W. Joseph Campbell

Archive for the ‘Furnish the war’ Category

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Launching ‘Getting It Wrong’ at Newseum

In Bay of Pigs, Bra-burning, Cronkite Moment, Debunking, Furnish the war, Jessica Lynch, Media myths, Murrow-McCarthy myth, War of the Worlds, Washington Post, Watergate myth on June 14, 2010 at 6:28 am

My new book, Getting It Wrong, will be launched Saturday, June 19, at an “Inside Media” program at the Newseum, the $450 million museum of news in downtown Washington, D.C.

The program will begin at 2:30 p.m. in the Knight TV Studio on the third level and will feature a discussion with the Newseum’s John Maynard, followed by audience Q-and-A.

I’ll be signing copies of Getting It Wrong afterward.

The book addresses, and debunks, 10 prominent media-driven myths–stories about and/or by the news media that are widely believed and often retold but which, on close inspection, proved to be apocryphal or wildly exaggerated.

Here is a brief description about each of the 10 myths:

  1. Remington-Hearst: William Randolph Hearst’s famous vow, “you furnish the pictures, I’ll furnish the war,” is almost certainly apocryphal.
  2. War of Worlds: The notion that the War of Worlds radio dramatization in 1938 caused nationwide panic and mass hysteria is exaggerated.
  3. Murrow-McCarthy: Edward R. Murrow’s famous See It Now program in March 1954 did not end Senator Joseph McCarthy’s communists-in-government witch-hunt; Murrow in fact was very late to take on McCarthy.

    Murrow in 1954

  4. Bay of Pigs: The New York Times did not suppress its reporting in the run-up to the ill-fated Bay of Pigs invasion in April 1961.
  5. Cronkite-Johnson: Walter Cronkite’s special report on Vietnam in February 1968 did not prompt an immediate reassessment of U.S. war policy.
  6. Bra-burning: Humor columnist Art Buchwald helped spread the notion that feminist demonstrators dramatically burned their bras at a Miss America protest in September 1968.
  7. Watergate: The Washington Post’s intrepid reporters, Carl Bernstein and Bob Woodward, did not bring down Richard Nixon’s corrupt presidency. That they did is a trope that knows few bounds.
  8. Crack babies: The much-feared “bio-underclass” of children born to women who smoked crack cocaine during their pregnancies never materialized.
  9. Jessica Lynch: The Washington Post’s erroneous reporting about Jessica Lynch early in the Iraq War gave rise to several myths about her capture and rescue.
  10. Hurricane Katrina: News coverage of Katrina’s aftermath in New Orleans in early September 2005 was marred by wild exaggerations of extreme, Mad Max-like violence.

As I write in Getting It Wrong, the myths debunked “are among American journalism’s best-known stories. Most of them are savory tales. And at least some of them seem almost too good to be false.”

I further write that because it “takes on some of the most treasured stories in American journalism,” Getting It Wrong is “a work with a provocative edge. It could not be otherwise.”

WJC

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Helen Thomas and Iraq War: What’s she talking about?

In Debunking, Furnish the war, Media myths, Newspapers on June 11, 2010 at 8:12 am

Helen Thomas, the cranky, now-disgraced columnist for Hearst newspapers who resigned under fire this week, claims in an interview that White House press corps bears some responsibility for the Iraq War.

Thomas, who quit after saying Jews should “get the hell out of Palestine” and go to Germany and Poland, asserted in the interview posted yesterday by Vice magazine:

“Everyone rolled over and played dead at a time when they should have been really penetrating. … But in this case they bought all the propaganda. Or, whether they bought it or not, they took it and spouted it.”

Thomas, who is almost 90,  didn’t elaborate on her “rolled over and played dead” comment, which has the whiff of a gratuitous shot at her erstwhile colleagues.

She’s made similar comments before, claiming for example that the American news media were “comatose” in the run-up to the war. But seldom has she offered much in the way of specific, supporting detail. As in who “rolled over” when?

While her claims have hardened into something approaching conventional wisdom about pre-war coverage, Thomas’ views have been challenged, notably by David Gregory of NBC, who has asserted:

“I think the questions were asked [in the run-up to the war].  I think we pushed. I think we prodded. I think we challenged the president. I think not only those of us the White House press corps did that, but others in the rest of the landscape of the media did that.

“If there wasn’t a debate in this country,” Gregory has said, “then maybe the American people should think about, why not?  Where was Congress? Where was the House? Where was the Senate? Where was public opinion about the war?”

As to his last question, where was public opinion? It heavily favored the war in Iraq. And as I note in a chapter in my new book, Getting It Wrong, a Washington Post-ABC News poll, taken in the early days of the war found that 69 percent of Americans thought the invasion of Iraq was justified even if weapons of mass destruction were not found.

Reason magazine also has challenged the argument that the U.S. news media could have been more searching in the run-up to the war, asserting in a well-argued piece in 2007:

“The ‘we should have done more to head off this war’ argument assumes too much, exaggerates the media’s power to influence, removes the onus from politicians and infantilizes news consumers.”

Those are all good points. And blaming the news media does tend to deflect blame from Congress, which in 2002 authorized military force against Iraq.

What’s more, the content leading U.S. daily newspapers in the weeks before the Iraq War began included a sustained amount of searching coverage. A good deal of the coverage in February and March 2003 focused on diplomatic démarche at the United Nations, where the U.S. pro-war policy came under frequent attack by the French, Germans, Russians, and others.

Those challenges to U.S. policy were given prominence in U.S. newspapers, as were the massive anti-war demonstrations in Europe and in some American cities.

Thomas has never impressed me as a particularly incisive or even careful reporter. She notably indulged in media myth in her 2006 book, Watchdogs of Democracy?: The Waning Washington Press Corps and How It Has Failed the Public.

The book repeated the hoary anecdote about Hearst’s vowing to “furnish the war” with Spain in the late 19th century–one of the media-driven myths that I debunk in Getting It Wrong.

Thomas’ use of the “furnish the war” anecdote helped Watchdogs of Democracy? make the tail-end of my lineup of the dozen overrated books about journalism history–a roster I compiled in 2009 for the quarterly journal American Journalism.

Topping my “overrated” list was David Halberstam‘s The Powers That Be, followed by Carl Bernstein and Bob Woodward‘s All the President’s Men and Hadley Cantril’s The Invasion From Mars.

About Thomas’ Watchdogs of Democracy?, I wrote:

“The title of Thomas’ book promises far more than its disjointed and repetitive content delivers,” adding, “don’t turn to Watchdogs of Democracy? for searching analysis.”

WJC

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On Hearst, yellow journalism, and war

In Debunking, Furnish the war, Media myths, Newspapers, Spanish-American War, Yellow Journalism on June 5, 2010 at 10:04 am

The dubious linkage of William Randolph Hearst, late 19th century yellow journalism,  and the Spanish-American War was invoked yesterday in a post at the Breaking Media online site.

The item discussed the latest deal by Hearst Corp., noting the reported acquisition was “not a newspaper, a magazine or even a website, but [iCrossing Inc.,] a company specializing in buying search keywords and performing social media“—and suggested that William Randolph, the company’s founder who died in 1951, would have approved.

Hearst before the war

Inevitably, perhaps, the Breaking Media item offered an historically flabby slice of context, asserting that “the Hearst name will forever be associated with yellow journalism techniques that led to a war and mainstream acceptance of all kinds of crazy pseudoscience.”

I don’t know about the last bit, the “acceptance of all kinds of crazy pseudoscience.”

But the claim about Hearst, yellow journalism, and war is an exaggeration, a media-driven myth.

The reference to “war” is, of course, to the Spanish-American War of 1898, the 114-day conflict in which the United States routed Spanish forces in Cuba, Puerto Rico, and the Philippines. The myth is that Hearst and his flamboyant yellow journalism whipped American public opinion to such an extent that war with Spain (over its harsh colonial rule of Cuba) became inevitable.

The myth is addressed, and debunked, in my 2001 book, Yellow Journalism: Puncturing the Myths, Defining the Legacies. A slice of the myth–that notion that Hearst vowed to “furnish the war” with Spain–is discussed in a chapter my new book, Getting It Wrong.

In Yellow Journalism, I noted that the argument that Hearst fomented the war with Spain over Cuba rests on a decidedly narrow, media-centric interpretation of the conflict’s causes.

That interpretation ignores, I noted, the “more relevant and immediate factors that give rise to armed conflict.

“In the case of the Spanish-American War,” I wrote, “the policy objectives between the United States and Spain ultimately proved irreconcilable. Months of intricate diplomatic efforts ultimately failed to resolve what had become an intolerable state of affairs in Cuba, dramatized by the destruction of the [U.S. warship] Maine in a harbor under Spanish control and supervision.

“To indict the yellow press for causing the Spanish-American War is to misread the evidence and to ignore the intricacies of the diplomatic quandary that culminated in the spring of 1898 in an impasse that led to war.”

Failed diplomacy gave rise to the Spanish-American War, not the content of Hearst’s newspapers in New York and San Francisco.

I also pointed out in Yellow Journalism:

“The notion that the yellow press incited or fomented the Spanish-American War stands, moreover, as testimony to the supposedly powerful, even malevolent effects of the news media—that they can and sometimes do act in dangerous, devious, and manipulative ways.”

And that’s an important reason why the myth about Hearst, yellow journalism, and war has proved so tenacious. It offers a lesson, however misleading, about the extreme hazards of unchecked media power: Unscrupulous media moguls can take us into wars that otherwise we would not fight.

WJC

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‘Getting It Wrong’ goes ‘On Point’

In Cinematic treatments, Cronkite Moment, Debunking, Furnish the war, Media myths, Media myths and radio, Spanish-American War, Washington Post, Watergate myth on June 3, 2010 at 8:52 pm

I was interviewed today by Tom Ashbrook, the engaging host of NPR’s On Point program, which is produced by WBUR in Boston.

We discussed Getting It Wrong, my new book about media-driven myths, and it was a fine show. (Audio is available here.)

As Ashbrook promised in his introduction, the conversation ranged over a variety of topics–or what he called “iconic media tales from the Spanish-American War to Hurricane Katrina.”

We were joined by Jack Beatty, the program’s news analyst, and discussed at some length the myth of the so-called “Cronkite Moment” of 1968, in which CBS News anchorman Walter Cronkite characterized the war in Vietnam as a stalemate, supposedly prompting President Lyndon Johnson to alter his policy on the conflict.

We also took up myth surrounding the famous anecdote about William Randolph Hearst’s purported vow to “furnish the war” with Spain at the end of the 19th century, the dubious notion that Orson Welles’ 1938 radio dramatization of the War of the Worlds set off nationwide panic and mass hysteria, and what I call the heroic-journalist myth of Watergate, in which Bob Woodward and Carl Bernstein of the Washington Post supposedly brought down Richard Nixon’s corrupt presidency.

On the latter topic, I mentioned how the cinematic version of All the President’s Men, Woodward and Bernstein’s book about their Watergate reporting, has become the vehicle by which people learn about and remember the scandal.

Watergate was, I noted, “so complex that people these days, many years removed from it, find it hard to keep it all straight. … The high-quality, cinematic treatment of the Watergate scandal, featuring Woodward and Bernstein and the Washington Post in All the President’s Men, does happen to be the way that many people remember the Watergate scandal. …

“The movie’s a great movie,” I added. “But it helped to solidify the notion that the Post, the Washington Post, and Woodward and Bernstein were at the center, were at the heart, of uncovering the scandal.”

On Point featured questions and comments from a few callers–including a guy named Phil in Bowling Green, Kentucky, who said about me:

“I think the professor has got too much time on his hands. ” I chuckled.

He added: “I lived through most of that–the Watergate and Vietnam War.  I think he’s underestimating the persuasive attitude that Walter Cronkite had on this country. … Everybody’s opinion turned on what Walter Cronkite thought.”

But another caller, Gary from Nashville, Tennessee, weighed in, saying he disagreed with Phil from Bowling Green, offered the thought that public opinion about Vietnam turned not on the views of one journalist but on “the unrelenting reporting on the war by the media.”

It was a lively, substantive program that has generated a few dozen or so comments at the On Point online site.

The discussion made me recognize anew how deeply embedded and tenaciously held some media-driven myths really are, and how an hour-long program is hardly enough to encourage people even to think about giving them up. As Jack Shafer noted in his review of Getting It Wrong, “a debunker’s work is never done.”

But perhaps the show’s content will entice some listeners to buy and read the book. Even then, though, I suspect some media myths will prove resistant to thorough debunking.

WJC

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‘Good narrative trumps good history’

In 1897, Cinematic treatments, Furnish the war, Media myths, Reviews, Yellow Journalism on May 28, 2010 at 1:53 pm

The Shotgun Blog today quotes an excerpt from my recent review of Evan Thomas’ disappointing new book, The War Lovers, and offers this telling observation:

“A good narrative trumps good history about nine times out of ten.”

The Shotgun Blog excerpt carries the headline, “You Furnish the Myth, We’ll Furnish the History,” and includes this passage from my review of War Lovers:

“Thomas embraced the media-driven myth of William Randolph Hearst’s purported vow to furnish the war with Spain–a vow supposedly contained in a telegram to the artist Frederic Remington, on assignment in Cuba” in 1897.

The Remingt0n-Hearst anecdote almost certainly is apocryphal, as I discuss in my 2001 book, Yellow Journalism: Puncturing the Myths, Defining the Legacies.

I revisit the anecdote in the first chapter of my soon-to-be-published book, Getting It Wrong, which debunks 10 prominent media-driven myths—false, dubious, or improbable stories about the news media that masquerade as factual.

The Shotgun Blog’s observation about good narrative routinely trumping good history is worthy of rumination, as it does often seem to be the case. It is a topic that I address in Getting It Wrong.

A reason narratives like the Remington-Hearst anecdote triumph is that they are succinct, savory, and easily remembered–as are many media-driven myths.

The Remington-Hearst anecdote is almost too good to be false, a narrative so delicious that it deserves to be true.

The anecdote lives on “despite a nearly complete absence of supporting documentation,” I note in Getting It Wrong, adding:

“It lives on even though telegrams supposedly exchanged by Remington and Hearst have never turned up. It lives on even though Hearst denied ever sending such a message.

“It lives on despite an irreconcilable internal inconsistency: It would have been absurd for Hearst to vow to ‘furnish the war’ because war—specifically, the Cuban rebellion against Spain’s colonial rule—was the very reason Hearst sent Remington to Cuba in the first place.

“Anyone reading U.S. newspapers in early 1897 would have been well aware that Cuba was a theater of a nasty war. By then, the Cuban rebellion had reached island-wide proportion and not a single province had been pacified by Spain’s armed forces.”

What pressed the “furnish the war” anecdote unequivocally into the public consciousness–what sealed the narrative’s triumph over history, if you will–was Citizen Kane, the 1941 motion picture based loosely on Hearst’s life and times.

Kane was not a commercial success, in part because of Hearst’s attempts to block its release, but the film is consistently ranked by critics among the finest ever made, as I note in Getting It Wrong.

A scene early in the film shows Charles Foster Kane, the newspaper tycoon who invites comparisons to Hearst, at his desk, tie untied, quarreling with his former guardian. They are interrupted by Kane’s business manager, “Mr. Bernstein,” who reports that a cable a just arrived from a correspondent in Cuba.

Bernstein reads the contents and Kane, who is played superbly by Orson Welles, dictates a reply that paraphrases Hearst’s purported vow.

Orson Welles

“You provide the prose poems,” Kane says, “and I’ll provide the war.”

Bernstein congratulates Kane on a splendid and witty reply.

Saying he rather likes it himself, Kane instructs Bernstein to send it at once.

WJC

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Media myths, the ‘junk food of journalism’

In Debunking, Furnish the war, Murrow-McCarthy myth, Spanish-American War, Washington Post, Watergate myth on May 26, 2010 at 9:14 pm

Media-driven myths, the subject of my soon-to-be-published book, Getting It Wrong, are prominent tales of doubtful authenticity—false, dubious, or improbable stories about the news media that masquerade as factual.

The  myths addressed and debunked in the book include the notion that two intrepid reporters for the Washington Post took down Richard Nixon’s corrupt presidency, that Edward R. Murrow’s See It Now television program brought an end to Senator Joseph McCarthy’s communists-in-government witch-hunt, and that newspaper magnate William Randolph Hearst vowed to “furnish the war” with Spain at the end of the 19th century.

“In a way,” I write in Getting It Wrong, media myths “are the junk food of journalism—alluring and delicious, perhaps, but not especially wholesome or nourishing.”

But why bother: Why devote a book to debunking media-driven myths?

It’s a question that, somewhat to my surprise, arises not infrequently.

Several answers offer themselves.

For one, there is inherent value is seeking to set straight the historical record. As I write in Getting It Wrong, “the effort to dismantle [media myths] is certainly worthy, if only to insist on a demarcation between fact and fiction.” That effort is aligned with a core objective of newsgathering—that of getting it right.

Media-driven myths, moreover, are neither trivial nor innocuous. They can have adverse consequences. They tend, for example, to minimize the nuance and complexity of historical events and offer simplistic and misleading interpretations instead. It’s effortless and undemanding to say the Washington Post brought down Nixon, that Murrow ended McCarthyism, or that Hearst plunged the United States into war with Spain. The historical reality in each of those cases is, of course, significantly more complex.

So media-driven myths distort popular understanding about the roles and functions of journalism in American society. They tend to confer on the news media far more power and influence than they typically wield.

Media influence, I write in the book, usually “is trumped by other forces” and further undercut by the traditional self-view of American journalists as messengers first, rather than as makers and shapers of news.

What’s more, the news media these days are too splintered and diverse—print, broadcast, cable, satellite, online—to exert much in the way of collective and sustained influence on policymakers or media audiences.

Thus, debunking media-driven myths can help to locate media influence in a more coherent context. Getting It Wrong offers the case that such influence tends to modest, nuanced, and situational.

There are occasions, though, when the splintered news media coalesce and devote exceptionally intense attention to a single topic—such as Hurricane Katrina’s rampage along the Gulf Coast nearly five years ago. The news media gave themselves high marks for their coverage of the disaster’s aftermath, especially of the federal government’s fitful response.

But as I discuss in Getting It Wrong, the coverage also was characterized by highly exaggerated reports of nightmarish violence and wanton criminality in New Orleans in the hurricane’s wake. The misreporting of the disaster’s aftermath, I write, effectively “defamed a battered city and impugned its residents at a time of their deep despair.”

Thus, another reason why debunking matters—media-driven myths can and do feed prejudices and stereotypes.

Finally, confronting media myths discourages the tendency to regard prominent journalists in extreme terms—as heroes or villains. Piercing the myth surrounding Murrow renders him somewhat less Olympian. Similarly, debunking the myth about Hearst and his purported vow to “furnish the war” with Spain makes him seem less manipulative, and less demonic.

Getting It Wrong is a work with a provocative edge. Given that it takes on some of the most treasured stories in American journalism, it could not be otherwise.

WJC

This post first appeared at the University of California Press blog.

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‘A debunker’s work is never done’

In Bay of Pigs, Bra-burning, Cronkite Moment, Debunking, Furnish the war, Media myths, Murrow-McCarthy myth, New York Times, Reviews, War of the Worlds, Washington Post, Watergate myth, Yellow Journalism on May 21, 2010 at 6:14 pm

So notes the inestimable media critic Jack Shafer in his review of my forthcoming book, Getting It Wrong, posted today at slate.com.

And what a generous, engaging, and insightful review it is.

Under the headline “The Master of Debunk,” Shafer notes that “the only way to debunk an enshrined falsehood is with maximum reportorial firepower.

“Toting big guns and an itchy trigger-finger is American University professor W. Joseph Campbell, whose new book Getting It Wrong: Ten of the Greatest Misreported Stories in American Journalism flattens established myths that you were brought up to believe were true.”

Shafer’s review specifically discusses a variety of media-driven myths, including William Randolph Hearst’s purported vow to “furnish the war” with Spain; the so-called “Cronkite moment” that supposedly altered President Lyndon Johnson’s Vietnam policy; the Bay of Pigs suppression myth that erroneously says President John F. Kennedy persuaded the New York Times to spike a story about the pending U.S.-backed invasion of Cuba, and the heroic-journalist myth of Watergate.

Shafer rightly points out that “a debunker’s work is never done” and to that end notes my recent post at Media Myth Alert about Evan Thomas’ new book, The War Lovers. The book embraces myths of the yellow press period in American journalism, including the Hearst vow.

Shafer thoughtfully considers the tenacity of media-driven myths, writing:

“Some myths endure because the stories are so compelling, like the Hearst tale and the alleged mayhem caused by Orson Welles’ [War of the Worlds] broadcast. Others survive because our prejudices nourish them (“crack babies,” bra burners) or because pure repetition has drummed them into our heads, smothering the truth in the process.

“The best tonic for the brain fever caused by media myths is an open mind and a free inquiry,” he writes.

Shafer wraps up the review by invoking this observation, by Jonathan Rauch:

“It is the error we punish, not the errant.”

Shafers adds:

“Of course when you do such a good job punishing the error, as Campbell does, you don’t need to bother with the errant.”

WJC

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In myth, a truism: Hearst’s vow ‘will forever live on’

In 1897, Debunking, Furnish the war, Media myths, Spanish-American War, Yellow Journalism on May 17, 2010 at 8:34 am

William Randolph Hearst’s purported vow to “furnish the war” with Spain “has achieved unique status as an adaptable, hardy, all-purpose anecdote,” I write in my forthcoming book about media-driven myths, Getting It Wrong.

The anecdote, I point out, “has been invoked to illustrate the media’s willingness to compromise impartiality, promote political agendas, and indulge in sensationalism. It has been used, more broadly, to suggest the media’s capacity to inject malign influence into international affairs.”

It is for such reasons the Hearstian anecdote endures, despite having been thoroughly debunked. The tale is revisited, and debunked anew, in the first chapter of Getting It Wrong.

But it may well be that Hearst’s purported vow “will forever live on in journalism history,” as a columnist for the Times of Northwest Indiana newspaper wrote in a commentary published yesterday.

Far from challenging or disputing the tale, the columnist embraced it, repeating as if factual the supposed exchange between Hearst and the artist Frederic Remington, in which Hearst reputedly asserted:

“You furnish the pictures, and I’ll furnish the war.”

Remington was in Cuba in January 1897, on assignment for Hearst’s New York Journal to draw sketches of the rebellion against Spanish colonial rule. If the exchange did take place, it would have been then, in early 1897.

As I write in Getting It Wrong,  the anecdote lives on despite a nearly complete absence of supporting documentation. It lives on even though the telegram that supposedly contained Hearst’s vow has never turned up. It lives on even though Hearst denied ever sending such a message.

And it lives on despite an irreconcilable internal inconsistency: It would have been absurd for Hearst to vow to “furnish the war” because war—specifically, the Cuban rebellion—was the reason he sent Remington to Cuba in the first place. (The rebellion gave rise in 1898 to the Spanish-American War.)

The sole source for the anecdote was a self-important journalist named James Creelman. He was neither in Cuba nor in New York at the time the exchange would have occurred. Creelman then was in Europe, as a correspondent for Hearst’s Journal.

That means Creelman learned about the tale second-hand.

Or made it up.

The durability of media myths such as the “furnish the war” anecdote is discussed in Getting It Wrong. I acknowledge that “some myths addressed [in the book] may prove resistant to debunking. They may still be widely believed despite the contrary evidence marshaled against them.”

I note that the “most resilient myths may be those that can be distilled to a catchy, pithy phrase.”

Quotations such as “You furnish the pictures, and I’ll furnish the war” are indeed neat, tidy, catchy, and delicious. They are easy to remember, fun to repeat, and too good not to be true.

Almost certainly, they will live on.

WJC

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Check out new trailer for ‘Getting It Wrong’

In 1897, Debunking, Furnish the war, Media myths, Spanish-American War, War of the Worlds, Yellow Journalism on May 8, 2010 at 3:45 pm

Here’s the book trailer for Getting It Wrong, my forthcoming book that addresses, and debunks, 10 prominent media-driven myths.

Getting It Wrong will be published this summer by University of California Press.

WJC

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Advance copies arrive

In 1897, Furnish the war, Media myths, Spanish-American War on May 7, 2010 at 4:11 pm

I received two advance copies of Getting It Wrong this afternoon. My wife says they look great, so that’s got to be the final word on that matter.

They do look very good.

I had a feeling the advances were being delivered when the UPS truck rolled up in front of the house.

Getting It Wrong–which addresses and debunks 10 prominent media-driven myths–is being published by University of California Press. Reed Malcolm, the acquisition editor with whom I worked, enclosed a generous note, saying copies of the book are en route to warehouses on the East and West coasts.

Getting It Wrong should be on sale next month.

The book‘s opening chapter,  which revisits William Randolph Hearst’s purported vow to “furnish the war” with Spain in the late 19th century, is available here.

Getting It Wrong has already attracted a measure of attention. I guest-blogged about the book at the Washington Post‘s “Political Bookworm” site and the newspaper’s “Outlook” section carried a short writeup about last month about three myths the book debunks.

WJC