W. Joseph Campbell

Archive for the ‘Furnish the war’ Category

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India high court order invokes phony Watergate line

In Media myths, Furnish the war, Washington Post, Debunking, Watergate myth on August 2, 2011 at 9:48 am

Two Supreme Court judges in India last month turned to Watergate’s most famous made-up line in ordering an investigation into large sums of money believed stashed in banks abroad.

The judges in their order cited the made-up line as if it had been genuine advice from a high-level source to Bob Woodward of the Washington Post  during the newspaper’s investigation of the Watergate scandal.

The line is “follow the money” — and it had no role whatsoever in the Watergate scandal.

“Follow the money” was never uttered by Woodward’s stealthy source, who was code-named “Deep Throat.”

The line appears nowhere in the All the President’s Men, the book Woodward and Carl Bernstein wrote about their Watergate reporting for the Post.

Nor did the passage appear in any Watergate-related news article or editorial in the Post before June 1981 — nearly seven years after the scandal reached its denouement with President Richard Nixon’s resignation.

“Follow the money” was written into the screenplay of All the President’s Men, the 1976 movie based on Woodward and Bernstein’s book.

Many people and many news outlets over the years have cited “follow the money” as if it were real, as if it had been advice to Woodward that really worked.

Just last week, for example, a column in London’s high-brow Financial Times newspaper described “follow the money” as the “mantra” of Watergate. And a column posted at Huffington Post a couple of weeks ago also repeated “follow the money” as if it had been vital guidance to uncovering Watergate.

But finding its way into a high court order probably represents a first for “follow the money.”

As noted in a Bloomberg news service report yesterday, the two judges — B. Sudershan Reddy and S.S. Singh Nijjar — invoked “follow the money” at the outset of the order they released early last month.

Credulously, the judges wrote:

“‘Follow the money’ was the short and simple advice given by the secret informant, within the American Government, to Bob Woodward, the journalist from Washington Post, in aid of his investigations of the Watergate Hotel break in.”

So how is it that such errors are made? What explains the impressive reach and popularity of this appealing but contrived statement?

A partial explanation is that “follow the money” seems just too good, too delicious, not to be true. It’s in the class of William Randolph Hearst’s purported vow to “furnish the war” with Spain: It’s a quotation that really ought to true.

And as I point out in my media myth-busting book, Getting It Wrong:

“To thwart media myths, journalists can start by applying a measure of skepticism to pithy, telling quotes such as Hearst’s vow to ‘furnish the war.’ … Turns of phrase that sound too neat and tidy often are too perfect to be true.”

The popularity of “follow the money” goes beyond appealing pithiness and is rooted in the dramatic quality of All the President’s Men, the most-watched movie ever made about Watergate.

The “Deep Throat” character was played in All the President’s Men by the actor Hal Holbrook, who turned in a marvelous performance.

In a late-night scene in a darkened parking garage, the shadowy, raspy-voiced Holbrook told the Woodward character (played by Robert Redford):

“I have to do this my way. You tell me what you know, and I’ll confirm. I’ll keep you in the right direction, if I can, but that’s all.

“Just follow the money.”

Holbrook delivered the line with such quiet insistence that it truly seemed to offer a way through the labyrinth of the Watergate scandal. And the popularity of the movie carried “follow the money” into the vernacular.

But such guidance, had it really been offered to Woodward, would have taken the reporter only so far. Watergate, after all, was much broader than the improper use of campaign monies.

Nixon was toppled not by heroic journalists who followed a money trail, but by irrefutable evidence captured on audiotapes that he had ordered the cover up Watergate’s signal crime, the break-in at the headquarters of the Democratic National Committee in June 1972.

WJC

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More media myths from CounterPunch

In Bay of Pigs, Debunking, Furnish the war, Jessica Lynch, Media myths, Washington Post, Watergate myth on July 24, 2011 at 8:30 am

CounterPunch touts itself as “America’s best political newsletter.”

It’s building a reputation for indulging in media-driven myths, too.

Since mid-March, essays posted at CounterPunch have:

CounterPunch has indulged yet again in media myth, in a commentary in its weekend edition about Rupert Murdoch’s troubled media empire.

CounterPunch claimed the tough old media mogul has “surpassed William Randolph Hearst,” press baron of the 19th and early 20th centuries, “in practicing yellow journalism.”

The commentary invoked the hoary media myth about Hearst’s purported vow to “furnish the war” with Spain.

According to CounterPunch, Hearst said: “Get me the photos and I’ll get you the war.”

That was, CounterPunch added, “Hearst’s 1898 dictum to help start the Spanish-American War.”

Provocative tale. But it’s pure media myth.

Hearst’s vow is almost surely apocryphal, for reasons I discuss in my myth-busting book, Getting It Wrong, which came out last year.

Among the reasons:  The telegram that supposedly contained Hearst’s vow — a cable sent to artist Frederic Remington, on assignment to Cuba — has never turned up.

More significantly, as I point out Getting It Wrong, the anecdote about Hearst’s purported vow suffers from “an irreconcilable internal inconsistency.”

That is, it would have been absurd and illogical for Hearst to have vowed to “furnish the war” because war — specifically, the Cuban rebellion against Spain’s colonial rule — was the reason he sent Remington to Cuba in the first place.

In addition, the Spanish colonial authorities who ruled Cuba closely controlled and censored incoming and outgoing telegraphic traffic: They surely would have intercepted and called attention to Hearst’s incendiary telegram, had it been sent.

But in fact, there was, as I write in Getting It Wrong, no chance that telegrams would have flowed freely between Remington in Cuba and Hearst in New York.

So “furnish the war” (or, “provide the war”) wasn’t at all Hearst’s “dictum to help start the Spanish-American War.”

That Hearst helped bring on the war with Spain is a media myth, too.

It’s a myth dismantled in my 2001 book, Yellow Journalism: Puncturing the Myths, Defining the Legacies, in which I pointed out that the yellow press of Hearst and his rival, Joseph Pulitzer, “is not to blame for the Spanish-American-War.

“It did not force — it could not have forced — the United States into hostilities with Spain over Cuba in 1898.

“The conflict was, rather, the result of a convergence of forces far beyond the control or direct influence of even the most aggressive of the yellow newspapers, William Randolph Hearst’s New York Journal.”

The proximate cause of the war was the humanitarian crisis created by Spain’s bungled attempts to quell a rebellion that had begun in Cuba in 1895 and had spread across the island by 1897, when Remington arrived in Havana on assignment for Hearst.

WJC

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Tarring Murdoch with Hearst’s evil ‘vow’ to ‘furnish the war’

In 1897, Debunking, Furnish the war, Media myths, Spanish-American War on July 20, 2011 at 8:28 am

Rupert Murdoch’s much-anticipated hearing yesterday before a Parliament committee was hardly very dramatic — save for the assault on the tough old media mogul by a chucklehead wielding a shaving cream-pie.

The hearing, which centered around the misconduct of journalists formerly in Murdoch’s employ, was more farce and tedium than high-noon encounter that threatened Murdoch’s far-reaching media empire.

Murdoch, who is 80 and clearly doddering, even won a measure of sympathy as victim of the none-too-bright shaving cream-pie attack.

What was fairly remarkable was that in the hearing’s aftermath at least a couple of U.S. commentators turned credulously to a hoary media myth to make points about Murdoch’s supposedly evil ways.

Hearst: Made no vow

The media myth is the tale that press baron William Randolph Hearst, in an exchange of telegrams with the artist Frederic Remington, vowed to “furnish the war” with Spain in the late 19th century.

I describe in my latest book, Getting It Wrong, why that tale is almost surely apocryphal for reasons that include Hearst’s denial and the improbable context in which his message supposedly was sent.

One of the pundits invoking the media myth was Milos Stehlik, a commentator on WBEZ, an FM radio station in Chicago.

Stehlik likened Murdoch to Hearst and Charles Foster Kane, the fictional media baron in Citizen Kane, the 1941 movie loosely based on Hearst’s life.

“Kane, Hearst and Murdoch … share a political activism which pretends to help the media-consuming masses while, in reality, mostly helped their own privileged class,” Stehlik declared, before invoking the “furnish the war” myth as if it were genuine.

“Hearst,” he said, “told artist Frederic Remington, who was in Cuba, to send dispatches about the war. Remington sent Hearst a telegram saying there was no war in Cuba. Hearst famously told Remington to just provide him the pictures, and he would furnish the war.”

Meanwhile in Seattle, Jon Talton, a newspaper columnist on economic issues, posted a commentary that began this way:

“Press lord Rupert Murdoch isn’t accused of doing anything some of his notorious forebears wouldn’t have attempted given the technology. ‘You supply the pictures and I’ll supply the war,’ William Randolph Hearst is said to have instructed his Cuba correspondents as he ginned up circulation on the eve of the Spanish-American War.”

If Hearst had made the vow, it wouldn’t have been “on the eve of the Spanish-American War,” as Talton wrote in his column for the Seattle Times. It would have been in January 1897 — 15 months before the war began.

That was when Remington arrived in Havana, on a brief assignment for Hearst’s New York Journal to draw sketches of the Cuban rebellion against Spanish colonial rule.

Remington soon tired of the assignment and, the myth has it, cabled Hearst, stating:

“Everything is quiet. There will be no war. I wish to return.”

Hearst, in New York, supposedly replied by stating:

“Please remain. You furnish the pictures, and I’ll furnish the war.”

The anecdote’s sole original source was a blustering, cigar-chomping journalist named James Creelman, who recounted the tale in his 1901 memoir, On the Great Highway.

Creelman, though, did not explain how he heard about the Remington-Hearst exchange. It couldn’t have been first hand because at the time Remington was in Cuba, Creelman was in Spain, on assignment for the Journal.

That means Creelman could only have learned about the tale second-hand or, as is more likely, just made it up.

Significantly, the context of the supposed Remington-Hearst exchange makes no sense.

I write in Getting It Wrong that “it would have been absurd for Hearst to vow to ‘furnish the war’ because war — specifically, the Cuban rebellion against Spain’s colonial rule — was the very reason Hearst sent Remington to Cuba in the first place.”

The rebellion was a vicious conflict that began in early 1895; by early 1897, it had reached islandwide proportion. As such, the rebellion attracted much attention in U.S. newspapers, including those published by Hearst.

So what may prompt pundits to turn credulously and not infrequently to the anecdote about Hearst and his supposed wickedness?

Because it’s arguably the most deliciously evil tale in journalism history, a tale that reveals Hearst’s ruthlessness and his warmongering. It’s a tale about journalism at its most sinister and malign, a tale wrapped in a dark and arrogant pledge to bring on a war the country otherwise wouldn’t have fought.

And these days, it’s a handy if indirect way of tarring Murdoch, by associating him with Hearst in the exclusive club of vile and villainous media magnates.

WJC

Many thanks to Instapundit
Glenn Reynolds for linking to this post

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BBC calls Hearst vow apocryphal, quotes it anyway

In 1897, Debunking, Furnish the war, Media myths, Spanish-American War, Yellow Journalism on July 15, 2011 at 10:28 am

Apocryphal but still quotable.

That’s how Britain’s venerable broadcaster, the BBC, treated the mythical anecdote about media titan William Randolph Hearst and his purported vow to “furnish the war” with Spain in the late 19th century.

In an article posted online yesterday, the BBC described Hearst as the “definitive [news] baron” and declared:

“He’s credited with the invention of tabloid journalism in the 1890s when his New York Journal began a bitter circulation war with Joseph Pulitzer’s New York World. He also had a reputation as a warmonger.

“‘You furnish the pictures and I’ll furnish the war,’ goes an apocryphal instruction he was supposed to have sent in a telegram to an illustrator in Havana.”

That’s right, the line is apocryphal. What, then, is the point in using it? As a none-too-clever, back-handed way of buttressing the dubious notion that Hearst and his newspapers were capable of fomenting a war?

That’s sloppy journalism from a leading international news organization.

As I discuss in my latest book, Getting It Wrong, Hearst’s purported vow to “furnish the war” with Spain is a particularly tenacious media-driven myth — a prominent but dubious tale about journalism that masquerades as factual.

I note that the tale about Hearst’s vow “has achieved unique status as an adaptable, hardy, all-purpose anecdote, useful in illustrating any number of media sins and shortcomings.

“It has been invoked to illustrate the media’s willingness to compromise impartiality, promote political agendas, and indulge in sensationalism. It has been used, more broadly, to suggest the media’s capacity to inject malign influence into international affairs.”

Hearst: Didn't say it

Reasons for doubting the presumptive Hearstian vow are many, I point out in Getting It Wrong, and include the fact that the telegram in which Hearst supposedly made the statement — in an exchange with the artist Frederic Remington, on assignment to Cuba — has never turned up.

Plus, Hearst denied making such a vow.

Not only that, but the anecdote lives on lives on despite what I call “an irreconcilable internal inconsistency.” That is, it would have been absurd for Hearst to vow to “furnish the war” because war— specifically, the Cuban rebellion against Spanish colonial rule— was the reason he sent Remington to Cuba in the first place.

The artist was in Cuba for just six days in January 1897. By that time, the Cuban rebellion — a war for political independence — had reached islandwide proportions. “Anyone reading U.S. newspapers in early 1897 would have been well aware that Cuba was a theater of a nasty war,” I write in Getting It Wrong.

Given the context, Hearst’s purported vow is utterly illogical.

And to invoke the anecdote knowing that it’s apocryphal is little short of disingenuous.

The BBC’s reference to Hearst’s being “credited with the invention of tabloid journalism in the 1890s” also is questionable.

Hearst’s style of flamboyant journalism certainly helped inspire the epithet “yellow journalism,” but he was no father of tabloid journalism.

If anything, Hearst was a latecomer to that genre.

As David Nasaw wrote in The Chief, his admirably even-handed biography of Hearst, the press baron didn’t embrace the tabloid until the 1920s “because he was not comfortable with the format.

“He  had no interest in publishing a picture newspaper that had little room for political coverage, columns, cartoons, and the editorials he cared so much about.”

WJC

Many thanks to Instapundit
Glenn Reynolds for linking to this post.

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Those delicious but phony quotes ‘that refuse to die’

In Cinematic treatments, Cronkite Moment, Debunking, Furnish the war, Media myths, Murrow-McCarthy myth, Spanish-American War, Washington Post, Watergate myth on June 25, 2011 at 10:31 am

Craig Silverman, author of Regret the Error, posted an intriguing column yesterday about appealing but dubious quotations that journalists seem especially prone to cite, noting that such famous lines “often turn out to be manufactured or inexact representations.”

It’s an important reminder, given the endless popularity of quotations that are neat, tidy, and irresistibly delicious. As I note in my latest book, Getting It Wrong, “Turns of phrase that sound too neat and tidy often are too perfect to be true.”

Plouffe: Not so 'queasy'?

Silverman’s column, titled “Misquotes that refuse to die,” was centered around a comment attributed in 2009 to David Plouffe, Barrack Obama’s campaign manager in 2008.

Plouffe supposedly said he felt a bit “queasy” about the prospect of Obama’s facing Jon Huntsman, the Republican former Utah governor, in the presidential election in 2012.

“Plouffe never said it,” Silverman wrote, describing how the queasy line took on life of its own.

Journalists can be particularly susceptible to such succinct “little gems,” as Silverman put it, because the gems are so effective in making a point or in distilling complexity.

Silverman’s column noted two famous, dubious quotes that I dismantle in Getting It Wrong.

One of them is the comment misattributed to President Lyndon Johnson who,  in reaction to Walter Cronkite’s on-air assessment that the war in Vietnam was “mired in stalemate,” supposedly said:

“If I’ve lost Cronkite, I’ve lost Middle America.”

Or something to that effect.

Versions as to what Johnson supposedly said vary quite a lot — which can be a marker of a media myth. I also point out in Getting It Wrong that Johnson did not see the Cronkite report when it aired on CBS on February 27, 1968.

The other dubious quote discussed in Getting It Wrong and mentioned by Silverman is William Randolph Hearst’s purported vow to “furnish the war” with Spain.

Reasons for doubting the Hearstian vow are many, I write, and include the fact that the telegram in which Hearst supposedly made the statement has never turned up. Plus, Hearst denied making such a vow.

A number of other famous and delicious quotes favored by journalists likewise have proven to be false, made-up, or of mythical dimension; among them:

  • “Too early to say.” It’s often said that Chinese premier Zhou Enlai offered the observation in 1972, as sage, far-sighted analysis about the effects of the French Revolution of 1789. But according to a retired American diplomat, Charles W.  (Chas) Freeman Jr., Zhou’s comment, which came during President Richard Nixon’s visit to China in February 1972, was about political turmoil in France in 1968. “I cannot explain the confusion about Zhou’s comment, except in terms of the extent to which it conveniently bolstered a stereotype” about Chinese leaders taking an exceptionally long and patient view of history, Freeman said recently. Freeman was Nixon’s interpreter on the trip.

So what to do about these delicious but dubious and phony quotations?

Keep pounding away at them, calling them out for what they are, whenever they appear. That’s the only effective way of debunking.

But even then, thorough and utter debunking can be rare.

WJC

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That was quick: Crummy Cleveland mob pic now out on DVD

In Cinematic treatments, Cronkite Moment, Debunking, Furnish the war, Media myths, Spanish-American War on June 16, 2011 at 1:08 pm

It was just three months ago when a low-budget yet widely reviewed movie about Cleveland’s 1970s mob scene came out in limited release.

The film, Kill the Irishman, never much caught on and was released this week in DVD.

I’m hardly surprised that its time in theaters was so brief.

Update: I’ve now seen Kill the Irishman and it’s not as dreadful as anticipated. Still, the movie meanders without making much of a point, other than to glamorize the Cleveland mob scene of the 1970s and romanticize a violence-prone hood named Danny Greene.

I’ve not seen the movie but have enjoyed reading the reviews, such as the one in the New York Times that called Kill the Irishman “an extravagantly corny ode to the collapse of the Cleveland mafia in the 1970s” that “never misses an opportunity to mythologize the meatheads who populate [the] script.”

The Los Angeles Times review likened Kill the Irishman to “clichéd shards of mob movies that add up to the usual ‘Goodfellas’ knockoff.”

Plain Dealer, October 7, 1977

Kill the Irishman is based on the violent life of a Cleveland mob figure, Daniel J. (Danny) Greene, best known for having survived several attempts on his life before falling victim to a deadly car bombing in 1977.

I was in Cleveland then, a young reporter for the city’s morning newspaper, the Plain Dealer. I remember the city’s mob scene as murky, chaotic, and not at all glamorous; its figures — including Greene — were scarcely heroic.

Greene rather struck me as an arrogant, somewhat off-kilter punk.

He was hardly a legendary character possessing the stuff that would attract serious attention beyond Cleveland.

What most rankled me about Kill the Irishman was its exaggerated premise, that there were 36 bombing in the heart of Cleveland in the summer of 1976 as Greene waged a turf war with the local Italian mafia.

Sure, Hollywood exaggerates. A lot. But a documentary-esque film ought not to cock a snook at the truth. And there was no such bombing rampage in downtown Cleveland that summer.

The claim is preposterous.

As I’ve noted previously at Media Myth Alert, the figure of 36 bombings appears to have been mistakenly taken from an article published in May 1977 in the Plain Dealer, as a sidebar to the account of the bombing death of John A. Nardi, a mob figure allied with Greene.

The sidebar article said that in all of 1976, there had been 21 bombings in Cleveland and 37 in Cuyahoga County, which includes Cleveland and most of its many suburbs. That’s a lot, but nothing as stunning or sustained as 36 bombings in the heart of the city in a single summer. Such a spree would correspond to 12 bombings a month.

That never happened.

Also off-putting is the movie’s clear objective of glamorizing the unglamorous Danny Greene. One reviewer of the Blu-Ray version called Kill the Irishman “a clichéd offering of criminal worship ….” Well said.

So maybe I’ll rent the DVD. Some day.

WJC

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Why they get it wrong

In Bay of Pigs, Cronkite Moment, Debunking, Furnish the war, Jessica Lynch, Media myths, New York Times, Newspapers, Washington Post, Watergate myth on June 3, 2011 at 6:49 am

It’s striking how several well-known journalists and news outlets have indulged over last six months in media-driven myths, those dubious tales about the news media that masquerade as factual.

The lineup of myth-indulgers is impressive and, among others, includes:

  • Bill Keller, executive editor of the New York Times, who rubbed shoulders with the Bay of Pigs suppression myth in a column in the Times in January. The suppression myth holds that at the behest of President John F. Kennedy, the Times killed or emasculated its report about the pending Bay of Pigs invasion in 1961. That tale is unfounded, as I discuss in my latest book, Getting It Wrong.
  • Mother Jones magazine which, in its May/June cover story by Rick Perlstein, offered up a rare two-fer — two media myths discussed in a single article. One of the myths was the hoary and surely apocryphal tale about William Randolph Hearst and his reputed vow to “furnish the war” with Spain. The other was about the so-called the “Cronkite Moment” of 1968, in which Walter Cronkite’s on-air assessment that the U.S. military was “mired in stalemate” in Vietnam was so powerful as to alter U.S. policy.
  • Keith Olbermann, the acerbic cable television commentator who, as he quit his prime-time Countdown show in January, referred to the  “exaggerated rescue” of Army private Jessica Lynch in the early days of the Iraq War. Such claims, raised as long ago as 2003, were unsubstantiated by an inquiry of the Defense Department’s inspector general who found the rescue operation was found to have been “a valid mission” to recover Lynch, a prisoner of war, “under combat conditions.”

What accounts for such lapses by prominent journalists and their outlets? Why do these and other media-driven myths often find their way into news reports and commentaries?

Some media myths are just too good not to be true; they almost are too good to take time to check out. The tale about Hearst’s vowing to “furnish the war” certainly falls into this category. It shouldn’t be at all difficult to locate references to the dubious character of the anecdote, which has been the subject of repeated debunking over the years.

Likewise, it can be far easier to invoke a media myths that to commit to the tedium of research and legwork. Media myths are convenient, readily at hand. Poking into their details takes time, and a willingness to challenge what are accepted as consensus narratives.

As I noted in discussing Keller’s column that invoked the Bay of Pigs suppression myth:

“Had Keller consulted the newspaper’s database of reporting about the run-up to the Bay of Pigs invasion in April 1961, he would have found that the Times reported in detail, if not always accurately, about the preparations to infiltrate a U.S.-trained brigade of Cuban exiles in an attempt to topple Fidel Castro.”

Similarly, some media myths (such as the illusory “Cronkite Moment“) may be too ingrained, too dearly held by journalists, ever to be uprooted or thoroughly repudiated.

Unlearning such tales is no small challenge, after all. The conundrum of unlearning was addressed a few months ago in a Wall Street Journal column, which noted:

“For adults, one of the most important lessons to learn in life is the necessity of unlearning. We all think that we know certain things to be true beyond doubt, but these things often turn out to be false and, until we unlearn them, they get in the way of new understanding.”

Media myths also can be convenient means of scoring political points. The two-fer in Mother Jones magazine, for example, were presented as part of a sneering attack about “fact-free” Republicans.

Moreover, media myths — the most prominent of them, anyway — resonate in contemporary contexts.

History, it has been said, is “what we decide to remember,” and journalism history is not an exception. Recalling and celebrating the memory of Cronkite’s supposedly telling truth to power about Vietnam — or of Bob Woodward and Carl Bernstein’s bringing down a corrupt presidency — is to offer reassurance to contemporary journalists at a time of confusion and upheaval in their field.

Deciding to remember such mythical tales is understandable if not justifiable, given that those tales bring solace and reassurance amid sweeping uncertainty.

WJC

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Recalling how a ‘debunker’s work is never done’

In Bay of Pigs, Bra-burning, Cronkite Moment, Debunking, Furnish the war, Jessica Lynch, Media myths, Murrow-McCarthy myth, New York Times, Reviews, War of the Worlds, Washington Post, Watergate myth, Yellow Journalism on May 20, 2011 at 5:45 am

It’s been a year since Jack Shafer, media critic for slate.com, posted his review of my media-mythbusting book, Getting It Wrong. The review offered the telling observation that a “debunker’s work is never done.”

So true.

In the 52 weeks since the review went online, I’ve posted more than 275 essays at Media Myth Alert, nearly all of them calling attention to media-driven myths that have found their way into traditional or online media.

So, no, a debunker’s work is never done.

The top posts over the past 52 weeks, as measured by page views, were these:

Shafer’s review sent traffic to Media Myth Alert, too, as it linked to my post that critically discussed Evan Thomas’ book, The War Lovers.

The review, which appeared beneath the headline “The Master of Debunk,” noted that “the only way to debunk an enshrined falsehood is with maximum reportorial firepower.”

And repetitive firepower. Debunking media myths will happen no other way.

Even then, some myths are so deeply ingrained — so delicious, beloved, and readily at hand — that they’ll probably never be thoroughly uprooted and forgotten.

The tale about William Randolph Hearst’s vow to “furnish the war” with Spain at the end of the 19th century is an excellent example. It’s been around more than 100 years.

And it surely is apocryphal, for a long list of reasons I discuss in Getting It Wrong.

Even so, “furnish the war” lives on — hardy, robust, and apparently only slightly dented for all the debunking broadsides hurled its way. Evan Thomas turned to it in War Lovers. So, more recently, did the Nieman Watchdog blog.

Another especially hardy media myth is the presumptive “Cronkite Moment” of 1968, when Walter Cronkite’s on-air assessment that the U.S. military was “mired in stalemate” in Vietnam supposedly prompted President Lyndon Johnson to declare:

“If I’ve lost Cronkite, I’ve lost Middle America.”

Or something along those lines. Versions vary markedly.

That they do vary is among the many indicators the “Cronkite Moment” is media myth. Another, more direct indicator is that Johnson did not see the program when it aired.

The “Cronkite Moment” surely will live on, too, as it represents so well the news media conceit of the effects of telling truth to power, of serving as the indispensable watchdog of government.

Shafer noted the durability of media myths in one of his periodic dismantlings of the “pharm party” phenomenon, which in some form has circulated for 40-some years. (The mythical “pharm party” has it that teens swipe pharmaceuticals from medicine cabinets at home, dump the purloined pills into a bowl at a party, and take turns swallowing handfuls to see what sort of high they’ll reach.)

Shafer wrote early last year:

“I regret to inform you that this column has failed to eradicate the ‘pharm party’ meme. Since June 2006, I’ve written five columns … debunking pharm parties, and yet the press keeps on churning out stories that pretend the events are both real and ubiquitous.”

He added:

“Any myth hearty enough to survive and thrive for 40-plus years in the media is probably unkillable.”

The Hearstian vow is easily within the 40-plus-years category. So, too, are the “Cronkite Moment,” the Bay of Pigs suppression myth, and the War of the Worlds panic meme.

Irrepressible myths, all.

WJC

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‘Getting It Wrong’ wins SPJ award for Research about Journalism

In Bay of Pigs, Bra-burning, Cronkite Moment, Debunking, Furnish the war, Hurricane Katrina, Jessica Lynch, Media myths, Media myths and radio, Murrow-McCarthy myth, New York Times, Spanish-American War, War of the Worlds, Washington Post, Watergate myth, Yellow Journalism on May 10, 2011 at 9:02 am

The Society of Professional Journalists announced today that my media-mythbusting book, Getting It Wrong, is the winner of the 2010 Sigma Delta Chi award for Research about Journalism.

The award will be presented in September at the Excellence in Journalism convention in New Orleans.

Getting It Wrong, which was published last year by the University of California Press, debunks 10 prominent media-driven myths, which are dubious tales about the news media that masquerade as factual.

Here’s a summary of the 10 myths dismantled in Getting It Wrong:

  1. Remington-Hearst: William Randolph Hearst’s famous vow “to furnish the war” with Spain is almost certainly apocryphal.
  2. War of Worlds: The notion that the War of Worlds radio dramatization in 1938 caused nationwide panic and mass hysteria is exaggerated.
  3. Murrow-McCarthy: Edward R. Murrow’s famous See It Now program in March 1954 did not end Senator Joseph McCarthy’s communists-in-government witch-hunt; Murrow in fact was very late to take on McCarthy.
  4. Bay of Pigs: The New York Times did not suppress its reporting in the run-up to the ill-fated Bay of Pigs invasion in April 1961.
  5. Cronkite-Johnson: Walter Cronkite’s special report on Vietnam in February 1968 did not prompt an immediate reassessment or revision of U.S. war policy.
  6. Bra-burning: Humor columnist Art Buchwald helped spread the notion that feminist demonstrators dramatically burned their bras at a Miss America protest in September 1968.
  7. Watergate: The Washington Post’s intrepid reporters, Carl Bernstein and Bob Woodward, did not bring down Richard Nixon’s corrupt presidency. That they did is a trope that knows few bounds.
  8. Crack babies: The much-feared “bio-underclass” of children born to women who smoked crack cocaine during their pregnancies never materialized.
  9. Jessica Lynch: The Washington Post’s erroneous reporting about Jessica Lynch early in the Iraq War gave rise to several myths about her capture and rescue.
  10. Hurricane Katrina: News coverage of Katrina’s aftermath in New Orleans in early September 2005 was marred by wild exaggerations about extreme, Mad Max-like violence.

The “Research about Journalism” award recognizes “an investigative study about some aspect of journalism,” SPJ says, and “must be based on original research; either published or unpublished, and must have been completed during the 2010 calendar year. … Judges will consider value to the profession, significance of the subject matter, thoroughness of the research, and soundness of the conclusion.”

WJC

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As if Hearst were ‘back with us,’ vowing to ‘furnish the war’

In 1897, Debunking, Furnish the war, Media myths, Spanish-American War, Yellow Journalism on May 10, 2011 at 2:26 am

Nieman Watchdog, a blog that “seeks to encourage more informed reporting,” indulged yesterday in the mythical tale of William Randolph Hearst‘s famous vow to “furnish the war” with Spain in the late 19th century.

Remington in Cuba for Hearst

It was a case of the blog’s turning to a fiction about Hearst and treating it as if it were fact.

The occasion for invoking “furnish the war” was to call attention to inaccuracies in news graphics accompanying reports last week about the slaying of terror mastermind Osama bin Laden.

“Journalism is a serious business where credibility is paramount,” the blog post asserted. “Editors need, first and foremost, to get the facts right, in graphics as well as text and video.”

The post further noted that “some publications presented as facts what was just fiction. Sometimes there was no factual support whatsoever. It’s as though William Randolph Hearst was back with us, saying once again, ‘You furnish the pictures and I’ll furnish the war.'”

As I discuss in my latest book, Getting It Wrong, the tale about Hearst’s vow to “furnish the war” is a hardy media-driven myth that lives on despite concerted attempts to discredit and dismantle it.

The vow supposedly was contained in a telegram sent to the famous artist, Frederic Remington, who was on assignment in Cuba for Hearst’s flamboyant New York Journal (see image, above). Remington and the correspondent Richard Harding Davis were assigned there to cover the insurrection against Spanish colonial rule — the conflict that gave rise in 1898 to the Spanish-American War.

They arrived in Havana in early January 1897; Remington stayed only six days.

Before leaving by passenger steamer for New York, Remington supposedly sent Hearst a cable, stating:

“Everything is quiet. There will be no war. I wish to return.”

Hearst replied with his famous vow:

“Please remain. You furnish the pictures, and I’ll furnish the war.”

But Remington didn’t stay.

He promptly returned to New York, where his sketches were given prominent display in Hearst’s Journal. They appeared with such flattering headlines as: “Cuban War Sketches Gathered in the Field by Frederic Remington; The Gifted Artist, Visiting Cuba Especially for the Journal.”

That’s hardly the sort of tribute Hearst would have granted a wayward artist who ignored specific instructions to “remain” in Cuba.

I further note in Getting It Wrong that the anecdote about Hearst’s vow “lives on despite an irreconcilable internal inconsistency: It would have been absurd for Hearst to vow to ‘furnish the war’ because war — specifically, the Cuban rebellion against Spain’s colonial rule — was the very reason Hearst sent Remington to Cuba in the first place.”

Anyone reading U.S. newspapers in early 1897 “would have been well aware,” I write, “that Cuba was a theater of a nasty war,” which gave rise in April 1898 to the Spanish-American War.

Not only that, but the artifacts themselves — the telegrams reputedly sent by Remington and Hearst — have never surfaced. And Spanish censors monitored incoming and outgoing telegraphic traffic in Havana, and they surely would have intercepted Hearst’s incendiary message — had it been sent.

For those and other reasons, the tale about the Remington-Hearst exchange is surely apocryphal — fiction that too often masquerades as fact.

WJC

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