The simplified storyline of the Watergate scandal goes this way:
Two young, diligent reporters for the Washington Post, Bob Woodward and Carl Bernstein, obtained from their secretive “Deep Throat” source information that incriminated President Richard Nixon and brought about his downfall.
That essentially is the “heroic-journalist” interpretation of Watergate — a reductive and misleading trope to which I devote a chapter in my latest book, Getting It Wrong.
I write in Getting It Wrong that “to explain Watergate through the lens of the heroic-journalist is to abridge and misunderstand the scandal and to indulge in a particularly beguiling media-driven myth.”
Yahoo!News yesterday served up that très simple version of Watergate in an article about Julian Assange of Wikileaks. The item Yahoo! posted online referred to Mark Felt, formerly the second-ranking official at the FBI, saying he “supplied information about the role of Richard Nixon and his top aides in the Watergate scandal to Washington Post reporters Bob Woodward and Carl Bernstein and came to be known as ‘Deep Throat.’
“That series of leaks ultimately felled the Nixon presidency.”
Uh, no, it didn’t.
What Felt/”Deep Throat” told Woodward did not topple Nixon.
According to All the President’s Men, Woodward and Bernstein’s book about their Watergate reporting, Woodward turned to “Deep Throat” “only to confirm information that had been obtained elsewhere and to add some perspective.”
(Bernstein, by the way, never met Felt until shortly before Felt’s death in 2008. Felt disclosed in 2005 that he had been the “Deep Throat” source.)
Nixon’s fall was the result of his criminal conduct in attempting to cover up the signal crime of Watergate, the break-in at the headquarters of the Democratic National Committee in June 1972.
As I write in Getting It Wrong, the simplified, mediacentric interpretation of Watergate “minimizes the far more decisive forces that unraveled the scandal and forced Nixon from office.”
To topple a president and roll up a scandal of the dimensions of Watergate required, I write, “the collective if not always the coordinated forces of special prosecutors, federal judges, both houses of Congress, the Supreme Court, as well as the Justice Department and the FBI.
“Even then, Nixon likely would have served out his term if not for the audiotape recordings he secretly made of most conversations in the Oval Office of the White House. Only when compelled by the Supreme Court did Nixon surrender those recordings, which captured him plotting the cover-up and authorizing payments of thousands of dollars in hush money.”
Against that tableau of subpoena-wielding investigative authorities, the contributions of Woodward and Bernstein fades into relative insignificance.
So why has the heroic-journalist meme become the most familiar storyline of Watergate? Why is it so endlessly appealing?
Complexity-avoidance.
Watergate, after all, was a sprawling scandal. Twenty-one men associated with Nixon’s presidency or his reelection campaign in 1972 were convicted of Watergate-related crimes. Nineteen went to jail.
The heroic-journalist interpretation provides a passage through the intricacies of Watergate, offering what I call “a proxy for grasping the scandal’s essence while avoiding its forbidding complexity.”
Contributing to the durability of the heroic-journalist meme is the cinematic treatment of All the President’s Men, a 1976 film based on Woodward and Bernstein’s best-selling book.
All the President’s Men the movie focuses on Woodward and Bernstein while mostly ignoring, and even at times denigrating, the contributions of investigative agencies like the FBI.
All the President’s Men has held up quite well in the 35 years since its release. It surely is the most-watched movie ever made about Watergate.
But as I point out in Getting It Wrong, All the President’s Men the movie allows no interpretation other than the work of Woodward and Bernstein brought about the first-ever resignation of a U.S. president.
Even Woodward has challenged that très simple version.
He declared in an interview several years ago with American Journalism Review:
“To say that the press brought down Nixon, that’s horseshit.”
Recent and related:
- Who, or what, brought down Nixon?
- Mythmaking on Blu-ray?
- Didn’t: A Watergate primer
- Myth appeal runs deep abroad; Watergate a case in point
- WaPo ‘didn’t like Nixon’ and that’s ‘how we got Watergate’: Huh?
- A funny thing about media myths
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- On ‘transformational moments’ that journalists see
- A debunker’s work is never done












1897, Commentary, Debunking, Fact-checking, Hearst, History, Insults, Journalism, Media, New journalism, New York Press, News, Opinion, Pulitzer, Spanish-American War, Yellow Journalism
‘Yellow journalism’ turns 114
In 1897, Anniversaries, Debunking, Media myths, Newspapers, Spanish-American War, Yellow Journalism on January 30, 2011 at 8:21 amIt is a little-recognized, never-celebrated anniversary in American journalism, granted.
Wardman of the Press
But tomorrow marks 114 years since the term “yellow journalism” first appeared in print, in the old New York Press, edited by the austere Ervin Wardman (left).
The phrase “the Yellow Journalism” appeared in a small headline on the editorial page of the Press on January 31, 1897. The phrase also appeared that day in the newspaper’s editorial page gossip column, “On the Tip of the Tongue.”
“Yellow journalism” quickly caught on, as a sneer to denigrate what then was called the “new journalism” of the New York Journal of William Randolph Hearst and the New York World of Joseph Pulitzer. By the end of March 1897, references to “yellow journalism” had appeared in newspapers in Providence, Richmond, and San Francisco.
In the decades since then, “yellow journalism” has become a widely popular if nebulous term — derisive shorthand for vaguely denouncing sensationalism and journalistic misconduct of all kinds, real and imagined.
“It is,” as I noted in my 2001 book Yellow Journalism: Puncturing the Myths, Defining the Legacies, “an evocative term that has been diffused internationally, in contexts as diverse as Greece and Nigeria, as Israel and India.”
Precisely how Wardman and the Press landed on the phrase “yellow journalism” isn’t clear.
The newspaper’s own, brief discussion of the term’s derivation was unhelpful and unrevealing: “We called them Yellow because they are Yellow,” it said in 1898 about the Journal and the World.
In the 1890s, the color yellow sometimes was associated with decadent literature, which may have been an inspiration to the Harvard-educated Wardman, a figure now largely lost to New York newspaper history.
Wardman was tall and stern-looking. He once was described as showing his “Calvinistic ancestry in every line of his face.” He did little to conceal his contempt for Hearst and Hearst’s journalism.
His disdain was readily apparent in the columns of the Press, of which Wardman became editor in chief in 1896 at the age of 31. (The Press is long defunct; it is not to be confused with the contemporary alternative weekly of the same title.)
Wardman’s Press took to taunting Hearst, Hearst’s mother, and Hearst’s support for Democratic candidate William Jennings Bryan in the 1896 presidential election. The New York Journal was virtually alone among New York newspapers in supporting Bryan’s “free silver” candidacy.
The Press disparaged Hearst, then 34, as a mama’s boy, as “Billy” and “little Willie.” It referred to the Journal as “our silverite, or silver-wrong, contemporary.”
The Press also experimented with pithy blasts on the editorial page to denounce “new journalism.”
“The ‘new journalism,’” the Press said in early January 1897 “continues to think up a varied assortment of new lies.”
Later in the month, the Press asked in a single-line editorial comment:
“Why not call it nude journalism?”
It clearly was a play on “new journalism” and meant to suggest the absence of “even the veneer of decency.”
Before long, Wardman and the Press seized upon the phrase “yellow-kid journalism,” which evoked the Hearst-Pulitzer rivalry over a popular cartoon character known as the “Yellow Kid.”
Both the Journal and the World at the time were publishing versions of the kid.
Yellow kid poster (Library of Congress)
At the end of January 1897, the phrase “yellow-kid journalism” was modified to “the Yellow Journalism,” and the sneer was born.
After landing on that evocative pejorative, Wardman turned to it often, invoking the term in brief editorial comments and asides such as: “The Yellow Journalism is now so overripe that the little insects which light upon it quickly turn yellow, too.”
The diffusion of “yellow journalism” was sealed when the Journal embraced the term in mid-May 1898, during the Spanish-American War. With typical immodesty, the newspaper declared:
“… the sun in heaven is yellow—the sun which is to this earth what the Journal is to American journalism.”
WJC
From an essay originally posted at Media Myth Alert January 31, 2010
Many thanks to Jim Romenesko for linking to this post
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