W. Joseph Campbell

Posts Tagged ‘Hearst’

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‘News of World’ closure breaks link to 19th century yellow journalism

In 1897, Debunking, Year studies on July 10, 2011 at 12:04 am

The abrupt closure of Britain’s largest Sunday tabloid, Rupert Murdoch’s raunchy, scandal-ridden News of the World, breaks a link to the yellow journalism that flared in urban America at the end of the 19th century.

Jail-breaking journalism

I’m not referring to the News of the World’s tabloid flamboyance, which certainly evoked the typographic boldness of William Randolph Hearst’s New York Journal, a broadsheet that was the leading exemplar of American yellow journalism.

The link went deeper than appearances.

The News of the World was an heir to Hearst’s activist-oriented, participatory journalism — a self-engaging, self-promoting style of newspapering unheard of these days in the United States.

As I note in my book The Year That Defined American Journalism: 1897 and the Clash of Paradigms, Hearst’s Journal at the end of the 19th century sought to set a standard for the American press, insisting, I write, “that newspapers were obliged to inject themselves, conspicuously and vigorously, in righting the wrongs of public life, and in filling the void of government inaction and incompetence.”

The year 1897 brought memorable evidence of Hearst’s style of activist journalism.

In the summer that year, Hearst deployed a phalanx of Journal reporters to solve the grisly case of headless torso murder in New York.

Later that year, a reporter for the Journal broke from jail in Havana a 19-year-old political prisoner named Evangelina Cisneros. The Journal — and more than a few other U.S. newspapers — celebrated the breathtaking breach of international law.

For the Journal, the Cisneros jailbreak (see image, above) was “epochal” and represented the “supreme achievement” of its paradigm of activist journalism.

It acknowledged that freeing Cisneros had violated Spanish law and flouted international convention — and the Journal seemed delighted to have done so, saying:

“The Journal is quite aware of the rank illegality of its action. It knows very well that the whole proceeding is lawlessly out of tune with the prosaic and commercial nineteenth century. We shall not be surprised at international complications, nor at solemn and rebuking assurances that the age of knight errantry is dead. To that it can be answered that if innocent maidens are still imprisoned by tyrants, the knight errant is yet needed.”

That sort of willingness to wink at illegality was demonstrated by the News of the World well before it became swept up in a cellphone-voicemail hacking scandal that brought about its demise.

Final edition

The News of the World, which published its final issue today, had been for years one of the world’s most controversial titles, due in part to its activist-oriented undercover operations, ostensibly undertaken to bring drug dealers, fugitive financiers, and other criminals to justice.

As I noted in my 2001 book, Yellow Journalism: Puncturing the Myths, Defining the Legacies, the targets of the News of the World often were “small-time celebrities and wayward sports figures dabbling in modest quantities of illegal drugs. The undercover methods were criticized as entrapment and dismissed as ‘a kind of investigative reporting without much investigating.'”

I also described a notorious case in 1999, in which reporters for News of the World “posed as wealthy Arabs and enticed a British earl to buy cocaine and share the drug with them. A detailed report about the peer’s conduct — he was depicted as drunkenly snorting cocaine with a £5 note — soon after was splashed across News of the World. He was arrested and convicted of selling drugs.

“But the presiding judge declined to send the peer to jail, citing the subterfuge of the News of the World. If not for the journalists’ sting, the judge observed, the crimes likely would not have been committed.”

Such outlandishness hinted at the tabloid’s more recent and more egregious misconduct of breaking into the cellular phone voicemail of hundreds of people, including members of Britain’s royal family and perhaps victims of the terror attack on London’s subway system July 2005.

Phone-hacking, of course, wasn’t an element in the repertoire of the yellow press of Hearst or of his mean-spirited rival, Joseph Pulitzer. Nor did they did bring on the war with Spain in 1898, as is often alleged.

But on occasion they turned to deception, misrepresentation, and self-motivated activism in pursuit of their lusty brand of big-time journalism.

WJC

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Those delicious but phony quotes ‘that refuse to die’

In Cinematic treatments, Cronkite Moment, Debunking, Furnish the war, Media myths, Murrow-McCarthy myth, Spanish-American War, Washington Post, Watergate myth on June 25, 2011 at 10:31 am

Craig Silverman, author of Regret the Error, posted an intriguing column yesterday about appealing but dubious quotations that journalists seem especially prone to cite, noting that such famous lines “often turn out to be manufactured or inexact representations.”

It’s an important reminder, given the endless popularity of quotations that are neat, tidy, and irresistibly delicious. As I note in my latest book, Getting It Wrong, “Turns of phrase that sound too neat and tidy often are too perfect to be true.”

Plouffe: Not so 'queasy'?

Silverman’s column, titled “Misquotes that refuse to die,” was centered around a comment attributed in 2009 to David Plouffe, Barrack Obama’s campaign manager in 2008.

Plouffe supposedly said he felt a bit “queasy” about the prospect of Obama’s facing Jon Huntsman, the Republican former Utah governor, in the presidential election in 2012.

“Plouffe never said it,” Silverman wrote, describing how the queasy line took on life of its own.

Journalists can be particularly susceptible to such succinct “little gems,” as Silverman put it, because the gems are so effective in making a point or in distilling complexity.

Silverman’s column noted two famous, dubious quotes that I dismantle in Getting It Wrong.

One of them is the comment misattributed to President Lyndon Johnson who,  in reaction to Walter Cronkite’s on-air assessment that the war in Vietnam was “mired in stalemate,” supposedly said:

“If I’ve lost Cronkite, I’ve lost Middle America.”

Or something to that effect.

Versions as to what Johnson supposedly said vary quite a lot — which can be a marker of a media myth. I also point out in Getting It Wrong that Johnson did not see the Cronkite report when it aired on CBS on February 27, 1968.

The other dubious quote discussed in Getting It Wrong and mentioned by Silverman is William Randolph Hearst’s purported vow to “furnish the war” with Spain.

Reasons for doubting the Hearstian vow are many, I write, and include the fact that the telegram in which Hearst supposedly made the statement has never turned up. Plus, Hearst denied making such a vow.

A number of other famous and delicious quotes favored by journalists likewise have proven to be false, made-up, or of mythical dimension; among them:

  • “Too early to say.” It’s often said that Chinese premier Zhou Enlai offered the observation in 1972, as sage, far-sighted analysis about the effects of the French Revolution of 1789. But according to a retired American diplomat, Charles W.  (Chas) Freeman Jr., Zhou’s comment, which came during President Richard Nixon’s visit to China in February 1972, was about political turmoil in France in 1968. “I cannot explain the confusion about Zhou’s comment, except in terms of the extent to which it conveniently bolstered a stereotype” about Chinese leaders taking an exceptionally long and patient view of history, Freeman said recently. Freeman was Nixon’s interpreter on the trip.

So what to do about these delicious but dubious and phony quotations?

Keep pounding away at them, calling them out for what they are, whenever they appear. That’s the only effective way of debunking.

But even then, thorough and utter debunking can be rare.

WJC

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Wrong-headed history: Yellow press stampeded U.S. to war

In Debunking, Media myths, Spanish-American War, Yellow Journalism on June 21, 2011 at 9:13 am

Glib but thinly substantiated.

Hearst: War-monger?

That characterizes the not-infrequent claims about William Randolph Hearst, Joseph Pulitzer, and the war-mongering ways of their yellow newspapers. The claims are readily offered but rarely documented.

Take, for example, an essay published yesterday at Huffington Post which addressed the farcical campaign of the satiric newspaper, the Onion, to seek a Pulitzer Prize.

The HuffPo essay was headlined, “Why not give The Onion a Pulitzer?” and offered this dollop of wrong-headed history:

“Pulitzer and William Randolph Hearst used their newspapers to stampede the country into the Spanish-American War. A century later, the publications most often honored by Pulitzer Prizes went along for the ride of our Iraqi adventure in the same fashion — which makes the point that today’s regular Pulitzer honorees haven’t come very far from the journalism practiced in Pulitzer’s day.”

The latter claim — “today’s regular Pulitzer honorees haven’t come very far” — is risible. The preceding claim about the yellow press and a “stampede” to war with Spain is utterly false.

As I discussed in my 2001 book, Yellow Journalism: Puncturing the Myths, Defining the Legacies:

“The yellow press is not to blame for the Spanish-American-War. It did not force — it could not have forced — the United States into hostilities with Spain over Cuba in 1898. The conflict was, rather, the result of a convergence of forces far beyond the control or direct influence of even the most aggressive of the yellow newspapers, William Randolph Hearst’s New York Journal. ”

In 1898, Pulitzer and Hearst published six newspapers between them. Pulitzer’s were the World and the Evening World in New York, and the Post-Dispatch in St. Louis. Hearst’s were the Journal, the New York Evening Journal, and the San Francisco Examiner.

Those half-dozen titles wielded no more than modest agenda-setting influence on the rest of the American press, which then numbered more than 2,200 daily newspapers.

As I pointed out in Yellow Journalism:

“There is little evidence that the press beyond New York City, especially in small-town and rural America, was influenced by the content of the yellow journals, including their demands for war after the destruction of the Maine,” the American battleship that blew up in Havana harbor in February 1898, killing 266 officers and sailors.

The destruction of the Maine was a triggering event of the war with Spain for the future of Cuba. But it was not the sole factor, or even necessarily the decisive factor.

Effects of 'reconcentration'

What more than anything led America to war in 1898 were Spain’s brutal efforts to suppress the rebellion on Cuba, a vicious conflict that began in February 1895.

Spain sought to crush the rebellion by forcing Cuban non-combattants – old men, women, and children– into were called “reconcentration centers,” to prevent the non-combattants from giving aid, succor, and supplies to the Cuban rebels.

Spain’s “reconcentration” policy was a disaster. Tens of thousands of Cubans fell victim to disease and starvation. U.S. newspapers — including but certainly not limited to the dailies of Pulitzer and Hearst — were aware of, and reported extensively about, the humanitarian crisis that had taken hold on Cuba by early 1898.

That crisis — and not the often-flamboyant contents of the yellow press — was what precipitated the conflict with Spain.

As the historian David Trask has written, Americans in 1898 “went to war convinced that they had embarked upon an entirely selfless mission for humanity,” to end Spain’s brutal rule of Cuba.

It’s important to note that the fierce Pulitzer-Hearst competition for readers in New York undercut whatever power their respective newspapers may have wielded in shaping U.S. public opinion and U.S. policy toward Spain.

As I noted in Yellow Journalism, the newspapers of Pulitzer and Hearst “were not in lockstep but sought instead to denigrate, undercut, or minimize the other’s coverage during the months before and after the United States declared war on Spain.”

The broader effect of the Pulitzer-Hearst rivalry, I noted, “likely was to diminish the integrity and, in turn, the credibility and  presumed influence” of their newspapers, further weakening their agenda-setting capacity.

WJC

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Why history is badly taught, poorly learned

In Cinematic treatments, Debunking, Media myths on June 19, 2011 at 12:41 pm

I’m not much a fan of the work of David McCullough, the award-winning popular historian whose latest book is the well-received The Greater Journey: Americans in Paris.

I couldn’t get through McCullough’s acclaimed 1776, a military history of a decisive year in American life that oddly had little to say about the Declaration of Independence.

But McCullough, in an interview published in yesterday’s Wall Street Journal, offered several provocative and telling points about why American history is so badly taught and so poorly grasped.

The splintered state of historical studies is one of the factors, McCullough said, adding:

“History is often taught in categories — women’s history, African American history, environmental history — so that many of the students have no sense of chronology. They have no idea what followed what.”

That’s a fair point. History by interest group can be an invitation to incoherence.

McCullough also pointed out that textbooks on history tend to “so politically correct as to be comic. Very minor characters that are currently fashionable are given considerable space, whereas people of major consequence … are given very little space or none at all.”

What’s more, as McCullough noted, textbooks often are tedious, boring, and poorly written. Historians by and large “haven’t learned to write very well,” McCullough wrote.

Although McCullough didn’t mention this in the interview, learning history can be frustrating because history is prone to error, distortion, and myth.

History quite simply can be myth-encrusted — and unlearning the myths of history can be challenging, time-consuming, and often unrewarding.

As I discuss in Getting It Wrong, my media-mythbusting book that came out last year, myths in history spring from many sources, including the timeless appeal of the tale that’s simple and delicious.

A telling example is the undying tale about William Randolph Hearst’s purported vow in an exchange of telegrams with Frederic Remington to “furnish the war” with Spain at the end of the 19th century.

As I discuss in Getting It Wrong, among the many reasons for doubting that anecdote are Hearst’s denial and the absence of any supporting documentation. The Remington-Hearst telegrams have never surfaced.

But the tale lives on, as an appealing yet exceedingly simplified explanation about the causes of the Spanish-American War and as presumptive evidence of Hearst’s madcap and ethically compromised ways.

The urge to simplify history also explains the tenacity of the so-called “Cronkite Moment” of 1968, when the CBS News anchorman’s assessment of the Vietnam War as a “stalemate” supposedly prompted President Lyndon Johnson to realize the folly of his war policy and not to seek reelection.

However, as I discuss in Getting It Wrong, Johnson did not see the program when it aired, and Cronkite until late in his life claimed his “stalemate” assessment had at best modest influence, that it was “another straw on the back of a crippled camel.”

And even that effect was probably exaggerated.

But the notion that the “Cronkite Moment” was powerful and decisive has been promoted by many historians, notably David Halberstam in his error-riddled The Powers That Be.

The cinema, too, often injects error and misunderstanding into historical topics.

Hollywood’s treatment of Bob Woodward and Carl Bernstein’s investigative reporting for the Washington Post is an important reason why many people erroneously believe that Woodward and Bernstein brought down Richard Nixon’s corrupt presidency.

Good history and successful cinema are quite often at odds, as Richard Bernstein noted in a memorable essay published several years ago in the New York Times.

“Artists who present as fact things that never happened, who refuse to allow the truth to interfere with a good story, are betraying their art and history,” Bernstein wrote.

So there are plenty of reasons beyond McCullough’s useful observations as to why American history is so poorly understood.

It may always be that way. After all, as the Scottish historian Gerard De Groot has noted, history is “what we decide to remember.

“We mine the past,” he has written, “for myths to buttress our present.”

WJC

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‘Too early to say’: Zhou was speaking about 1968, not 1789

In Debunking, Media myths on June 14, 2011 at 8:50 am

Nixon and Zhou, 1972

When Chinese premier Zhou Enlai famously said it was “too early” to assess the implications of the French revolution, he was referring to turmoil in France in 1968 and not — as is commonly thought — to the more distant political upheaval of 1789.

So says a retired American diplomat, Charles W.  (Chas) Freeman Jr., who was present when Zhou made the comment during President Richard Nixon’s visit to China in February 1972.

Freeman, who was Nixon’s interpreter during the historic, weeklong trip, made the disclosure last week during a panel discussion in Washington about On China, the latest book by former Secretary of State Henry Kissinger.

The discussion was moderated by Richard McGregor, a journalist and China expert who wrote about Freeman’s comments for the Financial Times of London.

In an interview yesterday, Freeman elaborated on his recollection about Zhou’s comment, the conventional interpretation of which is frequently offered as evidence of China’s sage, patient, and far-sighted ways. Foreign Policy magazine, for example, referred last month to that interpretation, saying the comment was “a cautionary warning of the perils of judgments made in real time.”

The Washington Post’s recent review of Kissinger’s book likewise referred to the conventional understanding of Zhou’s remark.

Freeman described Zhou’s misconstrued comment as “one of those convenient misunderstandings that never gets corrected.”

He said Zhou’s remark probably was made over lunch or dinner, during a discussion about revolutions that had succeeded and failed. They included, Freeman said, the Prague Spring of 1968 and the Hungarian uprising of 1956, both of which the Soviet Union crushed.

He said it was clear from the context and content of Zhou’s comment that in saying it was “too early to say” the Chinese leader was speaking about the events in France in May 1968, not the years of upheaval that began in 1789.

Freeman acknowledged that the conventional interpretation makes for a better story but added that it was “absolutely clear” from the context of the discussion that Zhou was speaking about 1968.

Just how Zhou’s remark came to be misinterpreted, Freeman was unable to say.

“I cannot explain the confusion about Zhou’s comment except in terms of the extent to which it conveniently bolstered a stereotype (as usual with all stereotypes, partly perceptive) about Chinese statesmen as far-sighted individuals who think in longer terms than their Western counterparts,” Freeman said in a follow-up email. “It was what people wanted to hear and believe, so it took” hold.

He described Zhou’s misinterpreted remark as “a classic of the genre of a constantly repeated misunderstanding that has taken on a life of its own.”

The Zhou comment also represents a reminder about the often-irresistible quality of pithy and apparently telling quotations — a topic discussed in my latest book, Getting It Wrong, which addresses and debunks 10 prominent media-driven myths. (An expanded second edition of Getting It Wrong came out in late 2016.)

“Turns of phrase that sound too neat and tidy often are too perfect to be true,” I write in discussing such media myths as William Randolph Hearst’s reputed vow — supposedly made in an exchange of telegrams with the artist Frederic Remington — to “furnish the war” with Spain in the 1890s.

“Like many media-driven myths,” I write, the purported Hearstian vow “is succinct, savory, and easily remembered. It is almost too good not to be true.” As is the conventional interpretation of Zhou’s “too early to say” remark.

I note in Getting It Wrong that among the many reasons for doubting the anecdote is that it “would have been absurd for Hearst to vow to ‘furnish the war’ because war — specifically, the Cuban rebellion against Spain’s colonial rule — was the very reason Hearst sent Remington to Cuba in the first place.”

Anyone reading U.S. newspapers in January 1897, when Remington was in Cuba on assignment for Hearst’s New York Journal, “would have been well aware,” I write, “that Cuba was a theater of a nasty war.”

What I call version variability — the imprecision that alters or distorts an anecdote in its retelling — has afflicted Zhou’s “too early to say” comment. Some accounts, for example, have attributed the remark to Chinese dictator Mao Zedong.

Another account has it that Zhou, who died in 1976, made the comment in Geneva in 1953, in response to a French journalist’s question.

Freeman said he doubted that version was accurate.

Zhou, he said, “was a man with a graceful wit but not given to facetious remarks.”

WJC

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Why they get it wrong

In Bay of Pigs, Cronkite Moment, Debunking, Furnish the war, Jessica Lynch, Media myths, New York Times, Newspapers, Washington Post, Watergate myth on June 3, 2011 at 6:49 am

It’s striking how several well-known journalists and news outlets have indulged over last six months in media-driven myths, those dubious tales about the news media that masquerade as factual.

The lineup of myth-indulgers is impressive and, among others, includes:

  • Bill Keller, executive editor of the New York Times, who rubbed shoulders with the Bay of Pigs suppression myth in a column in the Times in January. The suppression myth holds that at the behest of President John F. Kennedy, the Times killed or emasculated its report about the pending Bay of Pigs invasion in 1961. That tale is unfounded, as I discuss in my latest book, Getting It Wrong.
  • Mother Jones magazine which, in its May/June cover story by Rick Perlstein, offered up a rare two-fer — two media myths discussed in a single article. One of the myths was the hoary and surely apocryphal tale about William Randolph Hearst and his reputed vow to “furnish the war” with Spain. The other was about the so-called the “Cronkite Moment” of 1968, in which Walter Cronkite’s on-air assessment that the U.S. military was “mired in stalemate” in Vietnam was so powerful as to alter U.S. policy.
  • Keith Olbermann, the acerbic cable television commentator who, as he quit his prime-time Countdown show in January, referred to the  “exaggerated rescue” of Army private Jessica Lynch in the early days of the Iraq War. Such claims, raised as long ago as 2003, were unsubstantiated by an inquiry of the Defense Department’s inspector general who found the rescue operation was found to have been “a valid mission” to recover Lynch, a prisoner of war, “under combat conditions.”

What accounts for such lapses by prominent journalists and their outlets? Why do these and other media-driven myths often find their way into news reports and commentaries?

Some media myths are just too good not to be true; they almost are too good to take time to check out. The tale about Hearst’s vowing to “furnish the war” certainly falls into this category. It shouldn’t be at all difficult to locate references to the dubious character of the anecdote, which has been the subject of repeated debunking over the years.

Likewise, it can be far easier to invoke a media myths that to commit to the tedium of research and legwork. Media myths are convenient, readily at hand. Poking into their details takes time, and a willingness to challenge what are accepted as consensus narratives.

As I noted in discussing Keller’s column that invoked the Bay of Pigs suppression myth:

“Had Keller consulted the newspaper’s database of reporting about the run-up to the Bay of Pigs invasion in April 1961, he would have found that the Times reported in detail, if not always accurately, about the preparations to infiltrate a U.S.-trained brigade of Cuban exiles in an attempt to topple Fidel Castro.”

Similarly, some media myths (such as the illusory “Cronkite Moment“) may be too ingrained, too dearly held by journalists, ever to be uprooted or thoroughly repudiated.

Unlearning such tales is no small challenge, after all. The conundrum of unlearning was addressed a few months ago in a Wall Street Journal column, which noted:

“For adults, one of the most important lessons to learn in life is the necessity of unlearning. We all think that we know certain things to be true beyond doubt, but these things often turn out to be false and, until we unlearn them, they get in the way of new understanding.”

Media myths also can be convenient means of scoring political points. The two-fer in Mother Jones magazine, for example, were presented as part of a sneering attack about “fact-free” Republicans.

Moreover, media myths — the most prominent of them, anyway — resonate in contemporary contexts.

History, it has been said, is “what we decide to remember,” and journalism history is not an exception. Recalling and celebrating the memory of Cronkite’s supposedly telling truth to power about Vietnam — or of Bob Woodward and Carl Bernstein’s bringing down a corrupt presidency — is to offer reassurance to contemporary journalists at a time of confusion and upheaval in their field.

Deciding to remember such mythical tales is understandable if not justifiable, given that those tales bring solace and reassurance amid sweeping uncertainty.

WJC

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Noting the anniversary of Twain’s ‘report of my death’ comment

In 1897, Anniversaries, Debunking, Media myths, Newspapers, Yellow Journalism on June 1, 2011 at 7:02 am

Tomorrow marks the 114th anniversary of Mark Twain‘s well-known, much-quoted, often-distorted observation: “The report of my death was an exaggeration.”

As is discussed in my 2006 book, The Year That Defined American Journalism, Twain’s remark was prompted by an article published June 1, 1897, in the New York Herald.

Mark Twain, 1907

The Herald, which then was regarded as one of the top daily newspapers in America, reported Twain, then 61, to be “grievously ill and possibly dying. Worse still, we are told that his brilliant intellect is shattered and that he is sorely in need of money.”

Twain was in London then, preparing to cover Queen Victoria’s Diamond Jubilee for William Randolph Hearst’s flamboyant New York Journal. That association allowed the Journal to puncture the Herald’s account as false.

In an article published June 2, 1897, beneath the headline, “Mark Twain Amused,” the Journal skewered the Herald’s story and offered Twain’s timeless denial: “The report of my death was an exaggeration.”

Twain’s line is often quoted as “the news of my death has been greatly exaggerated” and, sometimes, the Journal is said to have been the source for the erroneous report rather than the agent of its swift debunking.

According to the Journal, Twain said the likely source of the Herald’s error was the serious illness of his cousin, J.R. Clemens, who had been in London a few weeks before.

Ever eager to indulge in self-promotion, Hearst’s Journal enthusiastically embraced its brief association with Twain. Even so, it couldn’t have been much pleased with what the humorist filed about Victoria’s Jubilee.

As I wrote in The Year That Defined American Journalism, “Twain’s reporting about Victoria’s jubilee seemed half-hearted and hardly inspired. The spectacle was easily the most regal international story of 1897, and came at a time when the British empire was at or near its height. But Twain found the celebration overwhelming,” calling it “a spectacle for the kodak [camera], not the pen.”

Twain’s dispatch to the Journal also included this strange observation:

“I was not dreaming of so stunning a show. All the nations seemed to be filing by. They all seemed to be represented. It was a sort of allegorical suggestion of the Last Day, and some who live to see that day will probably recall this one if they are not too much disturbed in the mind at the time.”

Lining up Twain to cover the Jubilee was emblematic of Hearst’s inclination to spend lavishly to recruit big-name talent, if only for spot assignments.

Hearst was the leading practitioner of yellow journalism, or what he called the “journalism of action,” which embraced an activist vision for American newspapering.

His Journal argued that “a newspaper may fitly render any public service within its power. Acting on this principle, it has fed the hungry, brought criminals to justice and enforced by legal methods the responsibility of public officials.”

Not everyone was comfortable with or admired such an activist vision, especially as it came with such heavy and frequent doses of acute self-promotion.

Twain didn’t much like it, either. In his autobiography, he likened Hearstian yellow journalism to “that calamity of calamities.”

WJC

Related:

<!–[if !mso]> –> Twain’s reporting about Victoria’s jubilee seemed half-hearted and hardly inspired. The spectacle was easily the most regal international story of 1897, and came at a time when the British empire at or near its height. But Twain found the celebration overwhelming—“a spectacle for the kodak [camera], not the pen.”[i] His dispatch included this strange observation: “I was not dreaming of so stunning a show. All the nations seemed to be filing by. They all seemed to be represented. It was a sort of allegorical suggestion of the Last Day, and some who live to see that day will probably recall this one if they are not too much disturbed in mind at the time.”

[i]. Mark Twain, “The Great Jubilee As Described by the Journal’s Special Writers: Mark Twain’s Pen Picture of the Great Pageant in Honor of Victoria’s Sixtieth Anniversary,” New York Journal (23 June 1897): 1.

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Recalling how a ‘debunker’s work is never done’

In Bay of Pigs, Bra-burning, Cronkite Moment, Debunking, Furnish the war, Jessica Lynch, Media myths, Murrow-McCarthy myth, New York Times, Reviews, War of the Worlds, Washington Post, Watergate myth, Yellow Journalism on May 20, 2011 at 5:45 am

It’s been a year since Jack Shafer, media critic for slate.com, posted his review of my media-mythbusting book, Getting It Wrong. The review offered the telling observation that a “debunker’s work is never done.”

So true.

In the 52 weeks since the review went online, I’ve posted more than 275 essays at Media Myth Alert, nearly all of them calling attention to media-driven myths that have found their way into traditional or online media.

So, no, a debunker’s work is never done.

The top posts over the past 52 weeks, as measured by page views, were these:

Shafer’s review sent traffic to Media Myth Alert, too, as it linked to my post that critically discussed Evan Thomas’ book, The War Lovers.

The review, which appeared beneath the headline “The Master of Debunk,” noted that “the only way to debunk an enshrined falsehood is with maximum reportorial firepower.”

And repetitive firepower. Debunking media myths will happen no other way.

Even then, some myths are so deeply ingrained — so delicious, beloved, and readily at hand — that they’ll probably never be thoroughly uprooted and forgotten.

The tale about William Randolph Hearst’s vow to “furnish the war” with Spain at the end of the 19th century is an excellent example. It’s been around more than 100 years.

And it surely is apocryphal, for a long list of reasons I discuss in Getting It Wrong.

Even so, “furnish the war” lives on — hardy, robust, and apparently only slightly dented for all the debunking broadsides hurled its way. Evan Thomas turned to it in War Lovers. So, more recently, did the Nieman Watchdog blog.

Another especially hardy media myth is the presumptive “Cronkite Moment” of 1968, when Walter Cronkite’s on-air assessment that the U.S. military was “mired in stalemate” in Vietnam supposedly prompted President Lyndon Johnson to declare:

“If I’ve lost Cronkite, I’ve lost Middle America.”

Or something along those lines. Versions vary markedly.

That they do vary is among the many indicators the “Cronkite Moment” is media myth. Another, more direct indicator is that Johnson did not see the program when it aired.

The “Cronkite Moment” surely will live on, too, as it represents so well the news media conceit of the effects of telling truth to power, of serving as the indispensable watchdog of government.

Shafer noted the durability of media myths in one of his periodic dismantlings of the “pharm party” phenomenon, which in some form has circulated for 40-some years. (The mythical “pharm party” has it that teens swipe pharmaceuticals from medicine cabinets at home, dump the purloined pills into a bowl at a party, and take turns swallowing handfuls to see what sort of high they’ll reach.)

Shafer wrote early last year:

“I regret to inform you that this column has failed to eradicate the ‘pharm party’ meme. Since June 2006, I’ve written five columns … debunking pharm parties, and yet the press keeps on churning out stories that pretend the events are both real and ubiquitous.”

He added:

“Any myth hearty enough to survive and thrive for 40-plus years in the media is probably unkillable.”

The Hearstian vow is easily within the 40-plus-years category. So, too, are the “Cronkite Moment,” the Bay of Pigs suppression myth, and the War of the Worlds panic meme.

Irrepressible myths, all.

WJC

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‘Getting It Wrong’ wins SPJ award for Research about Journalism

In Bay of Pigs, Bra-burning, Cronkite Moment, Debunking, Furnish the war, Hurricane Katrina, Jessica Lynch, Media myths, Media myths and radio, Murrow-McCarthy myth, New York Times, Spanish-American War, War of the Worlds, Washington Post, Watergate myth, Yellow Journalism on May 10, 2011 at 9:02 am

The Society of Professional Journalists announced today that my media-mythbusting book, Getting It Wrong, is the winner of the 2010 Sigma Delta Chi award for Research about Journalism.

The award will be presented in September at the Excellence in Journalism convention in New Orleans.

Getting It Wrong, which was published last year by the University of California Press, debunks 10 prominent media-driven myths, which are dubious tales about the news media that masquerade as factual.

Here’s a summary of the 10 myths dismantled in Getting It Wrong:

  1. Remington-Hearst: William Randolph Hearst’s famous vow “to furnish the war” with Spain is almost certainly apocryphal.
  2. War of Worlds: The notion that the War of Worlds radio dramatization in 1938 caused nationwide panic and mass hysteria is exaggerated.
  3. Murrow-McCarthy: Edward R. Murrow’s famous See It Now program in March 1954 did not end Senator Joseph McCarthy’s communists-in-government witch-hunt; Murrow in fact was very late to take on McCarthy.
  4. Bay of Pigs: The New York Times did not suppress its reporting in the run-up to the ill-fated Bay of Pigs invasion in April 1961.
  5. Cronkite-Johnson: Walter Cronkite’s special report on Vietnam in February 1968 did not prompt an immediate reassessment or revision of U.S. war policy.
  6. Bra-burning: Humor columnist Art Buchwald helped spread the notion that feminist demonstrators dramatically burned their bras at a Miss America protest in September 1968.
  7. Watergate: The Washington Post’s intrepid reporters, Carl Bernstein and Bob Woodward, did not bring down Richard Nixon’s corrupt presidency. That they did is a trope that knows few bounds.
  8. Crack babies: The much-feared “bio-underclass” of children born to women who smoked crack cocaine during their pregnancies never materialized.
  9. Jessica Lynch: The Washington Post’s erroneous reporting about Jessica Lynch early in the Iraq War gave rise to several myths about her capture and rescue.
  10. Hurricane Katrina: News coverage of Katrina’s aftermath in New Orleans in early September 2005 was marred by wild exaggerations about extreme, Mad Max-like violence.

The “Research about Journalism” award recognizes “an investigative study about some aspect of journalism,” SPJ says, and “must be based on original research; either published or unpublished, and must have been completed during the 2010 calendar year. … Judges will consider value to the profession, significance of the subject matter, thoroughness of the research, and soundness of the conclusion.”

WJC

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As if Hearst were ‘back with us,’ vowing to ‘furnish the war’

In 1897, Debunking, Furnish the war, Media myths, Spanish-American War, Yellow Journalism on May 10, 2011 at 2:26 am

Nieman Watchdog, a blog that “seeks to encourage more informed reporting,” indulged yesterday in the mythical tale of William Randolph Hearst‘s famous vow to “furnish the war” with Spain in the late 19th century.

Remington in Cuba for Hearst

It was a case of the blog’s turning to a fiction about Hearst and treating it as if it were fact.

The occasion for invoking “furnish the war” was to call attention to inaccuracies in news graphics accompanying reports last week about the slaying of terror mastermind Osama bin Laden.

“Journalism is a serious business where credibility is paramount,” the blog post asserted. “Editors need, first and foremost, to get the facts right, in graphics as well as text and video.”

The post further noted that “some publications presented as facts what was just fiction. Sometimes there was no factual support whatsoever. It’s as though William Randolph Hearst was back with us, saying once again, ‘You furnish the pictures and I’ll furnish the war.'”

As I discuss in my latest book, Getting It Wrong, the tale about Hearst’s vow to “furnish the war” is a hardy media-driven myth that lives on despite concerted attempts to discredit and dismantle it.

The vow supposedly was contained in a telegram sent to the famous artist, Frederic Remington, who was on assignment in Cuba for Hearst’s flamboyant New York Journal (see image, above). Remington and the correspondent Richard Harding Davis were assigned there to cover the insurrection against Spanish colonial rule — the conflict that gave rise in 1898 to the Spanish-American War.

They arrived in Havana in early January 1897; Remington stayed only six days.

Before leaving by passenger steamer for New York, Remington supposedly sent Hearst a cable, stating:

“Everything is quiet. There will be no war. I wish to return.”

Hearst replied with his famous vow:

“Please remain. You furnish the pictures, and I’ll furnish the war.”

But Remington didn’t stay.

He promptly returned to New York, where his sketches were given prominent display in Hearst’s Journal. They appeared with such flattering headlines as: “Cuban War Sketches Gathered in the Field by Frederic Remington; The Gifted Artist, Visiting Cuba Especially for the Journal.”

That’s hardly the sort of tribute Hearst would have granted a wayward artist who ignored specific instructions to “remain” in Cuba.

I further note in Getting It Wrong that the anecdote about Hearst’s vow “lives on despite an irreconcilable internal inconsistency: It would have been absurd for Hearst to vow to ‘furnish the war’ because war — specifically, the Cuban rebellion against Spain’s colonial rule — was the very reason Hearst sent Remington to Cuba in the first place.”

Anyone reading U.S. newspapers in early 1897 “would have been well aware,” I write, “that Cuba was a theater of a nasty war,” which gave rise in April 1898 to the Spanish-American War.

Not only that, but the artifacts themselves — the telegrams reputedly sent by Remington and Hearst — have never surfaced. And Spanish censors monitored incoming and outgoing telegraphic traffic in Havana, and they surely would have intercepted Hearst’s incendiary message — had it been sent.

For those and other reasons, the tale about the Remington-Hearst exchange is surely apocryphal — fiction that too often masquerades as fact.

WJC

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