s complexity and dimension required “the collective if not always the coordinated forces of special prosecutors, federal judges, both houses of Congress, the Supreme Court, as well as the Justice Department and the FBI.

“Even then,” I write, “Nixon likely would have served out his term if not for the audiotape recordings he secretly made of most conversations in the Oval Office of the White House.”

Only when compelled by the Supreme Court did Nixon surrender the Watergate-related recordings that captured him plotting to cover up the Watergate break-in.

WJC

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Imprecise, overwrought Watergate analogies emerge in Murdoch scandal

In Cinematic treatments, Debunking, Media myths, Washington Post, Watergate myth on July 17, 2011 at 3:00 am

Meeting his Watergate?

Watergate has become a frequent though imprecise point of reference for the reporting scandal that has battered Rupert Murdoch’s media holdings in Britain, prompting the closure of a leading Sunday tabloid, the resignation of two executives prominent in his news empire, and groveling apologies in print.

The scandal, which centers on illegal hacking of cell phone voicemail, has come to called Murdoch’s Watergate, a characterization embraced especially by Murdoch’s  enemies in America, hoping that this imbroglio may finally brings down the tough old media mogul.

The phone-hacking scandal is “a debacle that features Murdoch starring in the eerily similar role as the one Dick Nixon played,” declared Eric Boehlert in an essay posted the other day at Huffington Post.

Carl Bernstein, who teamed with Bob Woodward in covering Watergate for the Washington Post, has notably promoted the Murdoch-Watergate comparison.

In an essay titled “Murdoch’s Watergate?” and published recently in Newsweek, Bernstein wrote, not surprisingly:

“For this reporter, it is impossible not to consider these facts through the prism of Watergate. … The circumstances of the alleged lawbreaking within [Murdoch’s] News Corp. suggest more than a passing resemblance to Richard Nixon presiding over a criminal conspiracy in which he insulated himself from specific knowledge of numerous individual criminal acts while being himself responsible for and authorizing general policies that routinely resulted in lawbreaking and unconstitutional conduct.”

But it’s imprecise, premature, and a bit overwrought to liken the phone-hacking scandal to Watergate.

It’s no Watergate. Not yet, anyway. And it’s certainly not clear that Murdoch authorized policies that “routinely resulted in lawbreaking and unconstitutional conduct.”

Watergate was sui generis, an unprecedented constitutional crisis that led in to Nixon’s departure from office in disgrace in 1974. He was the first U.S. president ever to resign.

In addition, 19 men associated with Nixon’s presidency or his 1972 reelection campaign went to jail for Watergate-related crimes. (Woodward once called Watergate “an immensely complicated scandal with a cast of characters as varied as a Tolstoy novel.”)

Rolling up a scandal of such dimension required, as I note in my latest book, Getting It Wrong, “the collective if not always the coordinated forces of special prosecutors, federal judges, both houses of Congress, the Supreme Court, as well as the Justice Department and the FBI.”

Even then, Nixon likely would have survived and served out his term if not for the audiotape recordings he secretly made of most private conversations in the Oval Office of the White House. (Woodward has endorsed that interpretation as well. He said in an online chat at washingtonpost.com in 1997 that “if the tapes had never been discovered, or [Nixon] had burned them, he almost surely would not have had to resign, in my view.”)

Toppling Nixon was no certain outcome of Watergate, at least not in the first year or so of the slowly unfolding scandal. And bringing down Nixon wasn’t a consequence of the reporting of Woodward and Bernstein, hoary media myth notwithstanding.

The phone-hacking scandal — in which reporters and private investigators for Murdoch’s now-shuttered News of the World tabloid broke into the voicemail of scores of people — has been an occasion to conjure Watergate in another way. In a romanticized, glowing way that recalls Watergate as a golden age in American journalism.

The Houston Chronicle has given expression to the golden-age sentiment.

The newspaper declared in a tut-tutting editorial the other day that the phone-hacking scandal “is a very long way from the saga of All the President’s Men, the uplifting account of how two dogged young reporters, Bob Woodward and Carl Bernstein, with the backing of ethically responsible Washington Post management, broke the Watergate scandal in 1972 that led to the resignation of President Richard Nixon. It inspired a generation of new journalists to their mission and exhibited the finest aspects of the profession.”

All the President’s Men was Woodward and Bernstein’s 1974 book about their Watergate reporting. The book’s cinematic version came out in 1976 and helped solidify the mythical notion that the Post brought down Nixon.

It deserves noting that the Chronicle’s editorial errs in at least three respects.

One, the Post management was not always so “ethically responsible” during Watergate.

For example, top editors approved an ethically suspect scheme allowing Woodward and Bernstein to approach federal grand jurors hearing Watergate testimony and ask them to break their vows of secrecy. As the reporters wrote in All the President’s Men, the ill-advised overtures to grand jurors nearly landed them in jail.

Two, the Post did not break the Watergate scandal.

The signal crime of Watergate — the burglary in June 1972 at Democratic National Committee headquarters — was interrupted by police. Within hours, news was circulating of the arrest of five burglars at the Watergate complex in Washington, D.C.

The Post’s article about the break-in appeared beneath the byline of Alfred E. Lewis, a veteran police reporter, and it drew heavily on information from investigators.

In subsequent Watergate reporting, moreover, the Post exposed  neither the cover-up of crimes linked to the break-in, nor the payment of hush money to the burglars. Nor did it break the news about Nixon’s secret audiotapes.

Three, the claim that coverage of Watergate “inspired a generation of new journalists to their mission” is exaggerated.

Watergate produced no enrollment surge in journalism programs at American colleges and university. Enrollment growth in fact had begun well before Woodward and Bernstein wrote their first Watergate-related story in 1972.

Still, as I note in Getting It Wrong, the notion that Woodward and Bernstein inspired a generation of students to take up journalism “lives on despite its thorough repudiation in scholarly research.”

Like many media-driven myths, the tale of inspiration is almost too good not to be true.

WJC

Many thanks to Instapundit
Glenn Reynolds for linking to this post.

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The journos who saved us

In Cinematic treatments, Debunking, Media myths, Murrow-McCarthy myth, Washington Post, Watergate myth on July 5, 2011 at 12:49 pm

Murrow: Savior?

At their extreme, media-driven myths are hero-worshipping devices, invoked to venerate journalists as saviors.

Thankfully, such treatment is rare, and typically reserved for such journalists the legendary CBS newsman Edward R. Murrow and the Watergate reporting duo, Bob Woodward and Carl Bernstein.

Brian Unger, host of a history program on cable television, indulged in a bit of journalists-idolatry in compiling for an Entertainment Weekly blog a list of a dozen heroic figures from TV shows and the movies.

On the list was Ed Murrow, whom Unger praised for “saving us from someone who pretended to be a great American patriot, Sen. Joseph McCarthy.”

Also selected were Robert Redford and Dustin Hoffman, the movie stars who played Washington Post reporters Woodward and Bernstein in the film All the President’s Men. “Armed only with a pen,” Unger wrote, “they saved the country from itself.”

Journalists as saviors: Like most media-driven myths, the notion is simply too good to be true, too simplistic to be credible.

Murrow hardly took down Joe McCarthy in Murrow’s famous See It Now program on CBS in March 1954.

The show was aired four years after McCarthy began his communists-in-government witch-hunt, and four years after muckraking columnist Drew Pearson piercingly challenged and punctured many of McCarthy’s claims.

Pearson

The television critic for the New York Post, Jay Nelson Tuck, wrote that Murrow in the days after the show felt “almost a little shame faced at being saluted for his courage in the McCarthy matter. He said he had said nothing that … anyone might not have said without a raised eyebrow only a few years ago.”

Years later, Murrow’s CBS colleague, Eric Severaid, chafed at the misleading interpretation attached to the See It Now program on McCarthy which, he noted, “came very late in the day.”

Sevareid said: “The youngsters read back and they think only one person in broadcasting and the press stood up to McCarthy and this has made a lot of people feel very upset, including me, because that program came awfully late.”

As I write in my media myth-busting book, Getting It Wrong, Americans in early 1954 weren’t “hoping for someone to step up and expose McCarthy, or waiting for a white knight like Murrow to tell them about the toxic threat the senator posed.”

By then they knew, thanks to the work of journalists such as Pearson.

Murrow no more ended McCarthy’s witch-hunt than Woodward and Bernstein brought down Richard Nixon’s corrupt presidency in Watergate — and, as Unger wrote, “saved the country from itself.”

Whatever that means.

It is clear that Woodward and Bernstein’s contributions to unraveling the Watergate scandal of 1972-74 were modest, and pale in significance when compared to the work of such subpoena-wielding entities as special prosecutors, both houses of Congress, the Justice Department, the FBI.

“Even then,” I write in Getting It Wrong, Nixon “likely would have served out his term if not for the audiotape recordings he secretly made of most conversations in the Oval Office of the White House. Only when compelled by the Supreme Court did Nixon surrender those recordings, which captured him plotting” to obstruct justice in the Watergate scandal.

Interestingly, principals at the Washington Post over the years have scoffed at the mythical and mediacentric interpretation that the newspaper brought down Nixon.

In 2005, for example, Michael Getler, then the newspaper’s ombudsman, wrote in a column:

“Ultimately, it was not The Post, but the FBI, a Congress acting in bipartisan fashion and the courts that brought down the Nixon administration. They saw Watergate and the attempt to cover it up as a vast abuse of power and attempted corruption of U.S. institutions.”

Woodward, himself, declared in 2004, in an interview with American Journalism Review:

“To say the press brought down Nixon, that’s horseshit.”

But undoubtedly it’s the film All the President’s Men that’s largely responsible for the heroic-journalist trope that Woodward and Bernstein took down Nixon and saved the country.

All the President’s Men easily is the most-viewed movie made about Watergate. And as I note in Getting It Wrong, it places “Woodward and Bernstein at the center of Watergate’s unraveling while denigrating the efforts of investigative agencies such as the FBI.

“The effect was to solidify and elevate the heroic-journalist myth, giving it dramatic power, and sustaining it in the collective memory.”

WJC

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‘Sneakily patriotic’ movies that promote media myths

In Cinematic treatments, Debunking, Media myths, Murrow-McCarthy myth, Washington Post, Watergate myth on July 1, 2011 at 7:28 am

The film critic for Gannett News Service has identified in time for the Fourth of July weekend 10 movies he says are “sneakily patriotic.”

Meaning they promote patriotism indirectly, without a lot of flag-waving flamboyance.

The list, compiled by critic Bill Goodykoontz, includes Apollo 13, the dramatic 1995 movie about an ill-fated lunar mission that ended safely, and Miracle, the 2004 film about the gold medal-winning 1980 U.S. Olympics hockey team, a movie that does feature a fair amount of flag-waving.

Notably, two of the “sneakily patriotic” films have promoted and propelled media-driven myths — those dubious and improbable tales about news media that masquerade as factual.

Both myth-promoting movies push the extravagant notion that the news media are, or were, powerful and decisive forces in American political life. And both movies are discussed in my media myth-busting book, Getting It Wrong, which came out last year.

The myth-promoters are:

Goodykoontz, in describing the two movies, invokes their mythical aspects.

About All the President’s Men, Goodykoontz writes that Woodward and Bernstein’s “coverage of the Watergate break-in … led, ultimately, to the resignation of Richard Nixon.”

And Good Night, and Good Luck, he writes, “evokes an earlier era of media and how it could be used to stem the abuse of power.”

I point out in Getting It Wrong how movies can solidify media-driven myths in the public’s consciousness. “High-quality cinematic treatments,” I write, “are powerful agents of media myth-making, and can enhance a myth’s durability.”

The cinematic version of All the President’s Men solidified what I call the heroic-journalist myth of Watergate — the simplistic notion that Woodward and Bernstein’s investigative reporting brought down Richard Nixon’s corrupt presidency.

All the President’s Men, I write, allows no interpretation other than it was the work of Woodward and Bernstein that “set in motion far-reaching effects that brought about the first-ever resignation of a U.S. president.”

But to embrace that interpretation, I further write in Getting It Wrong, “is to abridge and misunderstand the scandal and to indulge in a particularly beguiling media-driven myth.”

The heroic-journalist interpretation serves to diminish and ignore the far more powerful forces that unraveled the scandal and forced Nixon from office.

Those forces, I write, “included special prosecutors, federal judges, both houses of Congress, the Supreme Court, as well as the Justice Department and the FBI.

“Even then, Nixon likely would have served out his term if not for the audiotape recordings he secretly made of most conversations in the Oval Office of the White House. Only when compelled by the Supreme Court did Nixon surrender those recordings, which captured him” plotting to obstruct justice in the Watergate scandal.

When considered against the tableau of subpoena-wielding authorities, the contributions of Woodward and Bernstein pale in significance and consequence.

A somewhat similar dynamic is at work in Good Night, and Good Luck.

The movie, which was released in black and white to lend a 1950s feel, permits no other conclusion than Murrow’s See It Now program about McCarthy single-handedly ended the senator’s communists-in-government witch-hunt.

Murrow’s show detailing McCarthy’s loathsome and bullying tactics was aired in March 1954 — long after other journalists had confronted the senator and, in some cases, paid a heavy price for doing so.

Among those journalists was the muckraking columnist Drew Pearson, who took aim at McCarthy in February 1950, not long after the senator began his red-baiting campaign.

By the end of that year, McCarthy had physically assaulted Pearson and denounced him from the Senate floor as the “diabolically” clever “voice of international communism,” a “prostitute of journalism,” and the “sugar-coated voice of Russia.”

In the Senate speech excoriating Pearson, McCarthy aimed a threat at Adam Hat Stores Inc., the principal sponsor of the columnist’s Sunday night radio program.

McCarthy said that “anyone who buys from a store that stocks an Adams hat is unknowingly contributing at least something to the cause of international communism by keeping this communist spokesman on the air.”

Within a week, Adam Hat announced the end of its sponsorship of Pearson’s program.

Pearson may not have had the finest reputation in 1950s American journalism. Jack Shafer, the media critic for Slate.com, wrote last year that Pearson was “one of the skuzziest journalists to ever write a story.”

But Pearson took on McCarthy years before Murrow — and long before it was safe. He certainly was “sneakily patriotic” in doing so.

WJC

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