W. Joseph Campbell

Posts Tagged ‘Hearst’

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News media indispensable to democracy? Some evidence would be nice

In Debunking, Media myths, Newspapers, Washington Post, Yellow Journalism on May 1, 2011 at 9:49 am

The Washington Post ombudsman invokes in his column today the defining conceit of American journalism: That without truth-telling reporters and editors, democracy would be imperiled.

Or, as he puts it, rather simplistically:

“What we do is report, write and edit stories. We take and publish photographs (and now video, too). We publish the stories and images as news through compelling design and graphics. And, in columns and blogs, we analyze the news. Through this painstaking process, we reveal truths. The country cannot long survive as a democracy, or as a capitalist economy, without this kind of independent journalism.”

But how does the ombudsman, Patrick B. Pexton, know that? What evidence does he offer to buttress the notion that the news media are indispensable bulwarks of democracy and capitalism?

None. He presents the self-congratulatory claim about journalism’s value as self-evident.

It is true that robust journalism and media pluralism are hallmarks of democratic governance.

But democratic rule typically enables independent journalism rather than the other way round.

We see this phenomenon across the world: Whenever the heavy hand of authoritarian rule is lifted, non-official news media flourish, usually as partisan platforms. It’s a point I made in my first book, The Emergent Independent Press in Benin and Côte d’Ivoire, which examined the rise of media pluralism in two states in Francophone West Africa.

But emergent independent journalism, or well-established journalism, isn’t a variable essential to a thriving democracy. I’m reminded of a superb essay on this topic that the inestimable media critic Jack Shafer wrote in 2009 for slate.com.

As Shafer correctly pointed out:

“Democracy thrived in the United States in the 1800s, long before the invention of what we call quality journalism. Between 1856 and 1888, when most newspapers were crap and controlled by, or beholden to, a political party, voter turnout hovered around 80 percent for presidential elections. Compare that with the 55.3 percent and 56.8 percent turnouts in the 2004 and 2008 presidential elections.”

And party-oriented journalism lasted well beyond 1888. It stretched through the period of the yellow press at the end of the 19th century and early 20th century. The leading newspapers of those days were often overtly partisan.

The leading practitioner of yellow journalism, William Randolph Hearst, turned his newspapers into a platform for his mostly unfulfilled political objectives. He unsuccessfully sought the Democratic nomination for president and the governorship of New York, ambitions that were boosted by, but not contingent upon, his activist-oriented newspapers.

Shafer’s column also noted:

“Could it be that deep-dish reporting that uncovers governmental malfeasance and waste … doesn’t promote activism or participation? Could it be that such exposés end up souring the public on democracy and other institutions?”

It’s an interesting point. Aggressive, searching journalism that offers a stream of reporting about the flaws, shortcomings, and corruption in democratic institutions also may be a reason many adult Americans have tired of the news and have turned it off completely.

According to data compiled by the Pew Research Center and released last year, 17 percent of adult Americans go newsless on a typical day. That is, they eschew the news despite ready access to a variety of news-delivery options and platforms, both traditional and digital.

The going-newsless phenomenon in a news-drenched society is highest among 18-to-24-years-old; 31 percent of those young Americans go without the news on a typical day.

“Large numbers of Americans are beyond media influence,” I note in my latest book, Getting It Wrong, which addresses and debunks 10 prominent media-driven myths.

So how are news outlets so vital to American democracy when so many Americans ignore them completely? Pexton’s assertion about the indispensable character of the media ignores such complexity.

Pexton’s claim is the kind of thin platitude that serves to reassure journalists in a time of great upheaval in the field, a time when the direction of the profession is uncertain, when the longevity of once-superior newspapers like the Washington Post is in doubt.

WJC

Many thanks to Instapundit
Glenn Reynolds, and Little Miss Attila,
for linking to this post

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Fact-checking ‘Mother Jones’: A rare two-fer

In Cronkite Moment, Debunking, Furnish the war, Media myths, New York Times, Spanish-American War on April 26, 2011 at 7:07 am

The most prominent media-driven myths — those dubious or apocryphal stories about the news media that masquerade as factual — include William Randolph Hearst’s vow to “furnish the war” and the so-called “Cronkite Moment” of 1968.

Mother Jones magazine, in the cover story of its May/June number, cites both tales as if they were genuine, in a rare, myth-indulging two-fer.

In an article written by Rick Perlstein and titled “Inside the GOP’s fact-free nation,” Mother Jones says of Hearst (who was no Republican):

“In a fearsome rivalry with Joseph Pulitzer, he chose as his vehicle the sort of manly imperialism to which the Washington elites of the day were certainly sympathetic — although far too cautiously for Hearst’s taste. ‘You furnish the pictures,’ he supposedly telegraphed a reporter, ‘and I’ll furnish the war.’ The tail wagged the dog.”

“You furnish the pictures, and I’ll furnish the war.” Couching it with “supposedly” allows no free pass for myth-telling.

It’s quotation most often attributed to Hearst. And as I discuss in my latest book, Getting It Wrong, it’s a durable media-driven myth that has survived “concerted attempts to discredit and dismantle it.”

It is, I add, “succinct, savory, and easily remembered. It is almost too good not to be true.”

The purported recipient of Hearst’s telegram was not “a reporter,” as Perlstein writes, but Frederic Remington, the famous artist of the American West.

Remington, Davis in Cuba

Hearst had assigned Remington and the correspondent Richard Harding Davis to Cuba to cover the insurrection against Spanish colonial rule. They arrived in Havana in early January 1897, and Remington six days later.

He parted ways with Davis in Matanzas, Cuba, and, before leaving Havana for New York, supposedly cabled Hearst, saying:

“Everything is quiet. There will be no war. I wish to return.”

Hearst, in reply, cabled his famous vow, telling Remington:

“Please remain. You furnish the pictures, and I’ll furnish the war.”

Remington didn’t stay. He promptly returned to New York, where his sketches were given prominent display in Hearst’s New York Journal, appearing beneath such headlines as:

“Cuban War Sketches Gathered in the Field by Frederic Remington; The Gifted Artist, Visiting Cuba Especially for the Journal.”

That’s hardly an accolade Hearst would have extended to someone who had so brazenly disregarded instructions to remain on the scene.

As I write in Getting It Wrong, “the anecdote lives on despite a nearly complete absence of supporting documentation. It lives on even though telegrams supposedly exchanged by Remington and Hearst have never turned up.”

What’s more, I note in Getting It Wrong, the Remington-Hearst anecdote “lives on despite an irreconcilable internal inconsistency: It would have been absurd for Hearst to vow to ‘furnish the war’ because war — specifically, the Cuban rebellion against Spain’s colonial rule — was the very reason Hearst sent Remington to Cuba in the first place.”

Anyone who read U.S. newspapers in early 1897 “would have been well aware,” I write, “that Cuba was a theater of a nasty war,” which gave rise in April 1898 to the Spanish-American War.

The tale about the Remington-Hearst exchange is surely apocryphal.

So, too, is the presumed effect of the “Cronkite Moment” which, like the story about Hearst’s famous vow, is “succinct, savory, and easily remembered.”  It reputedly demonstrates the potency of broadcast journalism.

The “Cronkite Moment” was, I point out in Getting It Wrong, purportedly “an occasion when the power of television news was unequivocally confirmed,” a rare, pivotal moment when a truth-telling broadcast demonstrated the folly of a faraway war.

Perlstein writes in Mother Jones:

“Walter Cronkite traveled to Saigon after the Tet Offensive in 1968, saw things with his own eyes, and told the truth: The Vietnam War was stuck in a disastrous stalemate, no matter what the government said. That was a watershed.”

Well, no, it wasn’t.

Cronkite did indeed travel to Vietnam in February 1968 and upon his return to the United States aired an hour-long special report about the war, in which he concluded that the American military was “mired in stalemate” and suggested that negotiations offered the best way out.

But “mired in stalemate,” I write in Getting It Wrong, “was neither notable nor extraordinary” by February 27, 1968, when Cronkite’s report aired. As Mark Kurlansky wrote in his study of the year 1968, Cronkite’s assessment was “hardly a radical position” for the time.

Indeed, months before the program, the New York Times had been using “stalemate” to describe the war in Vietnam.

On July 4, 1967, for example, the Times said this about the war effort:

“Many officers believe that despite the commitment of 466,000 United States troops now in South Vietnam … the military situation there has developed into a virtual stalemate.”

And in a front-page analysis published August 7, 1967, the Times declared “the war is not going well.” Victory “is not close at hand.”

The Times published the analysis beneath the headline:

Vietnam: The Signs of Stalemate.

And in an editorial published October 29, 1967, the Times offered this assessment:

“Instead of denying a stalemate in Vietnam, Washington should be boasting that it has imposed a stalemate, for that is the prerequisite – on both sides – to a negotiated settlement. That settlement, if it is to be achieved, will have to be pursued with the same ingenuity and determination that have been applied to fighting the war.”

Cronkite’s “mired in stalemate” represented no watershed, no assessment of exceptional and stunning clarity. Cronkite said as much in his memoir, which was published in 1997. He wrote that his special report represented for President Lyndon B. Johnson “just one more straw in the increasing burden of Vietnam.”

In fact, public opinion had begun shifting away from supporting the war months before the “Cronkite Moment.”

It’s often said that Johnson watched Cronkite’s program and, upon hearing the “mired in stalemate” interpretation, snapped off the television set and said something to the effect of:

“If I’ve lost Cronkite, I’ve lost Middle America.”

LBJ: Not watching TV

But as I discuss in Getting It Wrong, Johnson did not see the Cronkite report went it aired. The president at that time wasn’t in front of a television set. And he certainly wasn’t lamenting the loss of Cronkite’s support. Indeed, it is hard to fathom how he could have been much moved by a show he did not see.

At about the time Cronkite was intoning “mired in stalemate,” Johnson was in Austin, Texas, offering light-hearted banter at the 51st birthday party of Governor John Connally.

“Today,” the president said, “you are 51, John. That is the magic number that every man of politics prays for — a simple majority.”

WJC

Many thanks to Little Miss Attila
for linking to this post

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Hearst and war: A newspaper misreads history

In Debunking, Media myths, Newspapers, Spanish-American War, Yellow Journalism on March 28, 2011 at 8:30 am

American journalists, to put it charitably, can be quite unfamiliar with the history of their profession.

The field, as I note in my latest book, Getting It Wrong, “seldom is seriously introspective, or very mindful of its history.”

As such, journalists are known to flub it — or indulge in media myths — when they do take up the past. Consider, for example, the Bangor Daily News in Maine, which both flubs it and offers up a hardy media myth in an editorial posted online last night.

The media myth centers around the hoary notion, rejected by serious historians, that William Randolph Hearst’s yellow journalism fomented or brought about the Spanish-American War in 1898.

In invoking the myth of Hearst and the long-ago war, the Bangor newspaper sought to describe the context for the multiple military missions the United States is pursuing these days.

The newspaper declared:

“U.S. forces have been in Afghanistan since 2001. They’ve been in Iraq since 2003. And they soon could be in Libya. This is not to mention standing U.S. military bases in Japan, South Korea, Germany, Italy, Greece, Spain, Bulgaria, Kosovo, Israel, Turkey, Saudi Arabia, Kuwait, Bahrain, Brazil, Greenland, the Philippines, Cuba, Guam and on and on. How and when did this happen?

“The year the United States began its ascendancy as a world power was 1898, beginning with the Spanish-American War, a conflict of dubious progeny fanned into flames by the partisan journalism practiced by William Randolph Hearst.”

How simplistic. And how illogical.

Just think it through: wars can begin because of overheated newspaper content?

Quite simply, that’s a misreading of history, a lazy interpretation that ascribes too much power to Hearst and his yellow press while ignoring the human rights disaster on Cuba that helped precipitate the war in April 1898.

As I wrote in my 2001 book, Yellow Journalism: Puncturing the Myths, Defining the Legacies:

“The yellow press is not to blame for the Spanish-American-War. It did not force — it could not have forced — the United States into hostilities with Spain over Cuba in 1898. The conflict was, rather, the result of a convergence of forces far beyond the control or direct influence of even the most aggressive of the yellow newspapers, William Randolph Hearst’s New York Journal.”

In 1898, Hearst published the Journal, the New York Evening Journal, and the San Francisco Examiner. The three titles wielded at best modest agenda-setting influence on the rest of the American press, which then numbered more than 2,200 daily newspapers.

Indeed, as I pointed out in Yellow Journalism:

“There is little evidence that the press beyond New York City, especially in small-town and rural America, was influenced by the content of the yellow journals, including their demands for war after the destruction of the Maine,” an American battleship that blew up in Havana harbor in February 1898, killing 266 officers and sailors.

The destruction of the Maine was a triggering event of the war. But it was not the sole factor, or even necessarily the decisive factor.

What galvanized American public opinion were Spain’s brutal efforts to suppress an islandwide rebellion on Cuba, a nasty conflict that began in February 1895 and ultimately gave rise to the Spanish-American War.

A centerpiece of Spain’s attempt to crush the rebellion was to force Cuban non-combattants – old men, women, and children– into what the Spanish called “reconcentration centers,” to prevent the non-combattants from giving aid, succor, and supplies to the Cuban rebels.

The “reconcentration” policy was a disaster. Tens of thousands of Cubans fell victim to disease and starvation. U.S. newspapers — including but certainly not limited to Hearst’s dailies — were aware of, and reported extensively about, the humanitarian crisis that had taken hold on Cuba by early 1898.

That crisis, not the content of the yellow press, was what “fanned” the flames for war with Spain.

As the historian David Trask has written, Americans in 1898 “went to war convinced that they had embarked upon an entirely selfless mission for humanity,” to end Spain’s brutal rule of Cuba.

The war hardly was “a conflict of dubious progeny,” as the Bangor Daily News dismissively put it. And it surely wasn’t a war driven by Hearst and his yellow press.

WJC

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‘Furnish the war’ finds a place in sports

In 1897, Debunking, Furnish the war, Media myths, Newspapers, Spanish-American War, Yellow Journalism on February 28, 2011 at 8:13 am

Hearst: Didn't say it

William Randolph Hearst’s famous vow to “furnish the war” with Spain is one of American journalism’s most enduring myths. It’s a stunningly hardy though dubious tale that has been deployed in discussing journalistic sins and shortcomings of all sorts.

As I write in my myth-debunking book Getting It Wrong, the Hearstian vow “has been invoked to illustrate the media’s willingness to compromise impartiality, promote political agendas, and indulge in sensationalism.

“It has been used, more broadly, to suggest the media’s capacity to inject malign influence into international affairs.”

It even has application in news about collegiate sports.

An online sports-news site, Bleacher Report, turned to “furnish the war” in a commentary posted yesterday about the whiff of scandal around Auburn University’s championship football program.

Hearst’s reputed vow was a way to set up the commentary, which defended the program from what it called “the incessant beating of the investigation drum by Auburn detractors” suspicious of player-recruitment violations.

Of interest to Media Myth Alert is the commentary’s total buy-in of the Hearst anecdote, which, as evidence offered in Getting It Wrong clearly shows, is counterfeit, a discredited media myth.

The Bleacher Report commentary declared:

“When photographer Frederic Remington was dispatched to Cuba in the late 1800s to document a war and found none, he sent a message to publisher William Randolph Hearst: ‘There is no war.’

“Hearst allegedly responded: ‘Please remain. You furnish the pictures and I’ll furnish the war.’

“In the ensuing months Hearst’s newspaper fanned the flames with sensationalized front page articles that were of dubious accuracy and in many cases patently false. His articles stirred passions among a readership that neither knew nor cared if the reports were accurate. His relentless attacks eventually helped push U.S. administration into declaring war on Spain.  Hearst got his war.

“Since October, the Auburn football program has endured a similar smear campaign. …”

Reasons for doubting that Hearst ever made such a vow are many, and include the anecdote’s breathtaking illogic.

War was the reason Hearst, owner of the flamboyant New York Journal, sent Remington (an artist, not a “photographer”) to Cuba in the first place. That war was the Cuban rebellion against Spain’s colonial rule, which began in February 1895.

Remington

Remington was in Cuba briefly in January 1897.

By that time, I note in Getting It Wrong, newspaper readers “would have been well aware that Cuba was a theater of a nasty war. By then, the Cuban rebellion had reached island-wide proportion and not a single province had been pacified by Spain’s armed forces.”

It would have made no sense for Hearst to vow to “furnish the war.”

In addition, Hearst denied having made such a statement. Remington, apparently, never discussed it. And the telegrams bearing the content of the purported Remington-Hearst exchange have never surfaced.

Moreover, as I point out in Getting It Wrong, “there was no chance” that the telegrams “would have flowed freely between Remington in Havana and Hearst in New York.

“Spanish control of the cable traffic in Havana was too vigilant and severe to have allowed such an exchange to have gone unnoticed and unremarked upon,” I write, adding:

“A vow such as Hearst’s to ‘furnish the war‘ surely would have been intercepted and publicized by Spanish authorities as a clear-cut example of Yankee meddling in Cuba.”

Like many media myths, the tale of the Hearstian vow is accessible, pithy, and easily recalled. It supposedly illuminates larger lessons about the news media — in this case, the media’s malign potential to bring about a war the country otherwise wouldn’t have fought.

Which is nonsense, and historically inaccurate.

The Spanish-American War of 1898 was hardly a matter of Hearst’s having “got his war.” Rather, the conflict was the consequence of an intractable, three-sided standoff.

Cuba’s rebels would settle for nothing short of political independence. Spain refused to grant self-rule to the most important remnant of its once-sprawling American empire. And the United States, for economic and humanitarian reasons, could no longer tolerate an inconclusive war just 90 miles from its shores.

Simply put, Hearst and newspaper content were non-factors in the decision to go to war.

WJC

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Suspect Murrow quote pulled at Murrow school

In Debunking, Furnish the war, Media myths, Murrow-McCarthy myth on February 17, 2011 at 7:37 am

Did he say it?

I’ve written occasionally at Media Myth Alert about a suspect quotation attributed to broadcasting legend Edward R. Murrow.

Here’s the quotation:

“We must not confuse dissent with disloyalty. When the loyal opposition dies, I think the soul of America dies with it.”

The quotation is half true. That is, the first part was indeed spoken by Murrow; the other part is just too good to be true.

I happened to find the full quotation posted at the welcome page of the dean of the Edward R. Murrow College of Communication at Washington State University.

By email, I asked the dean, Lawrence Pintak, what he could tell me about the quote’s provenance.

I noted in my email that the first portion  of the passage – “We must not confuse dissent with disloyalty” – was spoken by Murrow near the end of his 1954 See It Now program about the witch-hunting ways of Senator Joseph R. McCarthy.

“But the rest of quotation – ‘When the loyal opposition dies, I think the soul of America dies with it’ – was not spoken during that program,” I noted in my email. I added that “I’ve not been able to determine where and when it was spoken or written.”

I further noted that I had consulted a database of historical newspapers — a full-text repository that includes the New York Times, Washington Post, Chicago Tribune, and Los Angeles Times — but no articles quoting the “loyal opposition” passage were returned.

I also mentioned in my email that a search of the LexisNexis database “produced a few returns, but none dated before 2001.” None of them state where and when Murrow made the purported comment.

Pintak, who became the first dean of the Murrow College in 2009, stated in reply that the online site had been constructed before his arrival at Washington State. He added:

“My suspicion is that the site was built by the university marketing comm. people and they may well have just pulled it from the web, rather than original source. If it’s not correct, we certainly need to get it pulled.”

He referred my inquiry to an instructor on his faculty, Paul Mark Wadleigh, whom he asked to investigate.

A few hours later, Wadleigh sent an email to the dean and me, stating:

“While it seems to reflect the Murrow spirit, the lack of evidence that he phrased it that way is indeed suspicious.”

Wadleigh also wrote that the transcript of Murrow’s closing comments in the 1954 show about McCarthy “reveals a different language and tone than the ‘loyal opposition’ quote.”

Good point.

His bottom line?

“I feel the evidence says no, Murrow did not say this,” Wadleigh wrote.

By the end of the day, the suspect quote had been pulled from the dean’s welcome page. Just the authentic portion — “We must not confuse dissent with disloyalty” — remains posted there.

The College’s move to pull the quote not only was commendable; it stands as further evidence that the “loyal opposition” line attributed to Murrow is dubious. It may have been made up well after Murrow’s death in 1965, perhaps to score points politically.

I’ve noted that if it were genuine, if Murrow had uttered the line, then its derivation shouldn’t be too difficult to determine.

Moreover, the quotation seems too neat and tidy to be authentic — which can be a marker of a media-driven myth.

As I write in my mythbusting book, Getting It Wrong:

“To thwart media myths, journalists can start by applying a measure of skepticism to pithy, telling quotes such as [William Randolph] Hearst’s vow to ‘furnish the war‘ and even to euphonic phrases such as ‘bra burning.’

“Turns of phrase that sound too neat and tidy,” I write, “often are too perfect to be true.”

WJC

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Remembering the ‘Maine,’ Hearst, and Remington

In 1897, Anniversaries, Debunking, Furnish the war, Media myths, Spanish-American War on February 16, 2011 at 7:01 am

Wreckage of the 'Maine'

The battleship Maine blew up in Havana harbor 113 years ago yesterday, a development that rocked Americans and helped trigger the brief but decisive Spanish-American War.

The Brooklyn Daily Eagle recalled the battleship’s destruction in a post yesterday that invoked one of American journalism’s most tenacious myths — the purported vow of William Randolph Hearst to “furnish the war” with Spain.

The item in the Eagle — a latter-day version of the storied Brooklyn Daily Eagle that was published from 1841 until 1955 — said in its post that after the Maine blew up, Hearst “sent artist Frederic Remington to cover the war story in Cuba.

“When Remington found little happening there, he asked about coming home. Hearst wired back: ‘Please remain. You furnish the pictures and I’ll furnish the war.'”

As I discuss in the first chapter of my latest book, Getting It Wrong, the Hearstian vow, while well-known and often retold, is almost surely apocryphal.

I note in Getting It Wrong that that the vow “has achieved unique status” in American journalism “as an adaptable, hardy, all-purpose anecdote, useful in illustrating any number of media sins and shortcomings.

“It has been invoked to illustrate the media’s willingness to compromise impartiality, promote political agendas, and indulge in sensationalism. It has been used, more broadly, to suggest the media’s capacity to inject malign influence into international affairs.”

Reasons for doubting that Hearst ever sent such a message are many, and include the fact that the artifacts — the purported telegrams exchanged between Remington and Hearst — have never turned up.

Hearst

Hearst, moreover, denied ever having sent such a message, and there’s no known record of Remington ever having discussed the purported exchange.

I note in Getting It Wrong that the Remington-Hearst anecdote “lives on despite an irreconcilable internal inconsistency: It would have been absurd for Hearst to vow to ‘furnish the war’ because war — specifically, the Cuban rebellion against Spain’s colonial rule — was the very reason Hearst sent Remington to Cuba in the first place.”

Had the Remingt0n-Hearst exchange taken place, it would have been in mid-January 1897, at the end of Remington’s lone visit to Cuba in the months before the loss of the Maine.

We know that because the sole original source of the anecdote, a self-centered journalist named James Creelman, claimed in a book of reminiscences that exchange took place “some time before the destruction of the battleship Maine in the harbor of Havana” on February 15, 1898.

Creelman, who titled his book On the Great Highway, did not say how he learned about the purported exchange. In early 1897, Creelman was not in New York with Hearst, nor in Cuba with Remington. Creelman was in Spain, on assignment for Hearst’s New York Journal, the leading exemplar of what was called “yellow journalism.”

It is exceedingly unlikely that the telegrams would have flowed freely between Hearst and Remington as Creelman suggested. Spanish authorities in Havana, after all, had imposed strict censorship of international cable traffic. As I note in Getting It Wrong:

“Spanish control of the cable traffic in Havana was too vigilant and severe to have allowed such an exchange to have gone unnoticed and unremarked upon. A vow such as Hearst’s to ‘furnish the war’ surely would have been intercepted and publicized by Spanish authorities as a clear-cut example of Yankee meddling in Cuba.”

I also note in Getting It Wrong that the purported Hearstian vow is a telling example of a quote that’s so neat and tidy that it should immediately trigger suspicions.

“Like many media-driven myths,” I write, “it is succinct, savory, and easily remembered.

“It is almost too good not to be true.”

WJC

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Keller no keeper of the flame on famous NYT motto

In 1897, Anniversaries, Debunking, New York Times, Newspapers, Year studies, Yellow Journalism on February 11, 2011 at 8:56 am

Keller

Bill Keller, executive editor of the New York Times, made clear the other day he doesn’t fully understand the derivation and significance of his newspaper’s famous, 114-year-old motto, “All the News That’s Fit to Print.”

And he didn’t seem particularly comfortable with the slogan coined (most likely) by Adolph Ochs, who in 1896 acquired the then-beleaguered Times and eventually led the newspaper to preeminence in American journalism.

Ochs, commemorated

Sure, the motto’s smug and overweening, elliptical and easily parodied. But it is the most recognizable motto in American journalism, and it evokes a time now passed when slogans helped define and distinguish U.S. newspapers.

In an appearance not long ago at the National Press Club in Washington, Keller was asked about “All the News That’s Fit to Print,” which took a permanent place of prominence on the newspaper’s front page on February 10, 1897.

Keller rather sniffed at it, saying the motto “harkens back to a day when the aim of the newspaper was to be comprehensive.”

According to a transcript of his remarks, Keller said that nowadays the Times is “going to tell you maybe only a little bit, but a little bit about everything.

“And I think that slogan describes an aspiration, or a mindset. Now we tend to be more selective, and try to give you more depth, to tell you the stories that are not obvious.”

Actually, “All the News That’s Fit to Print” was framed a riposte to activist-oritented yellow journalism that flared in New York City in the closing years of the 19th century.

Ochs clearly meant the slogan to be a rebuke to the flamboyant ways of the  New York Journal of William Randolph Hearst and the New York World of Joseph Pulitzer. Their newspapers were the leading exemplars of the yellow press in fin-de-siècle urban America.

As I wrote in my 2006 book, a year study titled The Year That Defined American Journalism: 1897 and the Clash of Paradigms, the motto was, and remains, a daily rejection of flamboyant, self-promoting journalism.

And as the Times pointed out in 1935 in its obituary about Ochs, the motto “has been much criticized, but the criticisms deal usually with the phraseology rather than with its practical interpretation, and the phraseology was simply an emphatic announcement that The Times was not and would not be what the nineties called a yellow newspaper.”

I further noted in The Year That Defined American Journalism that the Times, at its 50th anniversary in 1901, “referred to ‘All the News That’s Fit to Print’ as its ‘covenant.’ One-hundred years later, a columnist for the Wall Street Journal aptly identified the motto as the ‘leitmotif not merely for the Times, but also, by a process of osmosis and emulation, for most other general-interest papers in the country, as well as for much of the broadcast media.'”

So, no, the motto wasn’t an assertion of intent to be comprehensive — although the Times surely carried a lot of news in the late 1890s. Thirty or more articles, many of them a paragraph or two in length, usually found places on its front page back then.

Ochs’ slogan was more than a daily slap at yellow journalism.

It also represents “a daily and lasting reminder of the Times’ triumph in a momentous … clash of paradigms that took shape in 1897—a clash that helped define the modern contours of American journalism,” as I noted in The Year That Defined American Journalism.

That clash pitted three rival, incompatible models for the future of American journalism.

“As suggested by its slogan,” I wrote, “the Times offered a detached, impartial, fact-based model that embraced the innovative technologies emergent in the late nineteenth century but eschewed extravagance, prurience, and flamboyance in presenting the news.

“Extravagance, prurience, and flamboyance were features typically associated with yellow journalism, a robust genre which, despite its controversial and self-indulgent ways, seemed to be irresistibly popular in 1897. The leading exemplar of yellow journalism was … Hearst’s New York Journal, which in 1897 claimed to have developed a new kind of journalism, a paradigm infused by a self-activating ethos that sidestepped the inertia of government to ‘get things done.’

“The Journal called its model the ‘journalism of action’ or the ‘journalism that acts,’ and declared it represented ‘the final state in the evolution of the modern newspaper.’

“The third rival paradigm,” I wrote, “was more modest and idiosyncratic than those of the Times and Journal. If improbable, it was nonetheless an imaginative response to the trends of commercialization in journalism. The paradigm was an anti-journalistic literary model devised and promoted by J. Lincoln Steffens, who in late 1897 became city editor of the New York Commercial Advertiser, then New York’s oldest newspaper.”

That model, Steffens said, was predicated on the notion “that anything that interested any of us would interest our readers and, therefore, would be news if reported interestingly.”

The Times ultimately prevailed in the three-sided rivalry that emerged in 1897, and “All the News That’s Fit to Print” lives on as a reminder of the outcome of that momentous clash of paradigms.

WJC

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114 years on the front page

In 1897, Anniversaries, New York Times, Newspapers, Yellow Journalism on February 9, 2011 at 7:37 am

Tomorrow makes 114 years on the front page for the best-known slogan in American journalism.

114 years on the front

The slogan, of course, is “All the News That’s Fit to Print,” which first appeared February 10, 1897, in the upper left corner (the left ear) of the front page New York Times.

I’ve called them the most famous seven words in American journalism and they have been endlessly parodied and analyzed since 1897. Even admirers of the Times have conceded that “All the News That’s Fit to Print” is “overweening” and even “elliptical.”

As I discussed in my 2006 book, The Year That Defined American Journalism: 1897 and the Clash of Paradigms, the motto has given rise to some lofty claims over the years. In 1901, at the 50th anniversary of its founding, the Times referred to “All the News That’s Fit to Print” as its “covenant.”

In 2001, a columnist for the Wall Street Journal described the motto as the “leitmotif not merely for the Times, but also, by a process of osmosis and emulation, for most other general-interest papers in the country, as well as for much of the broadcast media.”

Adolph Ochs began using the slogan soon after acquiring control of the then-beleaguered Times in August 1896. At first, Ochs made use of “All the News That’s Fit to Print” as an advertising and marketing device.

The slogan’s debut came in early October 1896, spelled out in a row of red lights on an advertising sign the Times had rented at New York’s Madison Square.

Four months later, without fanfare or explanation, the slogan appeared in the “left ear” of the front page. It has appeared in that place of prominence ever since.

In touting “All the News That’s Fit to Print,” Ochs clearly sought to distance the Times from the yellow press of William Randolph Hearst and Joseph Pulitzer. Their flamboyant newspapers dominated New York City’s media landscape in the late 1890s.

Ochs was nothing if not aggressive in promoting the Times and in seeking to position the newspaper as a sober counterweight to the activism and excesses of the yellow press.

To that end, he launched in late October 1896 a contest inviting readers to propose “a phrase more expressive of the Times’ policy” than “All the News That’s Fit to Print,” which by then had taken a modest place in a corner of the Times’ editorial page.

The Times promised to pay $100 to the person who proposed in ten words or fewer a slogan deemed better than “All the News That’s Fit to Print.”

The motto contest, cheesy though it may seem today, stirred a fair amount of attention–and reader interaction–in 1896.

Among the thousands of entries sent to the Times were such clunky suggestions as “All the News Worth Telling,” “All the News That Decent People Want,” and “The Fit News That’s Clean and True.”

Among the others:

“Full of meat, clean and neat.”

“Instructive to all, offensive to none.”

“The people’s voice, good the choice.”

“Aseptic journalism up to date.”

“Yours neatly, sweetly, and completely.”

As I wrote in The Year That Defined American Journalism: “Before the contest ended, the Times altered the stakes by making clear it would not abandon ‘All the News That’s Fit to Print.’

“The Times,” I wrote, “justified this change of heart by saying no phrase entered in the contest was more apt and expressive than ‘All the News That’s Fit to Print.’ The $100 prize would be awarded, to the person adjudged to have submitted the best entry. But the motto would not be changed.”

But the entries kept rolling in. Other suggestions included:

“Bright as a star and there you are.”

“All the news to instruct and amuse.”

“Pure in purpose, diligent in service.”

“You do not want what the New-York Times does not print.”

“All that’s new, true, and clever.”

Another entry was inspired by rival titles in fin-de-siècle New York:

“Out heralds The Herald, informs The World, extinguishes The Sun.” (That suggestion is evocative of the slogan of New York Newsday, a tabloid that ceased publication in 1995 after 10 years:  “On top of the News, ahead of the Times.”)

As the motto contest neared its close in early November 1896, the Times noted that that some people had “sent in diagrams and even pictures.

“While these exhibit both skill and thought,” the newspaper said, “they cannot be accepted, because they are not wanted.”

A committee of Times staffers winnowed the entries to 150 semi-finalists, which were submitted to Richard Watson Gilder, editor of The Century magazine. Gilder selected these as finalists:

  • Always decent; never dull.
  • The news of the day; not the rubbish.
  • A decent newspaper for decent people.
  • All the world’s news, but not a school for scandal.

As I wrote in The Year That Defined American Journalism, Gilder noted “that terms of the contest had changed from the original intent of selecting a slogan that ‘more aptly express the distinguishing characteristics of the New-York Times’ to the more theoretical task of determining which entry ‘would come nearest to it in aptness.’”

That entry, Gilder determined, had been submitted by D.M. Redfield of New Haven, Connecticut. Redfield’s suggestion:

“All the world’s news, but not a school for scandal.”

Catchy, that.

WJC

Many thanks to Jim Romenesko for linking to this post

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‘Follow the money’: Why the made-up Watergate line endures

In Cinematic treatments, Debunking, Furnish the war, Media myths, Washington Post, Watergate myth on February 8, 2011 at 10:32 am

Watergate’s most famous made-up line — “follow the money” — is impressively versatile and doggedly persistent, some 35 years after it was written into a screenplay.

Mark Felt, 'Deep Throat' source

It’s a phrase that has resonance internationally. It’s made its way onto the sports pages and into publications on topics as diverse as secondary education and systems analysis.

And yesterday, the CBS business news site BNET invoked the passage in a post discussing a recent report of the Financial Crisis Inquiry Commission.

The reference to “follow the money” appeared at the end of BNET, as if it were an attempt at a witty ending:

“As Deep Throat said about the Watergate investigation, ‘follow the money.'”

But “follow the money” is really more clichéd than witty.

More important, it was a line not spoken by the stealthy “Deep Throat” source (see photo, above) of the Washington Post during its investigation of the Watergate scandal. The passage never appeared in the newspaper’s Watergate-related coverage.

No, it wasn’t the “Deep Throat” newspaper source who uttered “follow the money.” It was the actor Hal Holbrook, who played “Deep Throat” in the motion picture, All the President’s Men. The movie was based on Bob Woodward and Carl Bernstein’s book about their Watergate reporting for the Post.

Screenwriter William Goldman has taken credit for writing “follow the  money” into the script of All the President’s Men, which came out in 1976, less than two years after Watergate reached a climax with the resignation of President Richard Nixon.

Since 1976, millions of people have repeated the line, oblivious to its derivation and unaware of its falsity.

So why does this made-up line persist? Why is “follow the money” so appealing and versatile?

Like many media myths, “follow the money” is pithy, accessible, and easy-to-remember.

As I write in my latest book, Getting It Wrong, “Turns of phrase that sound too neat and tidy often are too perfect to be true.” William Randolph Hearst’s pithy vow to “furnish the war” with Spain is a particularly telling example.

There are, of course, other explanations for the persistent popularity of “follow the money.” It is, after all, a supposedly famous piece of advice — advice presumably crucial in unraveling Watergate.

The line suggests that rolling up the scandal was accomplished by identifying, pursuing, and reporting on an illicit money trail. Its purported centrality to understanding the Watergate scandal is an important reason why “follow the money” crossed smoothly from the silver screen to the vernacular and lives on.

But the Watergate scandal was more than a matter of a money trail. In the end, Nixon’s attempts to obstruct justice by covering up the break-in at headquarters Democratic national committee headquarters in 1972 brought down his presidency.

Moreover, “follow the money” is adaptable advice. It can be applied in many contexts. As Frances Miller wrote last year in the American Journal of Law and Medicine:

“Follow the money is a versatile phrase; the term can be used as an exhortation, designate a pathway, or denote a lifestyle choice. When it comes to health care, following the money is at least part of the sine qua non for anyone seeking to understand how this complex sector of the U.S. economy has arrived at its present sorry state.”

Similarly, “follow the money” has offered pertinent lessons in systems thinking, a broad-based approach to organizational assessment.

The journal Quality Progress invoked “Deep Throat” and “follow the money” in observing in 2004:

“What Deep Throat did, in effect, was lead Woodward, his colleague Carl Bernstein and the rest of us Watergate observers through an experiential workshop in systems thinking. The general instruction he gave the reporters to unravel the plot was, ‘Follow the money.’

“He assured them the money would connect the dots for them and eventually reveal the conspiracy’s entire ‘circulatory’ system. Identifying resources is one way to sketch in the outlines of some systems.”

That assessment was offered in the year before W. Mark Felt, formerly the second-ranking official at the FBI, identified himself as having been the “Deep Throat” of the Washington Post.

WJC

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Media myth and Truthout

In 1897, Debunking, Media myths, Newspapers, Spanish-American War, Yellow Journalism on February 3, 2011 at 6:47 am

It’s at least faintly ironic that an online news site called Truthout — which asserts an embrace of “equality, democracy, human rights, accountability and social justice” — would post a reference to one of American journalism’s most enduring and delicious media myths.

Not Hearst's doing

In its serializing a book by radio host Thom Hartmann, Truthout the other day indulged in the myth that William Randolph Hearst vowed to “furnish the war” with Spain in 1898 — and then made good on the supposed pledge.

The installment Truthout posted Monday said Hearst “had cabled his artist correspondent to Cuba, Frederick[sic] Remington, ‘You provide the pictures, and I’ll provide the war.’

“Hearst came through on his end of the deal, and the Spanish-American War—started largely by his newspapers and the public sentiment they controlled ….”

As I discuss in my latest book, Getting It Wrong, the anecdote about Hearst’s vow is almost certainly apocryphal — a media-driven myth.

And so is the notion that Hearst’s newspapers fomented the Spanish-American War.

In the first chapter of Getting It Wrong, I note that the Remington-Hearst tale remains popular “despite a nearly complete absence of supporting documentation. It lives on even though telegrams supposedly exchanged by Remington and Hearst have never turned up. It lives on even though Hearst denied ever sending such a message.”

Moreover, I write:

The anecdote endures “despite an irreconcilable internal inconsistency: It would have been absurd for Hearst to vow to ‘furnish the war’ because war—specifically, the Cuban rebellion against Spain’s colonial rule—was the very reason Hearst sent Remington to Cuba in the first place.”

Given the context of Remington’s assignment, a vow to “furnish the war” simply would have been incongruous, and illogical.

Had Hearst sent such an inflammatory telegram, it surely would have been intercepted by Spanish censors, who controlled incoming and outgoing cable traffic in Cuba. Spanish authorities undoubtedly would have called attention to what would have been a clear case of Hearst’s meddling.

So it’s highly improbable that a cable containing a vow to “furnish the war” would have flowed without interruption between Hearst in New York and Frederic Remington in Havana. (Had the cable been sent, it would have been in mid-January 1897, near the end of Remington’s lone pre-war visit to Cuba.)

Moreover, no one who repeats the purported vow seems to note, or much care, that Hearst denied having sent such a message and Remington, a prominent artist of the American West, apparently never spoke about it.

The related myth — that Hearst’s newspapers brought on the conflict with Spain — is just as hardy as “furnish the war.” Like many media myths, it offers a reductive, simplistic, and easy-to-remember version of a complex historical event.

The Spanish-American War, quite simply, was not caused by the contents of Hearst’s newspapers, of which he had three at the time — two in New York City, one in San Francisco.

As I discuss in my 2001 book, Yellow Journalism: Puncturing the Myths, Defining the Legacies:

“The yellow press [of Hearst and Joseph Pulitzer] is not to blame for the Spanish-American-War. It did not force—it could not have forced—the United States into hostilities with Spain over Cuba in 1898. The conflict was, rather, the result of a convergence of forces far beyond the control or direct influence of even the most aggressive of the yellow newspapers, William Randolph Hearst’s New York Journal.”

Besides, no one who asserts that the yellow press was responsible for the war with Spain can persuasively demonstrate just how the often-exaggerated contents of Hearst and Pulitzer’s newspapers were decisive in the declaration of war in April 1898.

“If the yellow press did foment the war,” I wrote in Yellow Journalism, then “researchers should be able to find some hint of, some reference to, that influence in the personal papers and the reminiscences of policymakers of the time.

“But neither the diary entries of cabinet officers nor the contemporaneous private exchanges among American diplomats indicate that the yellow newspapers exerted any influence at all.”

When it was discussed within the administration of President William McKinley, the yellow press was dismissed as a nuisance or disdained at as a complicating factor.

The truth is that the yellow press neither drove, shaped, nor  crystallized U.S. policy vis-à-vis Spain in 1898.

Put another way: Hearst did not follow through on a vow he never made.

WJC

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